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Profiles Person Place Organization Work by Schenker Journal Musical Composition Downloads temporarily removed for testing purposes	New York Public Library, Performing Arts Library, Music Division New York, USA Documents associated with this entity: Correspondence Lessonbooks Other material Oster Collection This collection of Schenker's materials, deposited at the New York Public Library in 1979/80 after the death of Ernst Oster, includes correspondence with the publishers Universal Edition of Vienna (939 items), Drei Masken Verlag of Munich and Waldheim-Eberle of Vienna (384 items), and to and from others, spanning his entire career. It also includes Schenker's lessonbooks (1912–31) and lesson notes (1931/32), and his scrapbook preserving clippings from newspapers and journals (1902–35). In addition, it contains many music analyses and graphs (mostly organized by composer), preparatory manuscript and typed materials for publications, including texts of unpublished works, and a collection of books, pamphlets, and scores (many with annotations and corrections). The collection was preserved and catalogued in 1988-90 with funding from the National Endowment for the Humanities and a finding-list published. The entire collection is available on microfilm. Kosovsky, Robert, comp., The Oster Collection: Papers of Heinrich Schenker: A Finding List (New York: New York Public Library, 1990) Downloads temporarily removed for testing purposes Correspondence OC 52/386 Handwritten letter from Josef Weinberger to Schenker, dated March 23, 1901 Thanks Schenker for mediating with Julius Röntgen, and confirms acceptance of the C. P. E. Bach keyboard edition. OC 52/1 Handwritten postcard from Josef Weinberger (UE) to Schenker, dated May 30, 1901 Weinberger summons Schenker to finalize details over C. P. E. Bach edition. OC 52/2 Handwritten letter from Josef Weingartner and Adolf Robitschek (UE), to Schenker, dated November 9, 1901 Inquires when Schenker's C. P. E. Bach keyboard edition can be expected. OC 52/387 Handwritten letter from Josef Weinberger and Hugo Winter (UE) to Schenker, dated December 28, 1901 Acknowledges receipt of manuscript of C. P. E. Bach Klavierwerke, and has transferred honorarium. OC 52/3 Receipt for payment from Universal Edition to Schenker, dated December 31, 1901 Receipt signed by Schenker for payment of honorarium by Universal Edition OC 52/4 Handwritten postcard from Stedler(?) (UE) to Schenker, dated July 4, 1902 Asks for the manuscript copy of C. P. E. Bach Klavierwerke to be returned. OC 52/5 Handwritten postcard from Stedler(?) (UE) to Schenker, dated July 4, 1902 Annotation on p. VII is impossible. OC 52/380 Typewritten letter from Weinberger and Winter (UE) to Schenker, dated July 15, 1902 UE has agreed to issue the introduction to Schenker's edition of C. P. E. Bach keyboard works as a separate publication [Ein Beitrag zur Ornamentation], requests the manuscript, and transfers the remainder of the honorarium. OC 52/6 Typewritten letter from Winter and Artaria (UE) to Schenker, dated August 26, 1902 Asks for the manuscript of the Beitrag zur Ornamentik. OC B/218 Handwritten letter from the British Museum (George Knottesford Fortesque) to Schenker, dated September 13, 1902 Gives publication details of Haydn's Scottish Airs. OC 52/382 Handwritten note by Schenker, dated October 6, 1902 Amount of honorarium OC 52/381 Typewritten letter from Winter and Weinberger (UE) to Schenker, dated October 6, 1902 UE has transferred the honorarium for the Beitrag zur Ornamentik, apologizes for the delay, and sends the contract for signing. OC 52/7 Receipt for payment from Universal Edition to Schenker, dated October 8, 1902 Receipt for payment of honorarium by Universal Edition OC 52/8 Typewritten letter from Steder(?) (UE) to Schenker, dated July 11, 1903 Weinberger is away; Haydn trios are covered; still welcomes Schenker's choice of work to edit. OC 52/9 Typewritten letter from Robitschek and Winter (UE) to Schenker, dated July 23, 1903 UE offers Schenker the arrangement of Handel organ concertos. OC 52/10 Typewritten letter from Robitschek and Winter (UE) to Schenker, dated July 28, 1903 Contract for Handel Organ Concertos received; distribution of complimentary copies of Beitrag zur Ornamentik. OC 52/11 Typewritten letter from Steder(?) (UE) to Schenker, dated September 4, 1903 Weinberger will respond re: the Syrian Dances when back. OC B/216 Handwritten letter from the British Museum (George Knottesford Fortesque) to Schenker, dated October 30, 1903 Gives the Museum's holdings of Thomson's books of Scottish and Welsh songs. OC 52/12 Handwritten letter from E. Ascherberg to Universal Edition, dated January 20, 1904 Ascherberg reports research on ballads arranged by Haydn. OC 52/13 Typewritten letter from Weinberger and Hardmuth (UE) to Schenker, dated February 3, 1904 UE sends Schenker the bill for British Museum research. OC 52/14 Handwritten receipt from UE to Schenker, dated June 7, 1904 UE receipt for return of score materials OC 52/391 Typewritten letter from Weinberger and Herzmansky (UE) to Schenker, dated June 20, 1904 UE refuses to raise Schenker's honorarium for vol. II of the Handel Organ Concertos. OC 52/392 Handwritten note by Schenker, dated June 20, 1904 Schenker notes down contents of OC 52/391. OC 52/393 Typewritten letter from Robitschek and Weinberger (UE) to Schenker, dated June 22, 1904 UE confirms transfer of revised honorarium for Handel Organ Concertos, vol. I. OC 52/394 Typewritten letter from Ferdinand Rebay (UE) to Schenker, dated October 18, 1904 UE sends proofs of Handel Organ Concertos, vol. I. OC 52/15 Typewritten letter from Ferdinand Rebay (UE) to Schenker, dated December 3, 1904 UE sends Schenker a set of orchestral scores by Richard Strauss as a gift. OC 52/16 Typewritten letter from Weinberger (UE) to Schenker, dated March 1, 1905 UE sends five complimentary copies of Handel Organ Concertos and transfers honorarium. OC 52/17 Typewritten letter from Weinberger (UE) to Schenker, dated March 11, 1905 List of recipients of complimentary copies of the Handel Organ Concertos OC 52/442 Handwritten letter from Weinberger (UE) to Schenker, dated April 13, 1905 UE is unable to accept an item offered for publication. OC 52/443 Typewritten letter from Weinberger (UE) to Schenker, dated October 21, 1905 UE is prepared to look at Harmonielehre. OC 52/18 Typewritten letter from UE to Schenker, dated November 20, 1905 UE is besieged with inquiries about Handel Organ Works, volume II. OC 52/19 Typewritten letter from Weinberger (UE) to Schenker, dated November 30, 1905 Weinberger asks when Handel Organ Concertos volume II will be received. OC 52/21 Handwritten calling card from Rebay (UE) to Schenker, undated [c. June 12, 1906] Rebay inquires when UE can expect Handel Organ Concertos, vol. II. OC 52/20 Typewritten letter from UE to Schenker, dated June 13, 1906 UE inquires further about Handel Organ Works, volume II, with threat. OC 52/395 Typewritten letter from UE to Schenker, dated July 5, 1906 UE asks again for manuscript of Handel Organ Concertos, vol. II, and threatens to reassign. OC 52/396 Typewritten letter from UE to Schenker, dated September 28, 1906 UE asks for the score of the Handel organ concertos back; Schenker's name will not appear on the published arrangements. OC 52/383 Typewritten postcard (book slip) from Hertzka (UE) to Schenker, dated March 26, 1908 UE welcomes Schenker's additions to the Beitrag zur Ornamentik and asks for them as soon as possible.l OC 52/384 Typewritten postcard (book slip) from Hertzka (UE) to Schenker, dated March 26, 1908 UE asks for additions to Beitrag zur Ornamentik by the beginning of the following week. OC 52/385 Typewritten postcard (book slip) from Hertzka (UE) to Schenker, dated April 1, 1908 UE stresses the urgency of supplying additional material for Beitrag zur Ornamentik. OC 52/22 Typewritten postcard (book slip) from Hertzka (UE) to Schenker, dated April 6, 1908 Hertzka threatens to re-issue the first edition of Ornamentik if revisions don't arrive by the next day. OC 52/23 Typewritten letter from Hertzka (UE) to Schenker, dated June 30, 1908 Hertzka asks Schenker to visit him to clear up a matter over payment. OC 52/421 Typewritten contract (carbon copy) between Schenker and UE, dated June 30, 1908 Contract for Schenker's Instrumentations-Tabelle OC 52/397 Typewritten letter from Hertzka (UE) to Schenker, dated August 11, 1908 Hertzka agrees to sending of complimentary copies of Beitrag zur Ornamentik. — Gives progress report on Table of Instrumentation, predicting October publication. OC 52/24 Typewritten letter from Hertzka (UE) to Schenker, dated August 25, 1908 Hertzka explains that the last-minute change to Beitrag zur Ornamentik requested by Schenker would be exorbitantly expensive. OC 52/25 Typewritten letter from Hertzka (UE) to Schenker, dated August 26, 1908 Hertzka advises that the last-minute corrections for Beitrag zur Ornamentik will be made by corrigenda sheet. — Complimentary copies will be going out in the next three days, so Schenker should dispatch any personal notes to the recipients. OC 52/26 Typewritten letter from Hertzka (UE) to Schenker, dated September 29, 1908 Hertzka has instructed that Schenker's C. P. E. Bach edition be sent to Julius Röntgen. — He explains the situation over the corrigenda for Beitrag zur Ornamentik. — The Instrumentations-Tabelle will be published in the next two weeks. OC 52/27 Typewritten letter from Hertzka (UE) to Schenker, dated October 1, 1908 Hertzka confirms arrangements over Beitrag zur Ornamentik, and asks for proofing of the Foreword to the Instrumentationstabelle. OC 52/398 Typewritten letter from Hertzka (UE) to Schenker, dated October 29, 1908 The Instrumentations-Tabelle is now published. — Hertzka is negotiating an English translation of Beitrag zur Ornamentik. OC 52/444 Typewritten letter from Hertzka (UE) to Schenker, dated November 7, 1908 Hertzka details the distribution of first copies of the Instrumentations-Tabelle. — He makes a bid to publish Kontrapunkt. OC 52/28 Typewritten letter from Hertzka (UE) to Schenker, dated November 11, 1908 Hertzka has had copies of the Instrumentations-Tabelle sent to Violin and Gärtner. — He chides Schenker for buying copies at the Gutmann music store. OC 52/29 Typewritten postcard (book slip) from Hertzka (UE) to Schenker, dated November 23, 1908 The Instrumentations-Tabelle is going into a larger edition, and Hertzka asks for a meeting. OC 52/30 Typewritten postcard from Hertzka (UE) to Schenker, date December 16, 1908 Ultimatum: if not delivered by Friday, "supplementary remarks" will be omitted. OC 52/399-401 Typewritten letter from Hertzka (UE) to Schenker, dated December 18, 1908 Hertzka complains at the embarrassment that Schenker has caused him over the Instrumentations-Tabelle, and proposes releasing the Table in two versions. — He proposes that Schenker edit Book II of the Well-tempered Clavier in the manner of Busoni. OC 52/31 Typewritten letter from Hertzka (UE) to Schenker, dated December 21, 1908 Hertzka sends a copy of Mahillon's guide to instrumentation. OC 52/32 Typewritten letter from Barbara Rothe (UE) to Schenker, dated December 23, 1908 Ms Rothe returns Schenker's introductory materials for the Instrumentations-Tabelle. OC 52/33 Typewritten letter from Hertzka (UE) to Schenker, dated January 7, 1909 Hertzka hopes for detailed discussions with Schenker on the Instrumentations-Tabelle and the Well-tempered Clavier proposal. OC 52/919 Typewritten letter from Hertzka (UE) to Schenker, dated January 11, 1909 Hertzka still hopes to persuade Schenker to take on editing the Well-tempered Clavier Book II. OC 52/34 Typewritten postcard (book slip) from UE (unidentified sign) to Schenker, dated January 14, 1909 UE confirms sending two items to Elise Rudorff. OC 52/35 Typewritten letter from Hertzka (UE) to Schenker, dated January 30, 1909 Copies of the Instrumentations-Tabelle will be delived in three days. Hertzka calls for a meeting. OC 52/402 Typewritten letter from Hertzka (UE) to Schenker, dated March 21, 1909 Hertzka raises several possibilities for amplifying the Instrumentations-Tabelle, and calls for a meeting. OC 52/36 Typewritten letter from Hertzka (UE) to Schenker, dated March 29, 1909 Hertzka welcomes the prospect of a discussion at the home of Robert Brüunauer. OC 52/920 Typewritten letter from Hertzka (UE) to Schenker, dated April 1, 1909 Hertzka summarizes the discussion earlier that day. OC 52/422 Typewritten letter from Hertzka (UE) to Schenker, dated June 24, 1909 Hertzka confirms the agreed edition of the Chromatic Fantasy & Fugue, and will send the required editions. OC 52/37 Typewritten postcard from UE (unidentified signatory) to Schenker, dated September 20, 1909 Hertzka is currently away. OC 52/38 Typewritten letter from Hertzka (UE) to Schenker, dated September 25, 1909 Hertzka asks for a visit from Schenker. OC 52/39 Typewritten letter from Hertzka (UE) to Schenker, dated October 15, 1909 Hertzka encloses a contract for the Chromatic Fantasy & Fugue edition for signature and return. OC 52/423 Printed contract, with handwritten entries, between Schenker and UE, dated October 17, 1909 Contract for Schenker's edition of Bach's Chromatic Fantasy & Fugue OC 52/40 Typewritten letter from Hertzka (UE) to Schenker, dated October 20, 1909 UE will search for the Handel organ concerto score. OC 52/41 Typewritten letter from Hertzka (UE) to Schenker, dated October 26, 1909 Hertzka asks for a meeting to discuss the Chromatic Fantasy & Fugue edition. OC 52/42 Typewritten letter from Hertzka (UE) to Schenker, dated November 5, 1909 Hertzka insists that a face-to-face meeting is necessary. OC 52/43 Typewritten letter from Hertzka (UE) to Schenker, dated November 10, 1909 Hertzka attempts to reassure Schenker that the topics he wanted to discuss did not involve "changes", only technical matters. OC 52/44 Typewritten letter from Hertzka (UE) to Schenker, dated December 21, 1909 Hertzka regrets that since printing has not yet begun Schenker cannot have proofs over Christmas; — He asks for a meeting during the holidays. OC 52/390 Handwritten note by Schenker, undated [probably 1909] Schenker records the refusal of his request for increased honorarium for vol. II of Handel Organ Concertos, maintaining that his work comstituted more that mere "arrangements." OC 52/424 Typewritten letter from Hertzka (UE) to Schenker, dated February 7, 1910 While informing Schenker that his edition of the Chromatic Fantasy & Fugue has not yet gone to the printers/engravers, Hertzka rebuts Schenker's allegation that he has shown the edition to Godowsky, Robert and others. He raises the possibility of Schenker's editing other works by J. S. Bach. OC 52/45 Typewritten letter from Hertzka (UE) to Schenker, dated February 11, 1910 Refuting Schenker's accusations, particularly that UE emphasizes "anti-musical music," Hertzka says he will print the proposed Bach works as Schenker suggests, and informs him that the Chromatic Fantasy & Fugue edition will go to press in early March. OC 52/46 Typewritten letter from Hertzka (UE) to Schenker, dated March 11, 1910 Hertzka asks Schenker to return a score to the UE Archive. OC 52/47 Typewritten letter from Hertzka (UE) to Schenker, dated March 12, 1910 Proofs of the Chromatic Fantasy & Fugue edition will not be available by Easter [March 27]. Hertzka hopes Schenker will be able to correct them in April. OC 52/48 Typewritten letter from Hertzka (UE) to Schenker, dated April 9, 1910 There is now no hope of the Chromatic Fantasy & Fugue edition being available for proof-correcting by the middle of April, hence UE may be forced to send the work to Breitkopf & Härtel. — Hertzka asks for a report on other projects under discussion. OC 52/49 Typewritten letter from Hertzka (UE) to Schenker, dated April 11, 1910 Hertzka is unable to return, as requested, Schenker's copy of a volume of the Bach Gesellschaft Edition [vol. 36], and offers an alternative. — He denies having promised Schenker that the Chromatic Fantasy & Fugue edition would go to engraving in the Spring. OC 52/50 Typewritten letter from Hertzka (UE) to Schenker, dated April 19, 1910 Hertzka hopes to have the galley-proofs of the Chromatic Fantasy & Fugue edition very soon. OC 52/51 Typewritten letter from Hertzka (UE) to Schenker, dated June 2, 1910 Hertzka notifies Schenker that the proofs of the Chromatic Fantasy & Fugue edition are about to be delivered. OC 52/52 Typewritten letter from Hertzka (UE) to Schenker, dated June 20, 1910 Hertzka acknowledges return of first proofs of the Chromatic Fantasy & Fugue edition, and promises to look out the contracts Schenker has requested. OC 52/53 Typewritten memorandum from Barbara Rothe (UE) to Schenker, dated July 4, 1910 Miss Rothe encloses copies of two requested contracts. OC 52/54 Handwritten postcard from UE to Schenker, dated July 28, 1910 Second proofs of the Chromatic Fantasy & Fugue edition are ready for correcting: UE asks to which address to send them. OC 52/55 Handwritten postcard from UE to Schenker, dated August 17, 1910 UE acknowledge return of the [second] proofs of the Chromatic Fantasy & Fugue edition, but request that Schenker return the "original." OC 52/56 Typewritten letter from Josef Venantius von Wöß (UE) to Schenker, dated September 9, 1910 Wöß invites Schenker to call on him to discuss aspects of the Chromatic Fantasy & Fugue edition. OC 52/57 Typewritten letter from Josef Venantius von Wöß (UE) to Schenker, dated September 15, 1910 Wöß asks a question concerning the abbreviations list in the Chromatic Fantasy & Fugue edition. OC 52/58 Typewritten postcard from UE to Schenker, dated September 15, 1910 Since further issues have arisen in the final proofs of the Chromatic Fantasy & Fugue edition, Josef von Wöß asks for a visit from Schenker. OC 52/425 Typewritten letter from UE to Schenker, dated October 14, 1910 UE is transferring Schenker's second honorarium for the Chromatic Fantasy & Fugue edition, and enclose the publisher's blurb for the monograph Beethoven's Ninth Symphony. OC 52/59 Typewritten postcard from Hertzka (UE) to Schenker, dated October 28, 1910 UE is sending out complimentary copies to Schenker's recipient list, and two copies to himself. It asks Schenker to call in at the office. OC 52/426 Typewritten letter from Hertzka (UE) to Schenker, dated October 29, 1910 Hertzka notes Schenker's wish that his Chromatic Fantasy & Fugue edition be publicized as with "Erläuterungen" and asks Schenker to help him word a publicity notice. — He wishes to finalize the contract for Beethovens neunte Sinfonie in person and to discuss plans for the Beethoven Sonatas, on which he has spoken with Wilhelm Bopp with a view to a grant from the Ministry of Education. OC 52/60 Typewritten letter from Hertzka (UE) to Schenker, dated November 5, 1910 Hertzka is pleased that Schenker's conversation with Wilhelm Bopp has gone promisingly, and that Schenker is agreeable to the alternating publication of Beethoven and Bach. — He is sending a new draft contract for Beethovens neunte Sinfonie. OC 52/431 Typewritten contract (carbon copy) between UE and Schenker for Beethovens neunte Sinfonie, dated November 6, 1910 Contract for Schenker's monograph Beethovens neunte Sinfonie OC 52/61 Typewritten letter from Hertzka (UE) to Schenker, dated November 9, 1910 Hertzka will speak to Wilhelm Bopp to explore the position over the parallel publication of Beethoven and Bach works, but admits there remains the thorny issue of the need for a subsidy. OC 52/62 Typewritten letter from Hertzka (UE) to Moriz Violin, dated January 19, 1911 Hertzka regrets having missed Moriz Violin's concert, and asks for a list of recipients for his booklet Ueber das Continuo. OC 52/70 Postal receipt for item from Schenker to Hertzka (UE), postmarked April 30, 1911 Postal receipt for item of April 30, 1911 sent to UE. OC 1A/1-2 Handwritten letter from Schenker to Wilhelm Bopp (Akademie für Musik), dated May 30, 1911 Schenker has been unable to elicit any response from President [von Wiener]. OC 1A/1-2 Handwritten letter from Schenker to Graf, dated May 30, 1911 Schenker requests Graf to publish an announcement of lectures in the autumn of 1911, which are to anticipate the subject of the Der freie Satz. He regards a book by Nottebohm that he has often been consulting recently as exceptional. OC 1A/3 Handwritten letter from Schenker to Graf, dated May 30, 1911 Schenker requests Graf to publish an announcement of lectures in the autumn of 1911, which are to anticipate the subject of the Der freie Satz. He regards a book by Nottebohm that he has often been consulting recently as exceptional. OC 1A/4-5 Handwritten letter, carbon copy, from Schenker to Hans Liebstoeckl, dated May 30, 1911 Schenker asks Liebstöckl to place an announcement [of a lecture series] in the Illustrirtes Wiener Extrablatt. OC 52/445 Typewritten letter from Hertzka (UE) to Schenker, dated June 27, 1911 Hertzka explains that the proofs for Schenker's monograph Beethovens neunte Sinfonie will not be ready before August. — He hopes that an agreement can be reached over the Beethoven/Bach project. OC 52/63 Typewritten postcard from UE to Schenker, dated July 27, 1911 UE confirms sending Schenker's edition of the Chromatic Fantasy and Fugue to Gottfried Galston. Hertzka is on holiday, and will reply on his return. OC 52/64 Typewritten postcard from UE to Schenker, dated August 8, 1911 UE requests personal data. OC 52/65 Typewritten postcard from UE to Schenker, dated September 14, 1911 Emil Hertka is away on business; Schenker should wait a day or two. OC 52/492 Typewritten letter from Hertzka (UE) to Schenker, dated September 19, 1911 UE cannot proceed with the Beethoven last five sonatas project absent a grant. Whereas the larger German music publishers might be able to undertake such a work, UE is still too young to have the investment. -- Proofs of Beethovens neunte Sinfonie will be available in the Fall, owing to the delay in Schenker's delivery of his manuscript. -- Hertzka expresses delight at the sales of Kontrapunkt 1. OC 52/66 Typewritten letter from Hertzka (UE) to Schenker, dated October 31, 1911 Schenker will receive the [first] proofs of his Beethovens neunte Sinfonie "in the course of November." OC 52/67 Typewritten letter from Hertzka (UE) to Schenker, dated November 24, 1911 Hertzka is unable to take up Schenker's offer of an arrangement of a Mozart piano concerto. -- Proofs of Beethovens neunte Sinfonie are expected any day. OC 52/68 Typewritten letter from Hertzka (UE) to Schenker, dated December 1, 1911 The printers query the absence of "signatures" from music examples in the manuscript of Beethovens neunte Sinfonie. OC 52/69 Typewritten letter from Hertzka (UE) to Schenker, dated December 1, 1911 Hertkza encloses a letter from Eugen d'Albert and is having the requested book returned to Schenker. OC 52/71 Typewritten letter from Hertzka (UE) to Schenker, dated December 4, 1911 Hertkza acknowledges Schenker's explanation of music examples without [key] signatures, and suggests an explanatory footnote; corrected proofs should be returned to UE. OC 52/72 Typewritten letter from UE to Schenker, dated December 16, 1911 UE forwards to Schenker a letter from the printers including a music example and ask Schenker to respond. OC 52/73 Typewritten letter from Hertzka (UE) to Schenker, dated December 20, 1911 Hertkza remarks that the corrected proofs of gathering 3 of Beethovens neunte Sinfonie have significant alterations and additions, the costs of which will be passed on to Schenker. OC 52/74 Typewritten letter from Hertzka (UE) to Schenker, dated January 2, 1912 Hertkza sends page-proofs of gathering 3, and asks for return of galley-proofs and the manuscript of Beethovens Neunte Sinfonie. OC 52/75 Typewritten letter from Hertzka (UE) to Schenker, dated January 5, 1912 Hertkza encloses a letter from Breitkopf. OC 52/76 Typewritten letter from Hertzka (UE) to Schenker, dated January 12, 1912 Hertkza notifies Schenker of the impending delivery of page-proofs of Beethovens Neunte Sinfonie, takes note of Schenker's recent comments, and asks him to consider making structural diagrams for movements 2-4. OC 52/77 Typewritten postcard from Hertzka (UE) to Schenker, dated January 16, 1912 Emil Hertka confirms that UE wants Schenker to produce structural diagrams for movements 2-4 of Beethoven's Ninth Symphony for his monograph on that work. OC 52/78 Typewritten letter from Hertzka (UE) to Schenker, dated January 26, 1912 Hertzka notifies Schenker of the impending delivery of page-proofs of his Beethovens Neunte Sinfonie monograph and asks for speedy return of previous galley-proofs. OC 52/79 Typewritten letter from Hertzka (UE) to Schenker, dated February 6, 1912 Hertzka acknowledges receipt of the formal diagram of movement 2 for, and gathering 8 of the Beethovens Neunte Sinfonie monograph, and has sent galley-proofs of gatherings 5 and 6 to Schenker for imprimatur. OC 52/80 Typewritten postcard from Hertzka (UE) to Schenker, dated February 7, 1912 Hertzka assures Schenker that he will receive a full set of page-proofs for checking. OC 52/432 Typewritten letter from Hertzka (UE) to Schenker, dated March 7, 1912 Hertzka invites Schenker to meet him to discuss the plan for an edition of the Beethoven Ninth Symphony score and other matters. OC 52/81 Typewritten letter from Hertzka (UE) to Schenker, dated March 9, 1912 Hertzka agrees to the suggested meeting time and place; second proofs of gatherings 9 and 10 are being dispatched to Schenker. OC 52/82 Typewritten letter from Hertzka (UE) to Schenker, dated March 15, 1912 Hertzka gives Schenker assurances on the arrival of further gatherings. OC 52/403 Typewritten letter from Hertzka (UE) to Schenker, dated March 18, 1912 Second proofs of gatherings 11 and 12 of Schenker's monograph Beethovens neunte Sinfonie are on their way to him. Hertzka issues a warning on correction costs. Payment has been authorized for the additional material for his Instrumentations-Tabelle. OC 52/83 Typewritten letter from Hertzka (UE) to Schenker, dated March 20, 1912 Hertzka suggests a fold-out for a particularly large music example. OC 52/84 Typewritten letter from Hertzka (UE) to Schenker, dated March 26, 1912 Gatherings are received and others sent out. Hertzka reiterates his demand for the complete manuscript and outstanding first proofs. OC 52/85 Typewritten letter from B. Rothe (UE) to Schenker, dated April 1, 1912 Miss Rothe assures Schenker that his manuscript of Beethovens neunte Sinfonie will be returned to him after use, and asks for it to be sent as well as any other proofs in Schenker's hands. OC 52/86 Typewritten letter from B. Rothe (UE) to Schenker, dated April 15, 1912 Acknowledging proofs and prelims for Beethovens neunte Sinfonie, UE recommends adding a subtitle for clarification. OC 52/87 Typewritten express postcard from UE to Schenker, dated April 16, 1912 Hertzka acknowledges receipt of the Preface to Beethovens neunte Sinfonie. OC 52/88 Typewritten letter from Hertzka (UE) to Schenker, dated May 4, 1912 Hertzka asks Schenker to call on him to discuss Beethovens neune Sinfonie. OC 52/433 Handwritten letter from Hertzka (UE) to Schenker, dated May 7, 1912 Hertzka explains the reason for his need to see Schenker in person: it concerns the numbering of bars in the second movement of Beethoven's Ninth Symphony in Schenker's monograph on that work, and the planned edition of the score of the symphony; but Hertzka will be away for up to ten days. OC 52/89 Typewritten letter from Kalmus (UE) to Schenker, dated May 16, 1912 UE sends the final gatherings of Beethovens neunte Sinfonie for Schenker's approval and reports the total author correction costs. OC 52/434 Typewritten letter from Hertzka (UE) to Schenker, with holograph insertions, dated May 28, 1912 Hertzka invites Schenker to his home for a discussion of the monograph Beethovens neunte Sinfonie. OC 52/435 Typewritten postcard from Hertzka (UE) to Schenker, dated May 31, 1912 Hertzka asks Schenker to collect him from his office on June 1 for their meeting. OC 52/427 Typewritten letter from Hertzka (UE) to Schenker, dated June 3, 1912 Hertzka addresses Schenker's request for an honorarium for correcting proofs of Beethovens neunte Sinfonie; he counters that the total author corrections have run to 600 Kronen. He is sending the volume to the printers today. -- He commits in principle to the editing of the last five Beethoven piano sonatas [Erläuterungsausgabe], but on the basis of the Chromatic Fantasy and Fugue sales he cannot accede to Schenker's demands; he makes a counter-proposal. OC 52/404 Typewritten letter from Hertzka (UE) to Schenker, dated June 4, 1912 UE sends 100 Kronen in payment for the Instrumentations-Tabelle 2nd edition. OC 52/405 Notice of bank transaction, UE to Schenker, dated June 5, 1912 The Austrian Provincial Bank notifies Schenker of 100 Kronen sent to him on behalf of Universal Edition. OC 52/493 Typewritten letter from Hertzka (UE) to Schenker, dated June 8, 1912 Hertzka makes a firm proposition on payment for the Beethoven last five sonatas, and seeks clarification on contact with Dr. Harpner. OC 52/406 Typewritten letter from Hertzka (UE) to Schenker, dated June 10, 1912 Hertzka explains UE's recent 100 Kronen payment, and answers Schenker's question on the edition number and retail price of his Instrumentations-Tabelle. OC 52/90 Typewritten letter from Hertzka (UE) to Schenker, dated June 28, 1912 Hertzka is unable to complete the contract for Die letzten fünf Sonaten Beethovens this week; he will send it next week. OC 52/91 Typewritten letter from Hertzka (UE) to Schenker, dated July 13, 1912 The Chromatic Fantasy edition and Ninth Symphony monograph will be sent as requested; the [contract for the] Letzen fünf Sonaten edition will be dealt with. OC 52/92 Typewritten letter from Hertzka (UE) to Schenker, dated July 19, 1912 Hertzka sends the draft contract for Die letzten fünf Sonaten, and will deal with the Musicians' Organization in the fall. OC 52/94 Handwritten and typewritten postcard from UE to Schenker, dated July 23, 1912 Hertzka is out of town. OC 52/437 Typewritten letter from Hertzka (UE) to Schenker, dated August 12, 1912 Die letzten fünf Sonaten: Hertzka finds Schenker's suggested rewording too general; Beethovens neunte Sinfonie: Hertzka will pay the supplementary fee demanded by Schenker, but only after 500 copies have been sold. OC 52/95-96 Typewritten letter from Hertzka (UE) to Schenker, dated August 22, 1912 Die letzten fünf Sonaten: Hertzka backs down on the contested contract clause; Beethovens neunte Sinfonie: Hertzka refuses to budge on his proposal for the supplementary honorarium, but assures Schenker of his good will toward him. OC 52/494 Printed contract, with handwritten entries, between UE and Schenker, dated August 25, 1912 Contract for Schenker's edition of Beethovens letzte fünf Sonaten, with special clause on correction costs OC 52/97 Typewritten letter from Hertzka (UE) to Schenker, dated August 28, 1912 In an important letter on the plan for an organization of composers and concert musicians, Hertzka declares himself willing to be involved, sets out a timetable, issues a caution, and raises the issue of finance; in dealings with Hugo Heller, UE's and his own name should not yet be divulged. OC 1 B/15 Handwritten draft letter from Schenker to Carl Colbert, dated September 15, 1912 Schenker explains why he deprecates strongly giving a student only one lesson a week and positively recommends two or three; he leaves the matter to Colbert, but gives him a difficult choice. OC 52/98 Typewritten letter from Hertzka (UE) to Schenker, dated September 16, 1912 In sending the first installment of Schenker's honorarium for the Last Five Sonatas of Beethoven, Hertzka apologizes for its delay. — He asks for a meeting about the Organization. OJ 52/99 Notification of payment, from the Austrian Provincial Bank to Schenker, dated September 18, 1912 Payment notification of 600 Kronen [from UE]. OC 52/100 Typewritten letter from Hertzka (UE) to Schenker, dated September 27, 1912 Hertzka has tried and failed to telephone Dr. Harpner because he is ill. OC 52/101 Typewritten postcard from UE to Schenker, dated October 1, 1912 As instructed, UE has sent Schenker's Beethovens neunte Sinfonie to Ludwig Karpath. OC 52/102 Typewritten letter from Hertzka (UE) to Schenker, dated October 3, 1912 Hertzka gives his reaction to a letter from Hugo Heller to Schenker. OC 52/103 Handwritten and typewritten postcard from UE to Schenker, dated October 15, 1912 Hertzka is out of town. OC 52/104 Typewritten letter from Hertzka (UE) to Schenker, dated October 23, 1912 Hertzka will speak with Harpner next week. OC 52/436 Handwritten note by Schenker, undated [late October, 1912?] Self-reminder that the requested "supplementary honorarium" of 400 Kronen has not yet been delivered. OC B/179 Handwritten letter from Albert Kopfermann (Königliche Bibliothek zu Berlin) to Schenker, dated October 31, 1912 Kopfermann informs Schenker which late Beethoven piano sonatas the Library has autograph pages of, and the arrangements for making photographs. OC 52/105 Typewritten letter from Hertzka (UE) to Schenker, dated November 9, 1912 Hertzka returns the compositions by Hans Weisse submitted for consideration, giving reasons. — He has to stand aside for a time from the "Alliance" [recte Organization] on health grounds. OC 52/495 Typewritten letter from Hertzka (UE) to Schenker, dated November 28, 1912 Hertzka is sending another copy of Beethoven Op. 109, and is pleased to hear of Schenker's discoveries. -- He asks for a discussion regarding the proposed "Alliance" [recte "Organization"], on which he has some new ideas. -- He may look again at Hans Weisse's music in 1913. OC B/205 Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Schenker, dated April 26, 1913 Schmidt identifies the autograph manuscript material of Beethoven Op. 111 held by the Beethoven-Haus, and the extent to which photography of it has been carried out. OC B/277 Handwritten calling card from Carl Krebs to Schenker, dated April 27, 1913 Krebs gives information about the whereabouts of Beethoven's Piano Sonata Op. 101, but not of Op. 106. OC 1A/16-17 Handwritten letter (carbon copy) from Schenker to Newlov, dated September 16, 1913 Schenker regrets that he is unable to offer Newlov lessons in the coming season. OC 1A/25-26 Handwritten letter (carbon copy) from Schenker to Newlov, dated September 24, 1913 Schenker says he has not received an alleged letter from Newlov; — he asks about payment outstanding from 1912/13 season. OC 1A/27-29 Handwritten letter (carbon copy) from Schenker to Newlov, dated September 25, 1913 Angry letter in which Schenker defends himself against the accusation that he is demanding a fee that has already been paid: he has all her letters, copies of his own, and all her payment slips. He describes her unorthodox payment system, comparing it with that of other pupils. He details her payment record for 1912/13 and insists on payment for June 1913. OC B/276 Typewritten letter from Louis Koch to Schenker, dated October 3, 1913 Koch will send required information. OC B/178 Handwritten letter from Albert Kopfermann (Königliche Bibliothek zu Berlin) to Schenker, dated October 21, 1913 The Library's photographer has been inundated with work and unable to start on Schenker's order. OC B/273 Typewritten letter from Louis Koch to Schenker, dated October 23, 1913 Koch lists the Beethoven manuscript items in his possession. OC B/274 Postal receipt for a letter from Schenker to Louis Koch, dated October 27, 1913 Postal receipt for letter of October 26, 1913 to Louis Koch. OC B/272 Typewritten letter from Louis Koch to Schenker, dated October 28, 1913 Koch agrees to supply photographs of Op. 110. OC B/177 Handwritten letter from Albert Kopfermann (Königliche Bibliothek zu Berlin) to Schenker, dated October 30, 1913 Kopfermann notifies Schenker of the dispatch of photographs and of the cost. OC B/176 Handwritten letter from Albert Kopfermann (Königliche Bibliothek zu Berlin) to Schenker, dated November 18, 1913 Kopfermann provides an estimate for the photography of Beethoven's Ninth Symphony that Schenker has requested; and notifies him of another source of this work in the Library's holdings. OC B/275 Handwritten letter from Louis Koch to Schenker, dated November 22, 1913 Koch gives the provenance of the Op. 110 manuscript in his possession, and other information. OC B/279 Typewritten letter from Leo Liepmannssohn to Schenker, dated November 29, 1913 Liepmannssohn has none of the manuscripts Schenker seeks. OC B/280 Handwritten letter from Max Meinert to Schenker, dated December 1, 1913 Max Meinert does not know the whereabouts of the autograph manuscripts of Op. 101 and Op. 106. OC B/204 Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Schenker, dated December 3, 1913 Schmidt suggests Schenker commission the Beethoven-Haus photographer, Heinrich Rose, direct in ordering photographs of the autograph manuscript of the first movement of Beethoven's Op. 111. He asks Schenker to supply a copy of his monograph on the Ninth Symphony to the Beethoven-Haus library. OC B/203 Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Schenker, dated December 13, 1913 Schmidt thanks Schenker for the copy of his monograph Beethovens neunte Sinfonie, and raises points of detail about the photography of the three requested works. OC B/281 Handwritten letter from Max Meinert to Schenker, dated December 16, 1913 Meinert has been unable to obtain further information. OC B/175 Handwritten letter from Albert Kopfermann (Königliche Bibliothek zu Berlin) to Schenker, dated December 20, 1913 Kopfermann inquires after Schenker's photographic requirements. OC B/174 Handwritten letter from Albert Kopfermann (Königliche Bibliothek zu Berlin) to Schenker, dated December 22, 1913 Kopfermann sends five photographic prints. OC B/172 Printed form-letter with handwritten additions, from Wilhelm Altmann (Königliche Bibliothek zu Berlin) to Schenker, dated June 19, 1914 Altmann sends three early editions of Op. 111 on lean. OC B/173 Postal receipt for a letter sent from the Königliche Bibliothek, Berlin [to Schenker], June 19, 1914 Postal receipt for packet of June 19, 1914 to Schenker. OC B/269a-b Postal receipts for a letter and other item from Schenker to Louis Koch, dated November 15, 1915 Postal receipts for letter of November 14, 1915 and separate item to Louis Koch. OC B/270 Typewritten letter from Louis Koch to Schenker, dated November 29, 1915 Koch thanks Schenker for a copy of his elucidatory edition of Op. 111, and reports his Chopin holdings. OC 1B/5 Letter from Schenker to Evelina Pairamall, dated April 9, 1916 Letter in shorthand, indecipherable OC 1 B/13 Handwritten draft letter from Schenker to Carl Colbert, dated September 18, 1916 Schenker excuses the raising of the name of Walter Dahms in connection with an inquiry by Tony Colbert. OC 1B/9 Handwritten draft letter from Schenker to Halm, dated by later hand [December 29, 1916] In his first letter to Halm, Schenker knows Halm's work and regards him as an ally; he affirms that music has few primal laws (Urgesetze) that are immutable. — He cannot intercede on Halm's behalf with Universal Edition. OC 16/27-29 Typewritten letter from Siegfried Türkel to Schenker, dated March 10, 1917 Concerning the Sofie Deutsch estate, Siegrfriel Türkel recommends Schenker to put in a claim for his honorarium without delay. OC 1 B/19-20 Handwritten draft letter from Schenker to Hugo Friedmann, dated March 12, 1917 In light of the bequests to him in Mrs. Deutsch's will, Schenker seems to remind Friedmann that she had also placed at his disposal in 1916 a sum of 10,000 Marks to support his future publications. He wishes to make clear that that sum remains in place in addition to the legacy and pension bestowed on him now in her will. He also expresses the misgivings he has on the stipends implemented via the will. He is also anxious not to have lost the first pension payment. OC 16/30v-33v Typewritten letter from Siegfried Türkel to Schenker, dated March 13, 1917 Dr. Türkel apologizes for failing to realize that Schenker was a fellow-lawyer, and announces that the 5,000 Kronen bequeathed in Sofie Deutsch's will have now reached him. OC 16/32v Handwritten draft letter fragment from Schenker to Hugo Friedmann, dated March 14, 1917 Final page only, in which Schenker reserves further decisions regarding his legacies from Sofie Deutsch's will. OC 1 B/23 Handwritten draft letter from Schenker to Siegfried Türkel, dated March 17, 1917 Schenker encloses a letter from Dr. Hugo Friedmann and comments on it, ridiculing the lack of sophistication of the wealthy, and asserting his own indifference to money. OC 38/146v Fragment of a typewritten letter from Siegfried Türkel to Schenker, dated March 13, 1917 Fragment of letter. OC 52/203 Typed letter from Hertzka (UE) to Schenker, dated February 5, 1918 Hertzka acknowledges WSLB 292 and apologizes for late reply; he knows nothing of August Halm's request for review copies of Schenker's other works, but has ordered a complete set to be sent to him. OC 52/204 Postal receipt for postcard from Schenker to Hertzka (UE), dated February 5, 1918 postal receipt for registered postcard WSLB 293 from Schenker to Hertzka OC 1 B/34r Handwritten draft letter from Schenker to Türkel, dated February 24, 1918 Schenker addresses legal obstructions regarding Sofie Deutsch's will, and threatens to go back on an earlier disclaimer if he continues to be deprived of the inheritance due to him; notifies Türkel that he has already paid out the first stipend, to Otto Vrieslander, and has promised the second and third to two composers (unnamed). OC 52/559 Typed letter from Hertzka (UE) to Schenker, dated March 5, 1918 Hertzka will inquire about a review published in Lausanne; has dispatched Op. 111 to Steglich and encloses invoice and payment order; in light of Brest-Litovsk, he inquires about Kontrapunkt2 and the Kleine Bibibliothek. OC 52/205 Typed letter from Hertzka (UE) to Schenker, dated April 10, 1918 Hertzka returns the Bekker review with thanks, and reflects on Schenker's remarks concerning Urtext editions; he encloses the requested copy of the Gazette de Lausanne. OC 52/206 Typed postcard from Hertzka (UE) to Schenker, dated April 18, 1918 Hertzka acknowledges return of Gazette de Lausanne article and concurs with Schenker's view on editing. OC 52/207 Typed postcard from Ernst Roth (UE) to Schenker, dated May 20, 1919 Hertzka is away and expected back in 8-10 days. OC 52/923 Typed letter from Hertzka (UE) to Schenker, dated June 6, 1919 Hertzka acknowledges receipt of WSLB 302; he cannot entertain early publication of Weisse's work but wishes to get to know it now. — He hopes to have work from Schenker's pen as soon as work for Cotta is finished. — He proposes that the Foreword to Die letzten fünf Sonaten von Beethoven ... op. 111 be omitted [in an future edition]. OC 1 B/35-40 Handwritten draft letter, in Jeanette Kornfeld/Schenker's hand, from Schenker to Hertzka (UE), undated [June 10, 1919] Schenker promises to send Hans Weisse to see Hertzka. In reacting unfavorably to Hertzka's suggestions that the Foreword to Die letzten fünf Sonaten von Beethoven ... op. 111 be discarded for its second edition, Schenker puts up a stout defense of his use of polemic in his writings, contending that art and all manifestations of human life are inextricably interconnected. He claims that his pronouncements on politics now will prove correct in the long run. His sole concern is with the truth; he is not interested in pandering to his readers. OC 52/208 Postal receipt for letter from Schenker to Hertzka (UE), dated June 13, 1919 Postal receipt for letter WSLB 303 from Schenker to Hertzka OC 52/924 Typed letter from Hertzka (UE) to Schenker, dated June 16, 1919 Hertzka acknowledges WSLB 303 and seeks a meeting; the Foreword [to Op. 111] will remain unchanged. OC 1 B/41-45 Handwritten draft letter from Schenker to Eberhard von Waechter, dated October 17, 1919 Schenker addresses the misunderstanding that has arisen, explaining his willingness to contribute articles to Der Merker once his current projects are in print. OC 16/37v-36v Typed letter from Türkel to Schenker, dated November 3, 1919 Tükel reports the contents of a letter he has received from Dr. Friedmann. OC 52/209 Postal receipt for letter from Schenker to Louis Koch, dated November 3, 1919 Postal receipt for a registered letter from Schenker to Louis Koch. OC 52/210 Typed letter from Hertzka (UE) to Schenker, dated November 8, 1919 Hertzka has arranged for a copy of his monograph Beethovens Neunte Sinfone to be sent, and welcomes Schenker's remarks about resuming work for UE. PS: He is sending the first issue of Musikblätter des Anbruch. OC 52/211 Typed letter from Hertzka (UE) to Schenker, dated November 14, 1919 Hertzka will correct the price of Beethovens Neunte Sinfonie and send a copy of Die letzten fünf Sonaten von Beethoven ... op. 111 to Dolfi Baudrexel. He hopes that Schenker will contribute to Musikblätter des Anbruch. OC 52/212-213 Typed letter from Hertzka (UE) to Schenker, dated December 1, 1919 Hertzka is pleased to hear that the availability of the autograph manuscript of Op. 101 means that the series Die letzten fünf Sonaten von Beethoven can go forward, and is in agreement with Schenker's proposal to edit the remaining twenty-seven Beethoven sonatas. He asks for a meeting to discuss the honorarium. OC 52/214 Typed postcard from Hertzka (UE) to Schenker, dated December 9, 1919 Hertzka agrees to place and time of a meeting on Friday May 12. OC B/268 Typewritten letter from Louis Koch to Schenker, dated December 10, 1919 Koch asks about the format of the required photography. OC 16/38v Typed letter from Türkel to Schenker, dated December 13, 1919 Türkel acknowledges letter and requests explanation. OC 52/507-508 Typed letter from Hertzka (UE) to Schenker, dated December 19, 1919 Hertzka is pleased that Louis Koch has given his consent [for Op. 101]; he suggests that UE obtain certain sources from the Gesellschaft der Musikfreunde Archive on loan at the office for Schenker to work on; and offers a larger fee for Op. 101, and cautions Schenker about growing costs of photographic work. OC B/170 Typewritten letter from Wilhelm Altmann to Schenker, dated January 5, 1920 Altmann will have photographs [of sketches of Beethoven, Op. 101] prepared upon receipt of application form. OC 52/446 Typed letter from Hertzka (UE) to Schenker, dated January 14, 1920 Hertzka has not yet gone to Frankfurt.—- He wants to publish the "Moonlight" Sonata in a series edited by Otto Erich Deutsch. — Would like to do new edition of complete Beethoven sonatas, but without wholesale reengraving. — Discusses financial arrangements for the latter, and for the Kleine Bibliothek. — Encloses the contract for Die letzten fünf Sonaten von Beethoven ... op. 101. OC 52/509 Typed letter from Hertzka (UE) to Schenker, dated January 22, 1920 Alteration to 1912 contract for Die letzten fünf Sonaten von Beethoven. OC B/169 Typewritten letter from Wilhelm Altmann to Schenker, dated dated January 22, 1920 OC 52/215 Typed letter from Hertzka (UE) to Schenker, dated January 23, 1920 Hertzka is sending the publisher's copy of the contract for Die letzten fünf Sonaten von Beethoven ... op. 101 and the first tranche of honorarium, discusses the facsimile edition of the "Moonlight" Sonata, raises issues regarding the prospective Beethoven collected sonatas edition and Kleine Bibliothek, and expresses pleasure that he and Schenker are again in accord. OC 16/39v-40v Typed letter from Türkel to Schenker, dated January 26, 1920 Following affirmative reaction from Fritz Mendel, Türkel asks Schenker to call on him. OJ 52/216 Notice of Bank Transaction from the Austrian Provincial Bank to Schenker, dated February 3, 1920 Payment notification of 7,500 Kronen [from UE]. OJ 52/217 Receipt for Bank Transaction from the Austrian Provincial Bank to Schenker, undated [February 3], 1920 Receipt for sum of 7,500 Kronen [from UE]. OC B/168 Typewritten postcard from Wilhelm Altmann to Schenker, dated February 5, 1920 The photographs of Op. 101 are ready and will be sent. OC 52/218 Typed letter from Fischmann (UE) to Schenker, dated February 19, 1920 Acting for the Schutzverband deutscher Schriftsteller in Wien, Fischmann offers Schenker advice on the draft contract for the Kleine Bibliothek. OC B/168 Typewritten letter from Wilhelm Altmann to Schenker, dated February 25, 1920 Altmann is glad Schenker hopes to visit the Library; photography of Chopin Etudes Op. 10 is in progress. OC B/267 Typewritten letter from Louis Koch to Schenker, dated February 27, 1920 Koch is sending photographs separately. OC B/261 Handwritten invoice from Gustav Rapp & Co. to Schenker, dated March 8, 1920 Invoice for photographic copies [of Beethoven, Op. 101]. OC 52/219 Typed postcard from Rothe (UE) to Schenker, dated March 9, 1920 Vol. II of the Beethoven sonatas is being dispatched to Schenker. OC B/260 Handwritten letter from Gustav Rapp & Co. to Schenker, dated March 9, 1920 Rapp encloses invoice. OC B/266 Typewritten postcard from Louis Koch to Schenker, dated March 9, 1920 Koch hopes photographs have arrived. OC 52/220 Typed letter from Hertzka (UE) to Schenker, dated March 13, 1920 Hertzka thanks Schenker for commiserations, expresses pleasure that the photographs [of Op. 101] have arrived, and seeks a meeting to discuss the Kleine Bibliothek. OC 52/223 Handwritten draft contract, in Jeanette Schenker's hand, between UE and Schenker for the Kleine Bibliothek and Beethoven sonatas edition, undated [March 17,?] 1920 Handwritten draft contract jointly for the Kleine Bibliothek and Beethoven sonatas edition. OC B/263 Postal receipt for a payment from Schenker to Gustav Rapp & Co., dated March 19, 1920 Postal receipt for the first of four payments totaling 240 Marks. OC B/264 Postal receipt for a payment from Schenker to Gustav Rapp & Co., dated March 20, 1920 Postal receipt for the second of four payments totaling 240 Marks. OC 52/547 Typed letter from Hertzka (UE) to Schenker, dated March 22, 1920 Hertzka sends contracts for the Kleine Bibliotek and Beethoven complete sonatas, explains the alterations that have been made to these since their recent conversation, and asks for their signed return. Marginal calculations by Schenker. OC B/265 Postal receipt for a payment from Schenker to Gustav Rapp & Co., dated March 22, 1920 Postal receipt for the third of four payments totaling 240 Marks. OC 52/447 Draft Contract between UE and Schenker for the Beethoven Sonatas edition, dated March 23, 1920 Draft contract for the Beethoven Sonatas edition. OC 52/560 Draft Contract between UE and Schenker for the Kleine Bibliothek, dated March 23, 1920 Draft contract for the Kleine Bibliothek. OC B/262 Postal receipt for a payment from Schenker to Gustav Rapp & Co., dated March 23, 1920 Postal receipt for the fourth of four payments totaling 240 Marks. OC 52/221 Typed letter from Hertzka (UE) to Schenker, dated March 26, 1920 Hertzka seeks a meeting to discuss the letter of agreement about the Beethoven sonatas edition, and laments their difficulty in meeting. OC 52/222 Typed letter from Fischmann to Schenker, dated March 26, 1920 Fischmann asks Schenker to call on him on March 31. OC 52/224 Typed letter from Fischmann (UE) to Schenker, dated April 3, 1920 Fischmann gives advice on Schenker's contracts for the Kleine Bibliothek and the collected Beethoven piano sonatas. OC 16/41v-42v Typed letter from Türkel to Schenker, dated April 6, 1920 Türkel corrects Schenker and suggests he make inquiries with Friedmann. OC 52/225 Typed postcard from Hertzka/Rothe (UE) to Schenker, dated April 7, 1920 Hertzka agrees to meet Schenker. OC 52/408 Typed letter from Hertzka (UE) to Schenker, dated April 12, 1920 Accounts Department informs Schenker that the last edition of Niloff Instrumentations-Tabelle occurred in 1917, the honorarium for that was paid, but the work is going to press. OC 52/409 Typed letter from Hertzka (UE) to Schenker, dated April 12, 1920 Hertzka encloses the contracts for the Kleine Bibliothek and collected Beethoven sonatas, hoping that it will meet with approval. -- He explains the rise in price of the Instrumentations-Tabelle. OC 52/226 Typed letter from Hertzka (UE) to Schenker, dated April 16, 1920 Hertzka agrees to pay extra costs for photography [of Op. 53], but sets conditions. OC 52/227 Typed letter from Fischmann (UE) to Schenker, dated April 17, 1920 Fischmann sees two points still outstanding over the contracts for the Kleine Bibliothek and Beethoven sonatas, and advises him how to handle them. OC B/162 Typewritten letter from Wilhelm Altmann to Schenker, dated April 19, 1920 Altmann advises Schenker on the early sources of Beethoven piano sonatas in the Library's possession. OC 52/228 Typed postcard from Hertzka (UE) to Schenker, dated April 22, 1920 Hertzka regrets the difficulties that Schenker has made over the letter of agreement, and will be away for several weeks. OC 32/29v-27v Typed letter from Friedmann to Schenker, dated April 23, 1920 Friedmann asks Schenker if he might explain the situation in person. OC 52/229 Typed letter from Hertzka (UE) to Schenker, dated June 24, 1920 Hertzka will meet with Schenker on Friday July 2 to receive the manuscript of Schenker's Op. 101 monograph and photographs of the "Moonlight" Sonata. OC 52/410 Typed letter from Hertzka (UE) to Schenker, dated July 2, 1920 The Book-keeper goes through the amounts paid to Schenker on account of the Niloff [= Schenker] Instrumentations-Tabelle and the print-runs and publication dates of the editions. OC 52/230 Typed postcard from UE to Schenker, dated July 5, 1920 UE is sending 7,500 Kronen via Moriz Schenker. OC 52/448 Typed contract between UE and Schenker for the Beethoven sonatas edition, dated July 10, 1920 Contract between UE and Schenker for the Beethoven sonatas collected edition. OC 52/517 Typed contract from between UE and Schenker for the Kleine Bibliothek, dated July 10, 1920 Contract between UE and Schenker for the Kleine Bibliothek. OC 52/449 Typed letter from Hertzka (UE) to Schenker, dated August 21, 1920 Hertzka confirms receipt of the manuscript of the Op. 101 monograph and of Opp. 109-111 for the collected Beethoven edition. There will be no proofs of the Kleine Bibliothek for some time. He is departing overseas and commends Schenker to Alfrd Kalmus's attentions. OC 52/231 Typed letter from Kalmus and Detoni (UE) to Schenker, dated September 8, 1920 Kalmus encloses print samples of type-sizes for the Kleine Bibliothek, and promises samples of the engraving, and copies requested. OC 52/411 Typed letter from Detoni and Kalmus (UE) to Schenker, dated September 14, 1920 Kalmus is glad Schenker approves of the type samples and gives estimates for the extent per page, has not yet heard from Wellesz re the "Appassionata" Sonata, is contacting Hertzka about the "Waldstein" Sonata photography, will send documentary evidence regarding a 1912 payment, and sends copies of Beethoven sonatas. OC 52/232 Postal receipt for letter from Schenker to Kalmus (UE), dated September 20, 1920 Postal receipt for return of documentary evidence [regarding payment for the Instrumentations-Tabelle]; notifies of addition to Op. 101. OC B/159 Typewritten postcard from Wilhelm Altmann to Schenker, dated September 20, 1920 The photographs of Beethoven's Fifth Symphony, first movement, should be dispatched next week. OC 52/233 Typed letter from Detoni and Kalmus (UE) to Schenker, dated September 23, 1920 UE is sending over large and small engraving samples of the Kleine Bibliothek for Schenker's approval, and confirms receipt of the documentary evidence and Schenker's previous letter. OC B/158 Handwritten postcard from Wilhelm Altmann to Schenker, dated September 25, 1920 Altmann notifies Schenker of the cost of photographic work done. OC B/160 Postal receipt for a package from Schenker to Wilhelm Altmann, postmarked September 30, 1920 Postal receipt for return of Lischke edition of[ Beethoven Op. 2]. OC 52/234 Typed postcard from Nella Balassa (UE) to Schenker, dated October 4, 1920 Schenker is asked to send the figure back with messenger. OC 52/450 Typed letter from Kalmus (UE) to Schenker, dated October 25, 1920 Kalmus confirms receipt of EA Op. 101 manuscript; he inquires about the publication sequence between EA Op. 101 and the first issue of the Kleine Bibliothek, and about the autograph manuscript for which Schenker is waiting. OC 52/235-236 Handwritten delivery note from UE to Schenker, dated October 27, 1920 Delivery of Beethoven sonatas for comparative study. OC 52/237 Typed letter from Kalmus (UE) to Schenker, dated November 5, 1920 Kalmus confirms that the "Secondary Literature" section of Op. 101 will be set in small type; he is writing to Paris about the "Appassionata." OC 52/238 Typed letter from Rothe (UE) to Schenker, dated December 6, 1920 UE are delivering [first] proofs of Op. 111 and second proofs of figures [for "Schubert: Ihr Bild"]. OC 52/413 Typed letter from Rothe (UE) to Schenker, dated December 7, 1920 500 Kronen transferred for Niloff fifth edition. OC 52/485 Contract between Otto Erich Deutsch and Schenker, dated December 16, 1920 Contract between Otto Erich Deutsch and Schenker for the facsimile edition of Beethoven, "Moonlight" Sonata. OC 52/239-240 Typed letter from Hertzka (UE) to Schenker, dated December 18, 1920 Hertzka and Schenker will discuss the Niloff Instrumentations-Tabelle; Hertzka offers two alternative solutions to UE's taking over of Kontrapunkt 2. OC 52/241 Typed letter from Kalmus (UE) to Schenker, dated December 21, 1920 UE acknowledges receipt of the manuscript of "Beethoven's Fifth Symphony" and notifies Schenker that he will be receiving proofs of Die letzten fünf Sonaten von Beethoven ... op. 101. OC B/155 Typewritten letter from Wilhelm Altmann to Schenker, dated December 28, 1920 Altmann reports extra cost of photographic work. OC 52/561 Typed letter from Hertzka (UE) to Schenker, dated December 30, 1920 Hertzka wishes to discuss the transfer of Kontrapunkt 2 in person. He also wishes urgently to discuss "The Mission of German Genius." [This crucial letter marks the beginning of the deterioration of relations between Schenker, Hertzka, and UE between 1920 and 1925.] OC 52/242 Typed postcard from Hertzka (UE) to Schenker, dated January 3, 1921 Hertzka confirms day and time of meeting. OC 52/244 Typed letter from Hertzka (UE) to Schenker, dated January 12, 1921 Hertzka sends contracts for NMTP and Kontrapunkt 2, and discusses the take-over from Cotta, requesting Schenker's estimate of remaining stocks, and asking whether changes would be required in a second edition of Kontrapunkt I. OC B/156 Typewritten postcard from Wilhelm Altmann to Schenker, postmarked January 18, 1921 Photographing of movements 2-4 of Beethoven's Fifth Symphony will be delayed until February. OC B/151 Typewritten postcard from Wilhelm Altmann to Schenker, dated June 10, 1921 Altmann sends Schenker Beethoven Op. 31, No. 3 in the Simrock edition on loan. OC B/146 Postal receipt for a package from Schenker to Wilhelm Altmann, postmarked June 17, 1921 Postal receipt for return of Simrock edition of Beethoven Op. 31, No. 3. OC 24/22 Typewritten postcard from Otto Erich Deutsch to Schenker, dated June 28, 1921 Deutsch thanks Schenker for his postcard of June 26, 1921, and wishes him good luck in his new home and with his summer trip to Galtür. Deutsch has read issue 1 of Tonwille with great interest, and hopes that their connoisseur edition will be as successful. OC B/152 Handwritten postcard from Wilhelm Altmann to Schenker, dated June 30, 1921 Altmann reports on holdings of Handel keyboard works edition (1702). OC 24/20 Handwritten letter from Frimmel to Schenker, dated August 1, 1921 Frimmel acknowledges receipt of a complimentary copy of Tonwille 1, comments neutrally on Schenker's incursions into politics, imagines something rather different by the concept of "Tonwille," and while agreeing with the criticism of Riemann thinks it could have been done more gently. — He asks for review copies of Schenker's editions of Beethoven Op. 110 and 101. OC 24/4-5 Handwritten lettercard from Moriz Violin to Heinrich Schenker, dated August 3, 1921 Violin expresses his awe concerning the first issue of Der Tonwille, and declares himself ready to offer his services in making Schenker's work better understood. OC B/148 Typewritten letter from Wilhelm Altmann to Schenker, dated September 9, 1921 Altmann reports on holdings of Handel keyboard works; and on progress in photographing Beethoven's Symphony No. 5; and thanks Schenker for sending Tonwille 1 and Op. 101. OC 65/57v Handwritten letter from Anna Fried to Schenker, dated September 20, 1921 Anna Fried has to suspend her lessons, hoping to resume later. OC 65/59v Handwritten letter from Anna Fried to Schenker, dated December 28, 1921 Anna Fried sends New Year's greetings. OC 52/486 Typewritten letter from Otto Erich Deutsch to Julie Kalbeck, Heinrich Schenker, Eusebius Mandyczewski, and Hugo Schwarz, dated January 3, 1922 Otto Erich Deutsch writes concerning the contract for the series Musikalische Seltenheiten, of which he is the general editor, and Universal Edition the publisher. In view of the introduction by UE of "50 to 100" additional copies to the print-run of 500 in a new luxury edition (handmade paper and half-leather binding) of each volume, Deutsch seeks to obtain from UE improved royalty returns for all the volume editors. He makes three recommendations, which he asks the four current volume editors to affirm. OC 12/1 Handwritten letter from Theodor Frimmel to Deutsch, dated February 22, 1922 (forwarded from Deutsch to Schenker with marginal note dated Feburary 27, 1922) Deutsch forwards Schenker a letter from Theodor Frimmel regarding errors in Rolland's Beethoven biography. In the original letter, Frimmel asks Deutsch to send his regards to the Schenkers. OC 1B/10-11 Handwritten letter from Schenker to Hertzka (UE), dated February 22‒23, 1922 Schenker returns materials for the Fifth Symphony article, reports a delay in providing information for the facsimile edition of the "Spring" Sonata, and complains that he has futilely lavished time on the purification of the German language for the second edition of Die letzten fünf Sonaten ... Op. 109. — He agrees in principle to Hertzka's idea of an "Urlinie-Ausgabe" of the Beethoven sonatas, and agrees to announce it in Tonwille 2, but asks how the first seventeen sonatas are to be done retrospectively, and rejects the suggestion that his pupils might make the preparatory graphs. OC B/147 Printed postcard from Wilhelm Altmann to Schenker, dated April 26, 1922 In a form postcard, Altmann thanks Schenker for his good wishes on his 60th birthday. OC B/145 Typewritten letter from Wilhelm Altmann to Schenker, dated September 25, 1922 Altmann has dispatched two items to Schenker, and asks Schenker to instruct UE to send copies of Der Tonwille to the Preussische Staatsbibliothek. OC B/144 Postal receipt for a package from Schenker to Wilhelm Altmann, postmarked September 29, 1922 Postal receipt for return of Simrock edition of Beethoven Op. 14 and arrangement of Op. 14, No. 1. OC B/143 Typewritten letter from Wilhelm Altmann to Schenker, dated October 9, 1922 Altmann acknowledges receipt of Der Tonwille and return of two editions, and refers to Universal Edition. OC B/142 Postal receipt for a package from Schenker to Wilhelm Altmann, postmarked October 16, 1922 Postal receipt for return of early edition of Beethoven Op. 22. OC 12/7-9 Handwritten letter from Halm to Schenker dated November 6‒10, 1923 Halm has sent the published score of a string quartet to Schenker. —Patronage has enabled him to publish three volumes of compositions; reports on current and past composition activities and publications. —Discusses what he has learned from Schenker's theories, and questions whether it would be a fault were Bruckner's symphonies not to contain the Urlinie; Halm's book on Bruckner's symphonies has gone into its second edition. —Halm suspects that Schenker may not "agree with" his compositions, and asks whether Schenker wishes to receives further scores. —Halm considers socialism a "historical necessity." OC 82/10 Memorandum of a discussion of the Missa solemnis, dated September 21, 1923 Memorandum of a discussion of the Missa solemnis between Klenau and Schenker. OC 54/333-336 Handwritten letter (copy) from Schenker to Klenau, dated October 9‒10, 1923 Schenker offers further advice on performing the "Eroica" Symphony. OC 52/483 Handwritten letter from Elias to Schenker dated December 21, 1923 Miss Elias has obtained vols II-III of Schenker's Beethoven piano sonata edition as a Christmas present for Marianne Kahn. OC 12/249 Handwritten letter (copy) from Schenker to Klenau, dated January 4, 1924 Schenker responds to Klenau's remarks on atonal composers and a coming Renaissance; invites him to visit on a Wednesday. OC 12/10-12 Handwritten letter from Halm to Schenker dated dated February 1–6, 1924 Halm offers to send two of his books in return for Schenker's Opp. 109, 110, 111; he discusses the role of improvisation in his own music; he seeks "corporeality" in music, and its absence in Brahms troubles him; argues the case for Bruckner; asks Schenker to choose a passage exhibiting non-genius in his or Oppel's music and discuss it in Der Tonwille. OC 12/13-14 Handwritten letter from Halm to Schenker dated March 15, 1924 and April 1, 1924 Halm attacks Schenker for condemning Berlioz's melodic practice without substantiating his argument, and for harsh language. Halm compares Berlioz favorably to Mendelssohn. OC 12/15-17 Handwritten letter from Halm to Schenker dated April 7, April 14, and May 6, 1924] Halm again asks Schenker to point out an instance of non-genius in his [Halm's] music. — Has long believed that foreground (= corporeality) has been neglected at the expense of background (= spirituality) in music. — Defends Kurth against Schenker's critical remarks. — Suggests an explanation for the Bruckner classroom incident. — Will send parts of his [A major] String Quartet and promises a copy of his "Von Grenzen und Ländern". — Accepts offer of assistance with publication costs. — Comments on Reger. OC B/183 Typewritten postcard from Wilhelm Altmann to Schenker, dated June 12, 1924 The Library does not possess the autograph of J. S. Bach's Kleine Präludien. OC B/184 Typewritten postcard from Wilhelm Altmann to Schenker, dated June 27, 1924 Altmann states the cost of photographing autograph parts of the St Matthew Passion. OC B/185 Handwritten postcard from Wilhelm Altmann to Schenker, dated October 30, 1924 Altmann is about to send Schenker the autograph parts of J. S. Bach's St Matthew Passion, and asks for remittance. OC B/186 Customs receipt [from Preussische Staatsbibliothek to Schenker], dated November 6, 1924 Receipt from customs for payment ofimport tax [on Bach St. Matthew Passion parts]. OC B/187 Handwritten postcard from Wilhelm Altmann to Schenker, dated November 14, 1924 Schenker may hold on to the parts of the St Matthew Passion for some time. OC B/188 Handwritten letter from Wilhelm Altmann to Schenker, dated November 17, 1924 Altmann asks Schenker to send the balance of the charge for the Bach St Matthew Passion parts. OC 54/2 Typed letter from Alfred Einstein & August Demblin (DMV) to Schenker, dated November 27, 1924 Having had soundings from Otto Vrieslander about taking over the publishing of Der Tonwille, Drei Masken Verlag now approach Schenker directly, asking him to come to an agreement with Universal Edition about the the future of the publication. OC 54/3 Typed letter from Theodor Baumgarten to Schenker, dated December 9, 1924 Schenker’s lawyer, Theodor Baumgarten, advises caution in dealing with Universal Edition over the winding-up of Der Tonwille, and with Drei Masken Verlag over the future of the new venture. OC 54/4 Typed postcard from Alfred Einstein and August Demblin (DMV) to Schenker, dated December 9, 1924 Drei Masken Verlag acknowledge the receipt of Schenker’s letter of December 5, 1924. OC 54/5-7 Draft letter from Schenker to Drei Masken Verlag, dated as sent on December 9, 1924 In the light of an exchange of letters with UE, Schenker suggests that the new publication have a new title (Die Urlinie) but that the old typeface and format be retained. He suggests that the new periodical should include articles on each of the Chopin etudes and the four Brahms symphonies, and on symphonies by Beethoven, Mozart, Schubert and Haydn, from all of which book-length studies could subsequently be made. OC 54/8 Postal receipt for a letter from Schenker to Drei Masken Verlag, dated December 9, 1924 Postal receipt for OC 54/5-7. OC 54/9 Typed postcard from August Demblin and Alfred Einstein (DMV) to Schenker, dated December 22, 1924 DMV acknowledge receipt of Schenker’s letter of December 9, 1924 and promise to reply after the Christmas holidays. OC 54/10 Typed letter from Theodor Baumgarten to Schenker, dated January 15, 1925 Baumgarten expresses his concerns about Schenker’s negotiations with a new publisher, and cautiously advises that his client might instead wish to reach a peaceful agreement with Universal Edition. OC 54/11 Typewritten postcard from Otto Vrieslander to Schenker, dated January 19, 1925 Vrieslander thanks Schenker for Tonwille 10, remarks about negotiations with Universal Edition and Drei Masken Verlag, and promises to send him an offprint of his recent essay on C. P. E. Bach. OC 54/12 Typed letter from August Demblin and Alfred Einstein (DMV) to Schenker, dated January 20, 1925 Drei Masken Verlag offer to publish Schenker's future work as a yearbook, entitled "Das Meisterwerk in der Musik," in volumes comprising fifteen gatherings (180 pages). The manuscript would need to be delivered in July in order for the book to be published in time for Christmas. OC 54/13 Postal receipt for documents sent by Schenker to Otto Vrieslander, dated January 21, 1925 Postal receipt for unknown item OC 54/14 Handwritten postcard from Theodor Baumgarten to Schenker, dated January 23, 1925 Baumgarten will let Schenker know whether he is able to visit him the following Monday (January 26, 1925), to discuss Drei Masken Verlag's letter of January 20 (OC 54/12). OC 54/15 Typewritten letter from Otto Vrieslander to Schenker, dated January 24, 1925 Vrieslander reports a recent meeting at Drei Masken Verlag with Alfred Einstein, whose character he rates highly and who assured him that he was looking forward to publishing Schenker's work. OC 54/16-18 Draft letter from Schenker to Drei Masken Verlag, dated January 28, 1925 Schenker agrees to the idea of a yearbook, entitled "Das Meisterwerk in der Musik," as put forward by Drei Masken Verlag, and now asks for a draft contract to be sent, and for them to typeset some of his work so that he has an idea how long the manuscript for the yearbook should be. He also vents his hostility towards Emil Hertzka at Universal Edition. OC 54/19 Typewritten letter from August Demblin (DMV) to Schenker, dated February 3, 1925 Replying to Schenker's earlier queries, Drei Masken Verlag explain that Schenker will receive a royalty of 15% of the selling price of a paperback copy for each Yearbook sold, whether hardback or paperback. They offer an advance of 500 marks against expected sales at the time of publication (early November), and can give him half that sum upon receipt of his manuscript at the end of June. OC 52/647 Handwritten letter from Moriz Violin to Schenker, dated February 5, 1925 Violin explains why, and how, the number of free copies of Der Tonwille distributed to German university music departments was reduced from 10 per university to 7. He has seen Paul Bekker's recent book, which includes a survey of recent trends in music theory. OC 54/20-22 Draft of a letter from Schenker to Drei Masken Verlag, dated February 7, 1925 Schenker agrees to the terms of a contract outlined by Drei Masken Verlag. He requests that Fraktur typeface be used in the printing of his Yearbook, and he also needs to know the likely dimensions of the book (in words per page) so that he can plan its contents accordingly. He ends with a diatribe against Emil Hertzka at Universal Edition. OC 54/23 Typed letter from August Demblin (DMV) to Schenker, dated February 11, 1925 A copy of the Mozart-Jahrbuch II will be sent to Schenker as a model for Meisterwerk. OC 52/639 Handwritten letter from Siegfried Fritz Müller to Schenker, dated February 13, 1925 Siegfried Fritz Müller reports his subscriptions to Tonwille and asks for clarity regarding dealings with Drei Masken-Verlag. OC 52/636 Handwritten letter from Robert Brünauer to Schenker, dated February 19, 1925 Robert Brünauer reports on the subscriptions to Der Tonwille that he has taken out. OC 54/25 Typed letter from August Demblin (DMV) to Schenker, dated February 21, 1925 Drei Masken Verlag acknowledge Schenker's acceptance of their terms and issue a contract for the Meisterwerk Yearbooks. OC 54/26 Postal receipt for a document sent by Schenker to Drei Masken Verlag, dated February 25, 1925 Postal receipt for unknown item OC 54/27 Postal receipt for a document sent by Schenker to Drei Masken Verlag, dated February 28, 1925 Postal receipt for express letter OC 54/28 Typed letter from August Demblin and Alfred Einstein (DMV) to Schenker, dated March 3, 1925 Drei Masken Verlag is willing to use Der Tonwille as the title of Schenker's Yearbook, but only with the approval of Hertzka at Universal Edition. OC 52/648 Handwritten letter from Moriz Violin to Schenker, dated March 5, 1925 Violin sends Schenker receipts for the purchase of Der Tonwille. OC B/196 Typewritten letter from Wilhelm Altmann to Schenker, dated March 24, 1925 The St. Matthew Passion parts may be retained until mid-July; Altmann is pleased at Schenker's move from Universal Edition to Drei Masken Verlag; will not be in Galtür next summer. OC 52/644 Handwritten letter from Moriz Violin to Schenker, dated April 21, 1925 Violin has had the order for nine copies of Tonwille 1 placed in Berlin, and has collected the receipts. He has not heard from Weisse, but attended a performance of his String Sextet and, like Schenker, found the variations and the trio section of the scherzo the most successful. OC 52/618 Handwritten letter from Moriz Violin to Schenker, dated May 26, 1925 Dealing at the same time with a family matter, Violin sends Schenker the receipt for Max Temming's purchase of subscriptions to Der Tonwille and confirms that the money for this was sent to the Leipzig office of Universal Edition. He is not planning any summer holiday this year. OC 54/29 Typed postcard from August Demblin and Alfred Einstein (DMV) to Schenker, dated June 10, 1925 Drei Masken Verlag requests that Schenker send the manuscript of the first Meisterwerk Yearbook directly to their Munich office. OC B/199 Postal receipt for a package from Schenker to Wilhelm Altmann, postmarked June 12, 1925 Postal receipt for letter and packet containing Schenker medallion. OC 52/631 Handwritten letter from Elias to Heinrich Schenker, dated June 13, 1925 Miss Elias reports on the pricing of issues of Der Tonwille in two music stores. OC 52/649 Handwritten letter from Moriz Violin to Schenker, dated June 15, 1925 Violin has received letters from the music departments of two German universities, which show that the tenth issue of Der Tonwille (published in January 1925) was not received until June 10. OC 54/30 Postal Receipt for a package from Schenker to Drei Masken Verlag, dated June 15, 1925 Postal receipt for manuscript of Meisterwerk I dispatched to Drei Masken Verlag OC B/190 Handwritten postcard from Wilhelm Altmann to Schenker, postmarked June 15, 1925 Altmann thanks Schenker for the medallion; he will be unable to visit Galtür. OC B/197 Postal receipt for a package from Schenker to Wilhelm Altmann, postmarked June 20, 1925 Postal receipt for package to Altmann [containing Bach autograph material] OC 54/15 Typewritten letter from Moriz Schenker to Heinrich Schenker, dated July 24, 1925 Moriz Schenker tells his brother that he will ask his friend Sobotka to intervene directly in the matter of obtaining the advance of 250 marks from Drei Masken Verlag OC 54/32 Typed letter from Moriz Schenker to Schenker, dated July 28, 1925 Moriz Schenker has seen his friend Sobotka, who will arrange for the advance from Drei Masken Verlag to be paid into his account. OC 54/33 Typewritten letter from C. Alberti (DMV) to Schenker, dated September 1, 1925 In response to Schenker's request for proofs for the first Meisterwerk Yearbook, Drei Masken Verlag explain that they have not yet decided on a printing house. They advise Schenker to submit his next manuscript earlier in the year, on account of the complexity of the work. OC 54/34 Typewritten letter from August Demblin (DMV) to Schenker, dated September 16, 1925 Drei Masken Verlag tell Schenker that a printer for the first Meisterwerk Yearbook has not yet been found, owing to the high costs of this work, and that first proofs will not be ready for another two weeks. OC 54/35 Typewritten postcard from August Demblin (DMV) to Schenker, dated September 22, 1925 Drei Masken Verlag arranges for Schenker to be paid his advance of 250 marks. OC B/191 Typewritten postcard from Wilhelm Altmann to Schenker, dated October 12, 1925 Conditions under which Altmann could purchase Brahms autograph for Library. OC 54/36 Typewritten postcard from August Demblin (DMV) to Schenker, dated October 13, 1925 Drei Masken Verlag has still not found a suitable printing house, and informs Schenker that the first Meisterwerk Yearbook cannot be published in 1925. OC 54/37 Copy of letter from Schenker to Drei Masken Verlag, dated October 16, 1925 Expressing his distress at the delays, Schenker expresses his hope that the first Meisterwerk Yearbook might nonetheless be published by December and, if not, that it should still bear the date of 1925. OC 54/38 Postal Receipt for a letter from Schenker to Drei Masken Verlag, dated October 16, 1925 Postal receipt for letter OC 54/37 OC 54/39 Typewritten letter from August Demblin (DMV) to Schenker, dated October 19, 1925 Drei Masken Verlag are near agreement with a printer; Yearbook I will be backdated to 1925. OC 54/40 Handwritten note by Schenker, dated November 4, 1925 Reminds about proofs. OC 54/41 Typewritten letter from August Demblin (DMV) to Schenker, dated November 6, 1925 Drei Masken Verlag in Munich have now transferred all matters of production concerning Meisterwerk I to their office in Vienna. OC 54/42 Typewritten letter from Alfred Böhme (DMV) to Schenker, dated November 6, 1925 Drei Masken Verlag in Vienna report that Waldheim-Eberle has been chosen as the printing house for Yearbook I; they ask Schenker for the precise wording of the title of the book, and issue instructions for dealing with the galley-proofs. OC B/198 Postal receipt for a package from Schenker to Wilhelm Altmann, postmarked November 13, 1925 Postal receipt for package to Altmann [containing portrait] OC 54/43 Typewritten letter from Alfred Böhme (DMV) to Schenker, dated November 18, 1925 New stamps for the printing of Schenker's careted numbers must be ordered before the proofs of the first Meisterwerk Yearbook can be completed; they will therefore be delayed by a few days. OC 54/44 Typewritten letter from Alfred Böhme (DMV) to Schenker, dated November 21, 1925 The printing-house has just received the stamps with the special characters needed to set the first Yearbook, and the proofs will be ready in a few days. OC 54/45 Typewritten letter from Alfred Böhme (DMV) to Schenker, dated November 28, 1925 The text of Yearbook I has been set, but the music examples will require more time. OC 54/192 Notes by Schenker, made in November 1925 Notes concerning the production schedule for the first Meisterwerk yearbook. OC 54/46 Postal receipt for a package from Schenker to Drei Masken Verlag, dated November 30, 1925 Postal receipt for galley-proofs 1-6 and 23 pages of manuscript of Meisterwerk I. OC 54/47 Postal receipt for a package from Schenker to Drei Masken Verlag, dated December 4, 1925 Postal receipt for galley-proofs 7–13 OC 54/48 Typewritten letter from Alfred Böhme (DMV) to Schenker, dated December 9, 1925 Drei Masken Verlag acknowledge receipt of the Foreword to Meisterwerk I. They note that he has made a large number of corrections to the proofs, and warn him that, though they can be incorporated in the final text, he will have to bear the expense if they exceed 10% of the overall printing costs. OC 54/49 Postal receipt for a package from Schenker to Drei Masken Verlag, dated December 9, 1925 Postal receipt for galley-proofs OC 54/50 Postal receipt for a package from Schenker to Drei Masken Verlag, dated December 15, 1925 Postal receipt for galley-proofs OC 54/51 Postal receipt for a package from Schenker to Drei Masken Verlag, dated December 17, 1925 Postal receipt for galley-proofs OC 54/52 Postal receipt for a package from Schenker to Drei Masken Verlag, dated December 21, 1925 Postal receipt for galley-proofs OC 54/53 Postal receipt for a package from Schenker to Drei Masken Verlag, dated December 30, 1925 Postal receipt for galley-proofs OC 54/54 Postal receipt for a package from Schenker to Drei Masken Verlag, dated January 2, 1926 Postal receipt for galley-proofs and engravings OC 54/55 Postal receipt for a package from Schenker to Drei Masken Verlag, dated January 7, 1926 Postal receipt for proofs OC 54/56 Typewritten letter from Alfred Böhme (DMV) to Schenker, dated January 14, 1926 Drei-Masken Verlag says that there are plans to publish the autograph manuscript of Mozart’s Don Giovanni in facsimile. They are in the process of finishing the first Meisterwerk Yearbook, note Schenker’s wish for wider Urlinie graphs in future yearbooks. OC 54/57 Typewritten letter from DMV to Schenker, dated January 15, 1926 Drei Masken Verlag in Munich have now transferred all matters of production concerning the first Meisterwerk Yearbook to their office in Vienna. OC 54/58 Typewritten letter from August Demblin and Alfred Einstein (DMV) to Schenker, dated January 16, 1926 The facsimile edition of Mozart’s Don Giovanni will not be ready for some time; a facsimile of Beethoven’s Op. 57 is planned, not by DMV but by a Paris printing-house. OC 54/59 Typewritten letter from Alfred Böhme (DMV) to Schenker, dated January 21, 1926 Drei Masken Verlag announce that the second galley-proofs are on their way to Schenker and explain that, owing to the complexity of the publication, it will take time to complete the corrections to the text and the music examples. OC 54/60 Typewritten letter from Alfred Böhme (DMV) to Schenker, dated January 25, 1926 Drei Masken Verlag are sending Schenker the second galley-proofs for the first Meisterwerk Yearbook, together with a separate printout of the music examples. OC 54/61 Double Postal Receipt for packages from Schenker to Drei Masken Verlag, dated January 29, 1926 Postal receipt for the second set of page-proof corrections for the first Meisterwerk Yearbook. OC 54/62 Typed letter from Alfred Böhme (DMV) to Schenker, dated February 3, 1926 The Vienna branch of Drei Masken Verlag are forwarding Schenker’s request for an announcement about the Meisterwerk Yearbooks to their Munich office. They explain that difficulties in printing the music examples have delayed the production of Yearbook 1. OC 54/63 Typed letter from August Demblin and Alfred Einstein (DMV) to Schenker, dated February 5, 1926 Drei Masken Verlag invite Schenker to write a short announcement about the Meisterwerk Yearbook, to be sent to newspapers and music journals in advance of publication. OC 54/64 Double Postal Receipt for a package from Schenker to Drei Masken Verlag, dated February 15, 1926 Postal receipts for gatherings 1–4 of the first Meisterwerk Yearbook and for a publicity note for the series. OC 54/65-66 Draft of a publicity note for Das Meisterwerk in der Musik, dated February 15, 1926 A draft statement of the principles lying behind Schenker’s Meisterwerk series of Yearbooks, together with a provisional table of contents for the second Yearbook. OC 54/67 Double postal receipt for packages from Schenker to Drei Masken Verlag, dated March 1, 1926 Postal receipt for page-proof corrections for the first Meisterwerk Yearbook. OC 54/68 Typed letter from Alfred Böhme (DMV) to Schenker, dated March 4, 1926 Drei Masken Verlag reprimands Schenker for introducing so many changes to the music examples, and ask him to consider whether he wishes to bear the additional cost of reingraving the music example plates. OC 54/69 Typed letter from Alfred Böhme (DMV) to Schenker, dated March 10, 1926 Drei Masken Verlag report a short delay in the production of the first Meisterwerk Yearbook. OC 54/70 Typed letter from Alfred Böhme (DMV) to Schenker, dated March 15, 1926 Drei Masken Verlag agree to print a list of corrections at the end of Meisterwerk 1, and announce that they have now completed the revision of the volume. OC 54/71 Postal Receipt for a package from Schenker to Drei Masken Verlag, dated March 24, 1926 Postal receipt for gatherings 1–8 for Meisterwerk 1. OC 54/72 Postal Receipt for a package from Schenker to Drei Masken Verlag, dated March 26, 1926 Postal receipt for gatherings 9–12 for Meisterwerk 1. OC 54/73 Postal Receipt for a package from Schenker to Drei Masken Verlag, dated March 27, 1926 Postal receipt for the final set of gatherings and list of corrections for Meisterwerk 1. OC 82/27-28 Handwritten letter from Georg Dohrn to Schenker, dated April 2, 1926 Dohrn inquires as to the performance of the opening of the second movement of Beethoven's Ninth Symphony. OC 52/545 Typed postcard from Hugo Winter (UE) to Schenker, dated April 9, 1926 Winter acknowledges order from Otto Bauer. OC 54/74 Typed letter from Alfred Böhme (DMV) to Schenker, dated April 15, 1926 Drei Masken Verlag inform Schenker that the proof-copy of Meisterwerk 1 has been sent to Dr. Einstein in Munich for final checking. They confirm that the majority of the music examples will appear as an unbound supplement at the end of the book, agree to correct two errors in the typesetting, and confirm the appearance of the cover. OC 54/75 Typed letter from DMV to Schenker, dated April 24, 1926 Drei Masken Verlag will send Schenker new page-proofs for the first gathering, to ensure that the title-page and the list of printing errors are correct. They also ask about the binding of the separate pages of musical illustration, and the notice about his earlier publications. OC 54/76 Typed letter from Alfred Böhme (DMV) to Schenker, dated May 4, 1926 Drei Masken Verlag are sending Schenker the proofs for the first gathering of his first Meisterwerk Yearbook, with the list of printing errors. There is not enough room for a special notice about the new series, but they will include the contents of the ten issues of Der Tonwille. OC 54/77 Typed letter from Alfred Böhme (DMV) to Schenker, dated May 7, 1926 Drei Masken Verlag alert Schenker to the printing error in the proof of the advertisement page, which was to be included in the first Meisterwerk volume, and ask that he disregard the imprimatur. They send linen swatches for the cover and recommend using coloured lettering for the title. OC 54/78 Typed letter from Alfred Böhme (DMV) to Schenker, dated May 14, 1926 A further mistake has been found in the text of the first Meisterwerk Yearbook, and Schenker is asked to confirm the correction by return of post. OC 54/79 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 5, 1926 The binding of the first Meisterwerk Yearbook has been transferred to another firm, mainly because the printing-house of Waldheim-Eberle would not do this work for the agreed price. Schenker is asked not to press for an early release of the book, before the bindings have had a chance to dry thoroughly. OC B/192 Two typewritten letters from Wilhelm Altmann to Schenker, dated June 9, 1926 Letter 1: Altmann replies to Schenker's inquiry about manuscripts of two Mozart symphonies. Letter 2: Altmann gives his summer travel plans; delay in publishing article about Schenker in Die Musik; advice for Weisse over choice of publisher. OC 54/80 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 11, 1926 Drei Masken Verlag acknowledge receipt of the manuscript of Das Meisterwerk in der Musik, vol. 2. OC 54/81 Envelope for item 54/80, dated June 11, 1926 Envelope for a letter confirming receipt of the manuscript for Das Meisterwerk in der Musik, volume 2. OC 54/82 Typed postcard from Alfred Einstein and August Demblin (DMV) to Schenker, dated June 14, 1926 The Munich office of Drei Masken Verlag acknowledges receipt of the manuscript for Das Meisterwerk in der Musik, volume 2. OC 54/83 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 15, 1926 Drei Masken Verlag are sending Schenker ten hard-bound complimentary copies of the first Meisterwerk Yearbook, although he may contractually be entitled only to five hard-bound and five paper-bound copies. They ask him to send the addresses to which review copies may be sent. (Schenker has made some pencil notes about the receipients of the complimentary copies.) OC 54/84 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 16, 1926 Drei Masken Verlag ask Schenker to exchange five paper-bound copies of the first Meisterwerk Yearbook for five of the hard-bound copies they had recently sent him. OC 54/85 Telegram from Drei Masken Verlag to Schenker, dated June 16, 1926 Drei Masken Verlag in Munich acknowledge receipt of the manuscript of the second Meisterwerk Yearbook. OC 54/86 Handwritten Note from DMV to Schenker, dated June 17, 1926 Drei Masken Verlag ask Schenker to exchange five paper-bound copies of the first Meisterwerk Yearbook for five of the hard-bound copies he had recently received from them. OC 54/87 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 19, 1926 Drei Masken Verlag inform Schenker that the distribution of the first Meisterwerk volume will be delayed until their Munich branch have announced the retail price. OC 54/88 Typed letter from August Demblin (DMV) to Schenker, dated June 21, 1926 Drei Masken Verlag will arrange to have the remainder of the advance for the first Meisterwerk Yearbook paid in shillings, but they are reducing the royalties because the corrections he made exceed 10% of the printing costs. They are also reserving judgment on the publication of the second Yearbook until they see some sales figures for the first. (Pencil annotations to the letter indicate Schenker’s displeasure at this news.) OC 54/89 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 22, 1926 Drei Masken Verlag in Vienna report having paid the remainder of the advance for the first Meisterwerk Yearbook into Schenker’s account. OC 54/90 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 23, 1926 In response to Schenker’s query regarding advance payments for Das Meisterwerk in der Musik, the Vienna office of Drei Masken Verlag explain that they have instructions only to offer the remainder of the advance on the first Yearbook, and that no decision has yet been made with regard to the second. OC 54/91-92 Draft of a letter from Schenker to DMV in Schenker’s hand, dated June 24, 1926 In response to Drei Masken Verlag’s delay in initiating production of the second Meisterwerk Yearbook, Schenker points out that the publishers are in breach of paragraph 8 of the contract between them for not informing him the previous summer. He threatens them with legal action if he has not had a reply within a week, or if they insist on delaying production. OC 54/93 Postal Receipt for a letter from Schenker to Drei Masken Verlag, dated June 24, 1926 Postal receipt for the final version of OC 54/91–92. OC 54/94 Typed letter from Hirsch to Schenker, dated June 26, 1926 Treuga Bank confirm that the General Director has read through the contract and letters regarding payment for the first Meisterwerk volume. He will send a report as soon as he has discussed the matter with the Consul General. OC 54/95 Typed letter from August Demblin (DMV) to Schenker, dated July 9, 1926 Drei Masken Verlag ask Schenker to agree to a delay until October 1926 before a decision is reached about proceeding with production of the second Meisterwerk Yearbook. OC 52/829 Printed return postcard from Harrassowitz Buchhandlung to Schenker, dated July 13, 1926 Harrassowitz's return card requests either a copy of or information about Schenker's monograph Beethoven V. Sinfonie. OC 52/907 Typed letter from Hugo Winter (UE) to Schenker, dated July 14, 1926 UE have mailed Schenker's statement of account to Galtür. OC 54/100 Postal Receipt for a letter from Schenker to Drei Masken Verlag, dated July 14, 1926 Postal receipt for final verson of OC 54/96–99. OC 54/96-99 Draft of a letter from Schenker to Drei Masken Verlag in Jeanette Schenker’s hand with corrections in Heinrich Schenker’s hand, dated July 14, 1926 Schenker agrees to a delay to the start of production of the second Meisterwerk volume, but insists that it continue to be understood as a “Yearbook,” i.e. as part of a series of publications and not as an individual book, and that it bear the year 1926. OJ 52/897 Receipt for bank transaction from the Post Office Savings Bank to Schenker, dated July 16, 1926 Receipt for sum of 232.14 shillings [from UE]. OC B/193 Handwritten postcard from Wilhelm Altmann to Schenker, postmarked August 3, 1926 Altmann thanks Schenker for Meisterwerk I and describes his summer travels. OC 52/546 Handwritten note by Schenker, dated October 10, 1926 Main points of WSLB 371. OC 54/101 Typed letter from Drei Masken Verlag (Vienna) to Schenker, dated October 12, 1926 Drei Masken Verlag in Vienna will forward Schenker’s query about the lack of publicity for the first Meisterwerk Yearbook to their Munich office. OC 52/831 Typed postcard from Barbara Rothe (UE) to Schenker, dated October 13, 1926 UE have written for review in Rivista musicale italiana. OC 54/102 Draft of a letter from Schenker to Drei Masken Verlag (Munich), dated October 14, 1926 Schenker reminds the publishers that they were expected to reach a decision – which he is expecting to be positive – regarding the production of the second Meisterwerk Yearbook. OC 54/103 Postal Receipt for a letter from Schenker to Drei Masken Verlag, dated October 14, 1926 Postal receipt for a letter to Drei Masken Verlag in Munich requesting a renewed statement about the publication of Meisterwerk 2. OC 54/104 Typed letter from August Demblin and Alfred Einstein (DMV) to Schenker, dated October 15, 1926 Drei Masken Verlag think that an advertisement for the first Meisterwerk Yearbook in the December 1926 issue of Die Musik would be timely; they also report that sales of the book have been slow. OC 52/832 Typed letter from Barbara Rothe (UE) to Schenker, dated October 26, 1926 Rothe encloses review from Rivista musicale italiana. OC 54/105-106 Draft of a letter from Schenker to Drei Masken Verlag in Jeanette Schenker’s hand, dated November 18, 1926 Schenker reminds the publishers once again that they owe him a decision about starting production of the second Meisterwerk Yearbook; although they have complained about poor sales, they have done nothing to publicize the book, which would otherwise be unknown to his adherents in foreign countries. OC 54/107 Postal Receipt for a letter from Schenker to Drei Masken Verlag, dated November 19, 1926 Postal receipt for final version of OC 54/105-106. OC 54/108 Typed letter from Alfred Böhme (DMV) to Schenker, dated November 26, 1926 Drei Masken Verlag are not at liberty to make a direct approach to a retailer’s customers. They suggest that Schenker contact the firm of Gutmann directly, and that the appeal to his readers is personally composed; they will offer Gutmann a reduction in the cost of copies ordered or sold by the firm. OC 54/109 Typed letter from Alfred Einstein (DMV) to Schenker, dated December 11, 1926 Although he is confident that Drei Masken Verlag is not bound to publishing Schenker’s second Meisterwerk Yearbook, Einstein suggests that the two of them come to a new financial agreement so that production can take place. OC 54/110 Typed letter from Alfred Böhme (DMV) to Schenker, dated December 17, 1926 Drei Masken Verlag inform Schenker that a glowing review of the first Meisterwerk volume has appeared in Der Abend, and ask that he send them details of interested individuals to whom they can forward the review. OC 52/908 Typed letter from Hugo Winter (UE) to Schenker, dated December 28, 1926 Payments for Beethoven sonatas and Der Tonwille have been transferred. OC 52/909 Typed letter from Hugo Winter (UE) to Schenker, dated January 4, 1927 Encloses Schenker's royalty statement for the second half of 1926. OC 54/111 Typed letter from Otto Erich Deutsch to Schenker, dated January 8, 1927 Deutsch thanks Schenker for his recent communications, including a copy of the contract with Drei Masken Verlag for the Meisterwerk Yearbook, and asks for a copy of relevant extracts from the correspondence with the publishers. He reports progress in the establishment of a Photogram Archive at the Austrian National Library, with the cooperation of Dr Robert Haas and financial support from Anthony van Hoboken; similar plans to photographically reproduce autograph manuscripts are underway at the Beethoven House in Bonn, and (for manuscripts of Bach and Handel) also in England. He advises Schenker that proofs will start arriving from the printing-house Waldheim in a few weeks, and expresses his delight in being able to assist Schenker in the promotion of his work. OC 54/112 Postal Receipt for a letter from Schenker to Otto Erich Deutsch, dated January 8, 1927 Postal receipt for an express letter to Otto Erich Deutsch. OC 54/113-115 Handwritten notes by Schenker for material sent to Otto Erich Deutsch in January 1927. These notes form the basis of a letter from Schenker to Otto Erich Deutsch that gives details of his difficulties with his present publisher (Drei Masken Verlag), and provides a list of the extracts from the correspondence with DMV, which Jeanette Schenker has copied out to assist Deutsch in renegotiating a contract to publish Schenker’s second Meisterwerk Yearbook. OC 54/116 Typewritten draft of two letters to Drei Masken Verlag, dated January 8 and 10, 1927 This document contains drafts of two alternative letters to Drei Masken Verlag, one asking them to return the manuscript of the second Meisterwerk Yearbook and threatening legal action for financial damage, the other authorizing Otto Erich Deutsch as representative of a group of students who will offer financial support to make it financially easier for the publishers to bring out the Yearbook. OC 54/117 Postal receipt for an express letter to Otto Erich Deutsch, dated January 10, 1927 Postal receipt for an express letter to Otto Erich Deutsch. OC 54/118 Handwritten message on visiting card, from Otto Erich Deutsch to Schenker, dated January 14, 1927 Deutsch has secured an agreement with Drei Masken Verlag to publish the second Meisterwerk Yearbook, and asks Schenker to get in touch. OC 54/119 Typed letter from August Demblin (DMV) to Schenker, dated January 17, 1927 Drei Masken Verlag agree to publish the second Meisterwerk Yearbook, under terms suggested by Otto Erich Deutsch, and will send Schenker an advance of 250 marks. OC 54/120 Typed letter from August Demblin (DMV) to Schenker, dated January 18, 1927 Drei Masken Verlag inform Schenker that they have sent the manuscript of his second Meisterwerk Yearbook to the typesetter, Mandruck (Munich), from whom he will receive the galley-proofs. OC 54/121 Typed letter from Waldheim Eberle A. G. to Schenker, dated January 18, 1927 Waldheim-Eberle report – with regret – that they did not get the contract to engrave the second volume of Das Meisterwerk in der Musik. OC 54/122 Handwritten postcard from Alfred Einstein (DMV) to Schenker, dated January 19, 1927 Einstein thanks Schenker for the information provided (via Otto Erich Deutsch) about the manuscripts of Beethoven’s Ninth Symphony, and uses the opportunity to express his happiness that production of the second Meisterwerk Yearbook is now underway. OC 54/123 Receipt for a bank transaction, undated Receipt for the advance paid to Schenker for the second Meisterwerk Yearbook. OC 54/124 Typed letter from Otto Vrieslander to Schenker, dated January 20, 1927 Vrieslander has received the Urlinie graphs for two essays in the second Meisterwerk Yearbook, and explains to Schenker that he will exercise the utmost care in preparing them for publication. OC 54/125 Typed postcard from August Demblin (DMV) to Schenker, dated January 21, 1927 Drei Masken Verlag agree to send Schenker proofs of the text and the music examples at the same time. OC 54/126 Typed letter from August Demblin (DMV) to Schenker, dated January 27, 1927 Drei Masken Verlag have enclosed a page of music examples and a letter from the printers. They request a response as soon as possible. OC 54/127 Postal receipts for letters to Otto Vrieslander and Drei Masken Verlag (Munich), dated January 31, 1927 Postal receipts for letters concerning the second Meisterwerk Yearbook. OC 54/193 List of review copies for Das Meisterwerk in der Musik, vol. 1 List of review copies for the first Meisterwerk yearbook. OC 54/128 Postal receipt for a letter to Otto Vrieslander, dated February 3, 1927 Postal receipt for corrections to the second Meisterwerk volume. OC 54/129 Typed letter from Otto Vrieslander to Schenker, dated February 10, 1927 Vrieslander assures Schenker that he has prepared the graphs for Mozart’s Symphony in G minor with the utmost care, with due regard to his instructions. OC 54/130 Typed postcard from August Demblin (DMV) to Schenker, dated February 12, 1927 Drei Masken Verlag inform Schenker that the proofs will be sent in the manner that he has requested. OC 54/131 Typed postcard from Otto Vrieslander to Schenker, postmarked February 14, 1927 Vrieslander explains the way he has dealt with Schenker’s detailed comments on the graph of Mozart’s Symphony in G minor. OC 54/132 Typed letter from Otto Vrieslander to Schenker, dated February 15, 1927 Vrieslander informs Schenker that Alfred Einstein (DMV) has decided to engrave the music examples for the second Meisterwerk volume in order to ensure a flawless reproduction. He also reports that the width of the pages in the supplement will be expanded, and notifies Schenker of the changes that he will make to the music examples following this decision. Vrieslander states he has officially enquired with Einstein about potential problems in the printing process, making clear that Schenker will not be able to bear any additional costs for printing errors. OC 54/133 Copy of a letter from Otto Vrieslander to Alfred Einstein (DMV), dated February 15, 1927 Following Einstein’s determination to have the Urlinie graphs engraved, not hand-drawn, Vrieslander asks that the engraver pays particular attention to the shape of the large slurs, and suggests a meeting with the engraver to go over further problems. If the graphs were relegated to an appendix, they could be as wide as necessary, for sake of clarity. OC 54/134 Typed letter from Otto Vrieslander to Schenker, dated February 20, 1927 Vrieslander, at pains to ensure that the music illustrations in the second Meisterwerk Yearbook are accurately and elegantly printed, reports that the engravers are having difficulty interpreting Schenker’s music examples. He is putting his own work to one side in order to work exclusively on creating clear and elegant graphs; he proposes to come to Vienna in mid-March to go through all his work with Schenker. OC B/228 Typewritten letter from V. A. Heck to Schenker, dated February 21, 1927 Heck informs Schenker of a Beethoven manuscript in his hands. OC B/229 Handwritten delivery note from V. A. Heck to Schenker, dated February 21, 1927 Delivery note for manuscript of Beethoven's Fidelio. OC 54/135 Typed letter from DMV to Schenker, dated February 24, 1927 Drei Masken Verlag inform Schenker that there is a delay with the production of the music examples for the second Meisterwerk yearbook. They anticipate that he will receive the proofs soon. OC B/227 Typewritten letter from V. A. Heck to Schenker, dated February 25, 1927 Heck has sent the sketchleaves for photographic reproduction. OC 54/136 Typed letter from August Demblin (DMV) to Schenker, dated March 4, 1927 Drei Masken Verlag send Schenker a proof of the Urlinie graph for Chopin’s Op. 15, No. 2, and ask him to correct and return it. OC B/226 Typewritten letter from V. A. Heck to Schenker, dated March 4, 1927 Heck asks Schenker to proof read the galleys of an article. OC B/224 Typewritten letter from V. A. Heck to Schenker, dated March 10, 1927 Heck asks Schenker to identify a Beethoven sketchleaf. OC B/225 Handwritten delivery note from V. A. Heck to Schenker, dated March 10, 1927 Delivery note for Beethoven sketchleaves. OC B/223 Typewritten letter from V. A. Heck to Schenker, dated March 12, 1927 Heck thanks Schenker for information supplied, and will send a photograph. OC 54/137 Typed letter from Otto Erich Deutsch to Schenker, dated March 16, 1927 Deutsch returns part of the proofs of the second Meisterwerk Yearbook and provides bibliographical details of a Haydn sketch-leaf to be reproduced for the essay on “The Representation of Chaos.” OC 54/138 Postal receipt for a letter to Otto Erich Deutsch, dated March 17, 1927 Postal receipt for returned Haydn sketches. OC 54/139 Typed letter from August Demblin (DMV) to Schenker, dated March 18, 1927 In response to queries about the typography in the second Meisterwerk Yearbook, Drei Masken Verlag ask Schenker to return the proof-sheets with the corrections indicated, so that they can investigate the specific problems. OC 54/140 Typed postcard from Otto Vrieslander to Schenker, dated March 24, 1927 Vrieslander, in Vienna, makes arrangements to meet Schenker on March 25 to go over the music illustrations for the second Meisterwerk Yearbook, leaving the following day available if necessary. OC 54/141 Typed postcard from August Demblin (DMV) to Schenker, dated March 24, 1927 Drei Masken Verlag confirm that the facsimile sketch for Haydn’s “Chaos” will be stereotyped. OC 54/142 Postal receipt for a package to Drei Masken Verlag (München), dated March 28, 1927 Postal receipt for a package containing materials for Meisterwerk 2 (corrected engravings, new copies of music examples and the "Chaos" sketch). OC 54/143 Typed postcard from August Demblin (DMV) to Schenker, dated April 5, 1927 Drei Masken Verlag confirm receipt of the corrected graphs and freshly copied music examples for Meisterwerk 2. OC B/222 Typewritten letter from V. A. Heck to Schenker, dated April 12, 1927 Heck sends a Beethoven sketchleaf and asks Schenker's opinion of it. OC 54/144 Postal receipt for a package to Drei Masken Verlag (München), dated April 22, 1927 Postal receipt for the first corrected manuscript of Meisterwerk 2 and 9 leaves of stereotypes. OC 52/833 Postal receipt for item from Schenker to UE, dated April 25, 1927 Postal receipt for corrections to "Appassionata" Sonata OC 54/145 Typed letter from August Demblin (DMV) to Schenker, dated April 25, 1927 Drei Masken Verlag inform Schenker that they have sent all of the material for the second Meisterwerk volume to the printers, and that he should expect to receive three copies of the page proofs and two copies of the music examples in due course. OC 52/834 Typed letter from Barbara Rothe (UE), dated April 26, 1927 Rothe acknowledges corrections to the "Appassionata" Sonata and promises proofs. OC 54/146 Postal receipt for a package to Drei Masken Verlag (München), dated April 29, 1927 Postal receipt for a package containing 8 pages of engravings for the second Meisterwerk volume. OC 54/147 Typed postcard from August Demblin (DMV) to Schenker, dated April 30, 1927 Drei Masken Verlag inform Schenker that they have forwarded the imprimatur engravings to the printers, along with his query about Fig. 33. OC 54/148 Typed letter from Mandruck to Schenker, dated May 3, 1927 Mandruck return the original sketches of Haydn's "Representation of Chaos" to Schenker and inform him that they have prepared the stereotype in accordance with his wishes. OC 54/149 Typed postcard from August Demblin (DMV) to Schenker, dated May 3, 1927 Drei Masken Verlag confirm that they have arranged for two copies of the page proofs for the second Meisterwerk volume to be sent to him, and the third to Otto Erich Deutsch. OC 54/150 Typed postcard from Mandruck to Schenker, dated May 4, 1927 Mandruck notify Schenker that a set of galley proofs for the second Meisterwerk volume will soon arrive. OC 54/151 Postal receipt for a letter to Otto Erich Deutsch, dated May 4, 1927 Postal receipt for a package containing sketches of music examples for the second Meisterwerk volume. OC 54/152 Postal receipt for a letter to Drei Masken Verlag (München), dated May 4, 1927 Postal receipt for a package containing 3 pages of engravings for the second Meisterwerk volume. OC 54/153 Postal receipt for a letter to Drei Masken Verlag (München), dated May 6, 1927 Postal receipt for an imprimatur copy of Figure 33 for the second Meisterwerk volume. OC 54/154 Typed postcard from August Demblin (DMV) to Schenker, dated May 9, 1927 Drei Masken Verlag confirm receipt of the imprimatur copy of Figure 33 for the second Meisterwerk volume. They request that Schenker now send the galley proofs for pages 1–30. OC 54/155 Postal receipt for a letter to Drei Masken Verlag (München), dated May 11, 1927 Postal receipt for a package containing the third page proofs of the second Meisterwerk volume, and 9 engravings. OC 54/156 Postal receipt for a letter to Drei Masken Verlag (München), dated May 12, 1927 Postal receipt for a package containing an imprimatur graph of Mozart's G minor Symphony for the second Meisterwerk volume. OC 52/835 Typed letter from Kalmus (UE) to Schenker, dated May 13, 1927 Kalmus notifies Schenker that proofs of the newly-revised "Appassionata" Sonata are on their way. OC 54/157 Typed postcard from August Demblin (DMV) to Schenker, dated May 13, 1927 Drei Masken Verlag inform Schenker that they have forwarded his requested corrections to the printing house, and will be in touch soon regarding the completion of the graphs for the second Meisterwerk volume. OC 54/158 Typed letter from August Demblin (DMV) to Schenker, dated May 16, 1927 Drei Masken Verlag notify Schenker that they will send him the missing galley proofs for the second Meisterwerk volume that day, and inform him that his requests for corrections regarding the Mozart graph have been successfully processed. OC 54/159 Typed letter from Mandruck to Schenker, dated May 16, 1927 Mandruck enclose the missing galley proofs for the second Meisterwerk volume, and confirm that the requested changes have been successfully executed. OC 54/160 Postal receipt for a letter to Drei Masken Verlag (München), dated May 16, 1927 Postal receipt for page proofs for the second Meisterwerk volume. OC 52/836 Postal receipt for item from Schenker to UE, dated May 18, 1927 Postal receipt for proofs of "Appassionata" Sonata OC 54/162 Typed letter from Mandruck to Drei Masken Verlag, dated May 19, 1927 Mandruck notify Drei Masken Verlag that they have enclosed a new set of proofs for the second Meisterwerk volume, amended in accordance with Schenker's wishes. OC 52/837 Typed postcard from Kalmus (UE) to Schenker, dated May 20, 1927 Kalmus acknowledges the "Appassionata" proofs. OC 54/161 Postal receipt for a letter to Drei Masken Verlag (München), dated May 20, 1927 Postal receipt for a package containing the second page proofs of Meisterwerk 2. OC 54/163 Typed letter from August Demblin (DMV) to Schenker, dated May 20, 1927 Drei Masken Verlag notify Schenker that they have enclosed a set of amended proofs for the second Meisterwerk yearbook. OC 54/164 Typed letter from August Demblin (DMV) to Schenker, dated May 23, 1927 Drei Masken Verlag confirm receipt of Schenker's imprimatur graphs and amended proofs for the second Meisterwerk yearbook, assuring him that the requested correction in the Mozart Symphony has been made. OC 54/165 Postal receipt for a letter to Drei Masken Verlag (München), dated May 24, 1927 Postal receipt for a package containing the last set of galley proofs for the second Meisterwerk volume. OC 52/838 Typed postcard from Kalmus (UE) to Schenker, dated May 27, 1927 Proofs of the defective pages of the revised "Appassionata" Symphony have been dispatched to Schenker. OC 54/166 Postal receipt for a letter to Drei Masken Verlag (München), dated May 27, 1927 Postal receipt for a package containing imprimatur copies of music examples for the second Meisterwerk volume. OC 54/167 Typed letter from August Demblin (DMV) to Schenker, dated May 30, 1927 Drei Masken Verlag have enclosed the sample proofs of the first two gatherings for Meisterwerk 2, and request that he responds to their query about the size and placement of music examples as soon as possible. OC 52/839 Postal receipt for item from Schenker to UE, dated May 31, 1927 Postal receipt for final proofs of "Appassionata" Sonata OC 52/840 Typed postcard from Barbara Rothe (UE) to Schenker, dated May 31, 1927 A copy of Schenker's Fifth Symphony monograph has been dispatched to Vrieslander as requested. OC 54/168 Postal receipt for a letter to Drei Masken Verlag (München), dated June 1, 1927 Postal receipt for a package containing the first two gatherings for Meisterwerk 2, and a letter agreeing to Mandruck's suggestions regarding the placement of music examples. OC 54/169 Typed postcard from August Demblin (DMV) to Schenker, dated June 7, 1927 Drei Masken Verlag inform Schenker that the page proofs for the second Meisterwerk volume will be completed in around two weeks time. OC 52/841 Typed postcard from Kalmus and unknown signatory (UE) to Schenker, dated June 9, 1927 Acknowledges second proofs of "Appassionata" Sonata. OC 54/170 Typed postcard from Mandruck to Schenker, dated June 10, 1927 Mandruck have enclosed the first two gatherings of the second Meisterwerk volume, amended in accordance with Schenker's wishes. They anticipate that he will receive the remaining page proofs before the end of the month. OC 54/171 Typed letter from Mandruck to Schenker, dated June 11, 1927 Mandruck enclose two sets of gatherings for the second Meisterwerk yearbook, along with the galley proofs. They request an explanation regarding Figure 75a. OC 54/172 Handwritten note by the compositor at Mandruck, dated June 11, 1927 The compositor at Mandruck requests clarification about Figure 75a, which is missing from their set of music examples for the second Meisterwerk volume. OC 54/173 Postal receipt for a letter to Mandruck, dated June 13, 1927 Postal receipt for a package containing Figures 75a and 75b for the second Meisterwerk volume. OC 54/174 Typed postcard from Mandruck to Schenker, dated June 14, 1927 Mandruck have enclosed the page proofs for the second Meisterwerk volume, along with a printout of the galley proofs and gatherings 5–6. OC 54/175 Typed postcard from August Demblin (DMV) to Schenker, dated June 15, 1927 Drei Masken Verlag enclose a paper sample intended for the second Meisterwerk Yearbook, and request Schenker's approval. OC 54/176 Typed letter from Mandruck to Schenker, dated June 17, 1927 Mandruck enclose further page proofs for the second Meisterwerk volume, along with the corresponding galley proofs. OC 54/177 Typed letter from August Demblin to Schenker, dated June 21, 1927 Drei Masken Verlag confirm that Schenker's requests regarding the music examples for the second Meisterwerk volume have been honoured, and inform him that he will receive a complete copy of the proofs once the pagination has been completed. OC 54/178 Typed letter from Mandruck to Schenker, dated June 21, 1927 Mandruck have enclosed further page proofs for the second Meisterwerk volume, and request that he return the previous set as soon as possible. OC 54/179 Postal receipt for a package to Drei Masken Verlag, dated June 30, 1927 Postal receipt for a package containing gatherings 1–6 the second Meisterwerk volume. OC 52/842 Typed postcard from Barbara Rothe to Schenker, dated July 6, 1927 The revised edition of Schenker's "Appassonata" Sonata edition has not yet appeared. OC 54/180 Postal receipt for a package to Drei Masken Verlag, dated July 6, 1927 Postal receipt for a package containing corrections to gatherings 7–9 of the second Meisterwerk volume. OC 54/181 Typed letter from Mandruck to Schenker, dated July 8, 1927 Mandruck enclose the remaining page proofs for the second Meisterwerk volume, along with copies of the relevant music examples. They request guidance on the positioning of the music examples. OJ 52/898 Receipt for bank transaction from the Post Office Savings Bank to Schenker, dated July 14, 1927 Receipt for sum of 221.48 shillings [from UE]. OC 54/182 Postal receipt for a package to Drei Masken Verlag, dated July 14, 1927 Postal receipt for a package containing gatherings 10–14 of the second Meisterwerk yearbook, along with sheets I–XV of the appendix, 2 Urlinie graphs and an original copy of Tonwille. OC 54/183 Typed postcard from C. Alberti (DMV) to Schenker, dated August 5, 1927 Drei Masken Verlag inform Schenker that they expect to receive a complete, corrected copy of the second Meisterwerk volume in around a week, and anticipate that it will be released in September. OC 54/184 Typed letter from Mandruck to Schenker, dated August 17, 1927 Mandruck enclose a complete proof-copy of the second Meisterwerk volume, along with the corresponding graphs, which will be placed in an appendix. They request that Schenker return an imprimatur copy so they can begin printing. OC 54/186 Postal receipt for a letter to Drei Masken Verlag, dated August 22, 1927 Postal receipt for a package containing the imprimatur page proofs for the second Meisterwerk yearbook. OC 52/843 Typed postcard from Barbara Rothe to Schenker, dated September 7, 1927 A copy of Schenker's new edition of the "Appassionata" Sonata is on its way. OC 54/185 Invoice from Drei Masken Verlag to Schenker, dated September 27, 1927 Invoice for the author's copies of the second Meisterwerk volume. OC 54/187 Receipt for the imprimatur proof of the second Meisterwerk volume, dated September 27, 1927 Receipt for the imprimatur copy of the second Meisterwerk volume. OC 54/188 Typed postcard from August Demblin (DMV) to Schenker, dated September 30, 1927 Drei Masken Verlag confirm that the complimentary hardbound copies of the second Meisterwerk volume are on their way to Schenker, and inform him that the first set of bound copies will be dispatched from the bindery in the next few days. OC 54/189 Customs receipt for copies of the second Meisterwerk volume, dated October 5, 1927 Customs receipt for copies of the second Meisterwerk volume. OC 54/191 List of customs charges, October 21, 1927 List of customs charges for receipt of the second Meisterwerk volume. OC 52/844 Typed letter from Ernst Roth (UE) to Schenker, dated December 19, 1927 Roth announces that UE has stitched stocks of Der Tonwille issues together to form three year-volumes. OC 52/910 Typed letter from Hugo Winter (UE) to Schenker, dated December 29, 1927 Announces that Schenker's 1927 royalty has been transferred. OJ 52/899 Receipt for bank transaction from the Post Office Savings Bank to Schenker, dated January 16, 1928 Receipt for sum of 148.02 shillings [from UE]. OC 52/911 Typed letter from Hugo Winter (UE) to Schenker, dated April 27, 1928 Encloses invoice for sending Der Tonwille to San Francisco. OJ 52/900 Receipt for bank transaction from Post Office Savings Bank, dated July 16, 1928 Receipt for sum of 162.26 shillings [from UE]. OC 52/913 Typed letter from Hugo Winter (UE) to Schenker, dated August 7, 1928 UE has written to the Postal Savings Bank about the royalty payment. OC 52/914 Typed letter from Ernst Roth (UE) to Schenker, dated August 20, 1928 UE understands that the royalty payment has now been made. OC B/300 Typewritten letter from V. A. Heck to Schenker, dated November 24, 1928 Heck consults Schenker on another Beethoven sketchleaf. OC B/301 Typewritten letter from V. A. Heck to Schenker, dated November 29, 1928 Heck thanks Schenker for information regarding a Beethoven sketchleaf. OC 52/846 Typed letter from Kalmus (UE) to Schenker, dated December 1, 1928 Hertzka is away until mid-December. OC 52/847 Typed letter from Hertzka (UE) to Schenker, dated December 21, 1928 Hertzka welcomes Schenker's intention now to produce [his elucidatory edition of] Op. 106 and proposes the level of honorarium. — He is in principle interested in the "Eroica" study and Der freie Satz but cannot schedule them until after 1929. OC 52/915 Typed letter from Hugo Winter (UE) to Schenker, dated December 27, 1928 Announces that Schenker's 1928 royalty has been transferred. OC 52/849 Typed letter from Hertzka (UE) to Schenker, dated January 15, 1929 Hertzka asks for Schenker's deadline for the "Eroica" monograph decision to be put off to the end of 1929. OC 52/850 Typed letter from Hertzka (UE) to Schenker, dated June 21, 1929 No decision on the "Eroica" monograph yet. OJ 52/901 Receipt for bank transaction from the Post Office Savings Bank to Schenker, dated July 19, 1929 Receipt for sum of 97.60 shillings [from UE]. OC 52/916 Typed letter from Hugo Winter (UE) to Schenker, dated July 23, 1929 Schenker should have received the statement and money meantime. OC 52/851 Typed letter from Kalmus (UE) to Schenker, dated July 24, 1929 Encloses remarks made by Edmund Schmid. OC 52/852 Typed letter from Ernst Roth (UE) to Schenker, dated July 30, 1929 Names the revisers of the Mozart sonata edition. OC 52/853 Typed letter from Ernst Roth (UE) to Schenker, with enclosure, dated August 5, 1929 Encloses additional remarks by Edmund Schmid. OC 52/856 Typed postcard from Ernst Roth (UE) to Reinhard Oppel, dated September 25, 1929 Schenker's Harmonielehre is currently out-of-print, with no reprint date. OC 54/194 Typed letter from Drei Masken Verlag, dated November 20, 1929 Invitation to Leon Feuchtwanger's public reading entitled 'From unpublished Works'. OC 54/195 Handwritten note with address of Georg Tomay Address of Georg Tomay. OC 52/857 Typed letter from Hertzka (UE) to Schenker, dated December 20, 1929 Hertzka is interested in the Albersheim essay; prospects for a re-edition of Harmonielehre not good. OC 52/859 Typed postcard from Hugo Winter (UE) to Schenker, dated December 30, 1929 Sum of 1,250 shillings transferred. OC 52/858 Typed postcard from Alfred Kalmus (UE) to Schenker, dated December 31, 1929 Hertzka will respond after returning mid-January. OJ 52/902 Receipt for bank transaction from the Post Office Savings Bank to Schenker, dated January 2, 1930 Receipt for sum of 1,250 shillings [from UE]. OC 52/860 Typewritten letter from Hertzka (UE) to Schenker, dated January 16, 1930 Hertzka sees no prospect of publishing the "Eroica" study as a monograph. OJ 52/903 Receipt for bank transaction from the Post Office Savings Bank to Schenker, dated January 22, 1930 Receipt for sum of 78 shillings 25 groschen [from UE]. OC 54/221 Letter from Waldheim-Eberle to Schenker, dated February 13, 1930 Cost estimate of production costs for the third Meisterwerk yearbook. OC 54/222 Delivery note for a package from Waldheim Eberle to Schenker, dated February 13, 1930 Delivery note for the manuscript of the third Meisterwerk volume, returned to Schenker by Waldheim Eberle, along with an estimate for production costs (OC 54/221). OC B/136-138 Handwritten letter from Gerhard Albersheim to Schenker, dated March 20–21, 1930 After correction by Schenker, Albersheim has finalized an article on Schenker's work, which he will submit to a journal. He will now prepare himself for the state examinations. OC 54/223 Typed letter from Waldheim Eberle to Schenker, dated March 22, 1930 Waldheim Eberle gratefully acknowledge receipt of Schenker's letter, and are delighted to have been chosen as the printing house for the third Meisterwerk volume. OC B/139 Typewritten letter from Alfred Einstein (ZfMw) to Schenker, dated March 28, 1930 Einstein returns to Schenker an article submitted by Gerhard Albersheim. -- He acknowledges receipt of a correction from Schenker. OC 54/296 Handwritten letter from Furtwängler to Schenker, dated April 16, 1930 Furtwängler encloses a letter from Karl Straube, and cautions Schenker against publishing with Breitkopf. OC 54/297 Handwritten letter from Furtwängler to Schenker, dated April 19, 1930 Furtwängler has forwarded Schenker's letter on to Straube for direct reply. OC 54/218 Handwritten letter from Karl Straube to Schenker, dated May 14–16, 1930 Straube informs Schenker that, owing to the acute slump in sales of musical textbooks, he has been unable to secure a publishing deal for the third Meisterwerk yearbook with both Breitkopf & Härtel and C. F. Peters. OC 54/224 Typed Letter from August Demblin (DMV) to Otto Erich Deutsch, dated May 22, 1930 Drei Masken Verlag confirm that they are willing to embark on the publication of the third Meisterwerk volume, and request further information about the print run. OC 54/225 Typed Letter from August Demblin (DMV) to Otto Erich Deutsch, dated May 27, 1930 Drei Masken Verlag will draw up an estimate for the production costs of the third Meisterwerk volume following receipt of the manuscript. OC 54/303 Handwritten letter from Deutsch to Schenker, dated May 30, 1930 Schenker is advised to visit the lithographer Karl Piller concerning the preparation of his music examples and illustrations [for the Eroica monograph]. Deutsch will write immediately to Drei Masken Verlag about the type of paper to be used. OC 54/298 Typewritten letter from Furtwängler to Schenker, dated May 30, 1930 Furtwängler is angry at Straube's reply, and may sound out Max Hesse — He has resigned his Vienna position. OC 54/226 Typed Letter from August Demblin (DMV) to Otto Erich Deutsch, dated June 2, 1930 Drei Masken Verlag advise Deutsch to contact Elbemühl A.G. concerning the supply of paper for the third Meisterwerk volume. OC 54/227 Typed Postcard from August Demblin (DMV) to Otto Erich Deutsch, dated June 10, 1930 Drei Masken Verlag ask Deutsch to forward the manuscript of the third Meisterwerk yearbook to Elbemühl, in order to allow them to produce a more precise estimate. OC 54/304 Typewritten letter from Deutsch to Schenker, dated June 10, 1930 Deutsch returns a letter from Furtwängler; he finds Vrieslander’s essay about Schenker difficult to read. He advises him to proceed with the printing of his essay on the "Eroica" Symphony, even if it proves possible for another publisher to take it over at a late stage. He is still looking for someone to arrange Schubert’s piano-duet marches [for orchestra or wind band]. OC 54/305 Typewritten letter from Deutsch to Schenker, dated June 19, 1930 A new print of works by C. P. E. Bach has arrived at Hoboken’s; Deutsch would like Schenker to look at it. -- He advises Schenker to make corrections to Tomay’s calligraphy [of the voice-leading graphs] as soon as they are ready, and not to wait until September, if the "Eroica" monograph is to be published by the end of the year. OC 54/306 Handwritten receipt from Deutsch to Schenker, dated June 21, 1930 Receipt for the text of Schenker’s study of the Eroica Symphony, [which Deutsch was to take to the printers for an estimate of the production costs]. OC 54/196 Receipt from Georg Tomay to Schenker, dated June 23, 1930 Receipt for a payment to Georg Tomay OC 54/299-300 Handwritten letter from Furtwängler to Schenker, June 26, 1930 Furtwängler reports on his meeting with Breitkopf & Härtel. OC 54/307 Typewritten letter from Deutsch to Schenker, dated June 27, 1930 Deutsch has been in touch with the production team and the publishers of the third Meisterwerk yearbook and transmits to Schenker the estimated costs of producing the book, including details of text printing, lithography and paper. -- In a postscript, he offers to help with the proof corrections of the text. OC 54/308 Handwritten picture postcard from Deutsch to Schenker, dated June 28, 1930 A printer’s sample make-up for the third Meisterwerk yearbook is on its way to Schenker; Deutsch asks Schenker to return it together with his comments. OC 54/197 Handwritten letter from Georg Tomay to Schenker, dated July 1, 1930 Tomay informs Schenker that Karl Piller has been entrusted with printing the third Meisterwerk volume. He also encloses a manuscript leaf of Fig. 49 and requests direction on how to proceed. OC 54/309 Postal receipt for package sent from Schenker to Deutsch, postmarked July 2, 1930 Schenker returns Röder's sample brochure [for Meisterwerk III] to Deutsch with Furtwängler letter. OC 54/198 Postal receipt for a letter from Schenker to Georg Tomay, July 3, 1930 Postal receipt for a package containing Fig. 49 for the third Meisterwerk volume, along with materials concerning the Finale. OC 54/310 Typewritten letter from Deutsch to Schenker, dated July 4, 1930 Deutsch gives further details of the production costs for the third Meisterwerk yearbook and makes some recommendations, including the printing of the Urlinie-Tafeln of the "Eroica" as a booklet, not as loose pages. OC 54/199-200 Handwritten letter from Georg Tomay to Schenker, dated July 9, 1930 Tomay encloses the imprints of the music examples for the third Meisterwerk volume, along with the original manuscripts, and requests clarification on various matters. He invites Schenker to send corrections at his earliest convenience, and informs him that the printing of the appendix will be undertaken in Leipzig instead of Vienna owing to a significant reduction in production costs. OC 54/219 Invoice from Karl Piller, dated July 12, 1930 Invoice for preliminary printing costs for the third Meisterwerk volume. OC 54/201 Receipt from Georg Tomay to Schenker, dated July 14, 1930 Receipt for a payment to Georg Tomay for his work on the third Meisterwerk volume. OC 54/202 Postal receipt for a package to Georg Tomay, dated July 14, 1930 Postal receipt for a package containing the corrected proofs of Figures 1–49 for the third Meisterwerk volume. OC 54/311 Handwritten letter from Deutsch to Schenker, dated July 14, 1930 Deutsch sends Schenker the contract from Drei Masken Verlag for the third Meisterwerk yearbook, and asks him to sign it and return it to the publishers. He thinks that an edition of the [collected] works of C. P. E. Bach is a worthy cause. He hopes that Hoboken will soon receive the new honor from the Austrian government, for services to scholarship. OC 54/312 Handwritten picture postcard from Deutsch to Schenker, dated July 21, 1930 Deutsch is sending the text manuscript of Schenker’s third Meisterwerk yearbook to Drei Masken Verlag. OC 54/313 Postal receipt for package sent from Schenker to Deutsch, postmarked July 21, 1930 Schenker sends a 16-page letter and a clipping. OC 54/220 Receipt from Karl Piller, dated July 22, 1930 Receipt for preliminary printing costs for the third Meisterwerk volume. OC 54/203 Handwritten letter from Georg Tomay to Schenker, dated July 24, 1930 Tomay encloses blueprint matrices of select music examples for the third Meisterwerk yearbook for Schenker's consideration, and anticipates that the pages for the fourth movement will reach him in approximately one week. OC 54/204 Handwritten letter from Georg Tomay to Schenker, dated July 26, 1930 Tomay encloses various figures for the third Meisterwerk volume for Schenker's consideration, and also informs Schenker that he will soon dispatch corrected copies of the figures concerning movements 1–3 of Beethoven's Third Symphony for his approval to publish. OC 52/861 Typed letter from Alfred Kalmus (UE) to Schenker, dated July 28, 1930 50.66 shillings has been transferred. OC 54/205 Receipt for a payment to Georg Tomay, dated July 28, 1930 Receipt for a payment to Georg Tomay for work on the third Meisterwerk yearbook. OC 54/314 Typewritten picture postcard from Deutsch to Schenker, dated July 28, 1930 Deutsch asks Schenker not to return any proof corrections (to the text of the third Meisterwerk yearbook) until he has seen his own. OC 54/206 Handwritten letter from Georg Tomay to Schenker, dated July 29, 1930 Tomay responds to Schenker's questions about marking up corrections in the music examples for the third Meisterwerk volume, and notifies him that he will send blueprints of the music examples as soon as they have been produced. OC 54/315 Typewritten letter from Deutsch to Schenker, dated July 30, 1930 Deutsch makes further reports on the anticipated costs of the third Meisterwerk yearbook. -- He has come across an arrangement of Beethoven’s Op. 74 Quartet as a symphony and found some important early editions of the Op. 22 Sonata. -- He would like Schenker to meet his friend [Leopold] Liegler, whose theories about literature resonate with the concept of Urlinie. OC 54/207 Handwritten letter from Georg Tomay to Schenker, dated July 31, 1930 Tomay encloses blueprints of music examples for the third Meisterwerk volume for Schenker's consideration. He anticipates that he will soon be in a position to send corrected copies of the graphs for movements 1–3 of Beethoven's Third Symphony, with the hope to secure Schenker's approval to publish. OC 54/208 Postal receipt for a parcel to Georg Tomay, dated August 4, 1930 Postal receipt for a package containing music examples for the third Meisterwerk yearbook. OC 54/209 Postal receipt for a parcel to Georg Tomay, dated August 4, 1930 Postal receipt for a package containing Urlinie graphs for the third Meisterwerk volume. OC 54/210 Postal receipt for a parcel to Georg Tomay, dated August 11, 1930 Postal receipt for a package containing Urlinie graphs for the third Meisterwerk volume. OC 54/316 Handwritten picture postcard from Deutsch to Schenker, dated August 11, 1930 Deutsch has received the first proofs [of the third Meisterwerk yearbook] from the printers, and would like to look carefully at them before forwarding them to Schenker. OC 54/211 Handwritten letter from Georg Tomay to Schenker, dated August 13, 1930 Tomay encloses sepia prints of music examples for the third Meisterwerk yearbook, and asks Schenker to check them thoroughly and mark up any final corrections. OC 54/212 Postal receipt for a package to Georg Tomay, dated August 16, 1930 Postal receipt for a package containing imprimatur copies of music examples for the third Meisterwerk volume. OC 54/213 Postal receipt for a parcel to Georg Tomay, dated August 19, 1930 Postal receipt for a package containing first proof corrections of Urlinie graphs for the third Meisterwerk volume. OC 39/1 Handwritten envelope for proofs sent by Deutsch to Schenker, postmarked August 23, 1930 Envelope for proofs. OC 54/317 Postal receipt, for consignment from Schenker to Deutsch, postmarked August 25, 1930 Schenker sends letters (from Leo Kestenberg to Hans Weisse) to Deutsch. OC 54/318 Typewritten picture postcard from Deutsch to Schenker, dated August 27, 1930 Deutsch has no objection to Schenker adding a note about a possible source for the “Eroica” Symphony in his notes on the text of the work. -- He is happy that reading the proofs of the third Meisterwerk yearbook has been useful. -- He suggests that the [Austrian] Minister for Education ought to see the letters that Leo Kestenberg has written about Schenker’s work. -- He asks Schenker for a possible journalist contact in Aussig. OC 54/319 Typewritten picture postcard from Deutsch to Schenker, dated August 30, 1930 Deutsch asks Schenker to suggest a time when the two of them can get together in Vienna. OC 54/235 Typewritten postcard from Drei Masken Verlag to Deutsch, dated August 30, 1930, forwarded to Schenker September 2, 1930 Drei Masken Verlag asks for clarification about what to do with the corrected galley-proofs they have recently received from Schenker; Deutsch forwards it to Schenker asking him to reply direct to the publisher. OC 54/301 Handwritten letter from Furtwängler to Schenker, dated September 2, 1930 Furtwängler wishes to visit Schenker in the Tyrol. OC 54/214 Handwritten letter from Georg Tomay to Schenker, dated September 11, 1930 Tomay requests 200 shillings for payment to Jahoda, and notifies Schenker of the outstanding fees for his work on the third Meisterwerk yearbook. OC 54/320 Handwritten letter from Deutsch to Schenker, dated September 11, 1930 Deutsch asks Schenker to look carefully at two passages in the proofs of the music examples to the third Meisterwerk yearbook and send them to him immediately. He also wants Schenker to change the ending of the final item in the yearbook’s “Miscellanea.” OC 54/321 Typewritten picture postcard from Deutsch to Schenker, dated September 15, 1930 Deutsch wishes Schenker a speedy recovery from an accident or illness. OC 54/322 Handwritten letter from Deutsch to Schenker, dated September 19, 1930 Deutsch cannot see Schenker until Sunday, September 21, 1930. OC 54/323 Handwritten picture postcard from Deutsch to Schenker, dated September 26, 1930 Deutsch has learned that a number of Beethoven items have been transferred from Olmütz [now Olomouc, in the Czech Republic] to the monastery at Kremsier. OC 54/324 Typewritten picture postcard from Deutsch to Schenker, dated October 3, 1930 Deutsch has learned that the sources that may have once been in Archduke Rudolph’s collection in Olmütz were not transferred to Kremsier, and that the last footnote (NB) on p. 87 of the third Meisterwerk yearbook ought to be changed. OC 54/237 Typewritten letter from Drei Masken Verlag to Schenker, dated October 8, 1930 Drei Masken Verlag say the printers cannot be held responsible for mistakes in the page-proofs and layout of the third Meisterwerk yearbook that Schenker failed to note in the galley-proofs. A new set of page-proofs will be issued, and the last section of the book will be repaginated. OC 52/862 Invoice from UE to Schenker, dated October 10, 1930 Invoice for Tonwille sent to the Kiel Hochschule students. OC 54/325 Handwritten letter from Deutsch to Schenker, dated October 11, 1930 Deutsch explains to Schenker which proof corrections may be the author’s responsibility, and which the printer’s or publisher’s, and advises him to write back to the publisher but not to get unduly upset about these matters. OC 54/326 Typewritten picture postcard from Deutsch to Schenker, dated October 12, 1930 Deutsch explains to Schenker that it is a publisher’s duty to contact an author in the event of some possible errors, especially of a technical nature, even if it has not actually financed the work itself. OC 54/238 Typewritten letter from Drei Masken Verlag to Schenker, dated October 14, 1930 Drei Masken Verlag confirms that the printers should not be held responsible for changes that were not indicated in the galley proofs. They will send printouts of the music examples and Urlinie pages in a few days; Schenker is asked to approve the way in which they are bound and inserted into the yearbook. OC 54/327 Handwritten letter from Deutsch to Schenker, dated October 15, 1930 Deutsch makes some late corrections to the proofs of the third Meisterwerk yearbook. He also suggests mentioning the supplementary music illustrations and foreground graphs in the table of contents. OC 54/215 Handwritten letter from Georg Tomay to Schenker, dated October 17, 1930 Tomay asks whether Schenker has received any new proofs from the printing house, and sends a gentle reminder concerning the outstanding fees. OC 54/216 Handwritten receipt from Georg Tomay to Schenker, dated October 18, 1930 Tomay confirms receipt of the outstanding payment for his work on the third Meisterwerk yearbook. OC 54/328 Typewritten letter from Deutsch to Schenker, dated October 19, 1930 Deutsch suggests a way of placing the loose music illustrations and the bound graphs of the Urlinien inside the third Meisterwerk yearbook. He invites the Schenkers for a visit soon, perhaps on Friday, October 24. OC 54/329 Handwritten letter from Deutsch to Schenker, dated October 24, 1930 Deutsch makes further suggestions about how the musical material for the "Eroica" – the booklet of Urlinie graphs, and other illustrations (“figures”) – should fit into the third Meisterwerk yearbook. He also recommends fully paginating the booklet. OC 54/330 Handwritten letter from Deutsch to Schenker, dated October 24, 1930 Deutsch recommends three modifications to the layout of the supplements for the third Meisterwerk yearbook. OC 52/863 Typewritten letter from Ernst Roth (UE) to Schenker, dated November 4, 1930 Roth supplies the costing requested. OC 52/864 Typewritten postcard from Alfred Kalmus (UE) to Schenker, dated November 10, 1930 Kalmus reports an inquiry from the Kiel student body. OC 52/865 Typewritten postcard from Alfred Kalmus (UE) to Schenker, dated November 13, 1930 UE have granted permission to the Kiel student body. OC 54/217 Invoice from Georg Tomay to Schenker, dated November 23, 1930 Handwritten invoice for additional costs incurred in the production of music examples for the third Meisterwerk volume. OC 54/331 Typewritten picture postcard from Deutsch to Schenker, dated November 24, 1930 Deutsch has been unable to speak with Mr. Tal [about Roeder’s invoice for the production of the third Meisterwerk yearbook]. OC 54/332 Handwritten letter from Deutsch to Schenker, dated November 26, 1930 Deutsch thinks that the invoice for the printing and production of the third Meisterwerk yearbook is reasonable, and that Drei Masken Verlag had underestimated the costs earlier in the summer. He advises on sellling price to ask for. OC 52/866 Typewritten postcard from Alfred Kalmus (UE) to Schenker, dated December 10, 1930 UE has sent a complimentary copy of Der Tonwille to Hermann Rinn. OC 52/867 Typewritten letter from Hugo Winter (UE) to Schenker, dated December 29, 1930 UE has transferred 1,250 shillings, and sends New Year's best wishes. OC 20/402 Handwritten letter from Weisse to Schenker, dated February 20, 1931 Weisse describes the extraordinary success of his second lecture (at the Society for Music Pedagogy in Vienna). He asks his teacher's opinion about his rhythmic interpretation of the Bach's Prelude in D minor, BWV 926, and of the third movement of Brahms's String Quartet in C minor, Op. 51, No. 2. OC 50/14 Typewritten letter from Elsa Bienenfeld to Schenker, dated July 15, 1931 Bienenfeld explains her disagreement with Schenker’s acceptance in an article of a Mozart letter of questionable authenticity, and inquires whether in the event of a negative judgment he still wishes there to be a review. OC 38/155v Handwritten letter (fragment) from Violin to Schenker, dated July 18, 1931 Violin’s son collapsed while away on a school holiday, but is now recovering. The family are about to move to a new apartment in Hamburg, and Violin is sending Schenker a copy of the prospectus for the Schenker Institute. OC 18/40 Handwritten picture postcard from Karpath to Schenker, undated, postmarked October 13, 1931 Karpath asks Schenker for a telephone call or visit. OC 18/41 Handwritten picture postcard from Karpath to Schenker, dated October 21, 1931 Karpath offers to draft a document according to Schenker's suggestions. OJ 38/338 Incomplete handwritten letter from Elias to Schenker, undated [c. June 16, 1932] Miss Elias sends best wishes for the Schenkers' vacation in Igls. OC 18/34 Typewritten letter from Arthur Waldeck to Schenker, dated September 22, 1932 Waldeck expresses an interest in translating Schenker' Harmonielehre into English, and asks to send sample passages. OC 44/22 Typewritten letter from Jonas to Schenker, dated November 10, 1932 Jonas acknowledges letter from Schenker and gives initial list of subscribers with number of copies; he reports on two of his latest publications. OC 18/42 Handwritten picture postcard from Karpath to Schenker, dated November 15, 1932 Karpath asks Schenker to phone him. OC 30/18-30 Draft letter from Schenker to Albert Einstein, undated [November 20, 1932] In this unsent letter, Schenker tells Einstein about his works and the difficulties he has encountered in promoting them, and calls upon the physicist for help in gaining financial support for the publication of Free Composition. OC 18/35 Typewritten letter from Arthur Waldeck to Schenker, dated November 21, 1932 Waldeck will report back to Schenker and send sample translations. OC 18/32-33 Handwritten letter from Weisse to Schenker, dated November 28, 1932 Weisse is uneasy about disparity among translations of Schenker's writings into English, and suggests that he work with potential translators to arrive at an agreed set of technical terms. He has renewed contact with Vrieslander, who has sent him a copy of his recently published songs and Ländler. His work in New York is going well and his family is thriving, but he sees and hears about a great deal of suffering, on account of the economic collapse in America. OC 18/37-38 Handwritten letter from Furtwängler to Schenker, dated December 10, 1932 Furtwängler shares Schenker's assessment of Ludwig Karpath, and has not written a letter for publication. — He has been exploring possibilities for Schenker in Berlin, particularly taking over a masterclass at the Akademie der Künste, with additional lectures at the Stern'sches Conservatory. — He has heard from Hans Weisse. — He encloses a review by Herman Roth, and comments on the latter's character. OC 38/346v Handwritten letter from Violin to Schenker, dated December 22, 1932 In this partly incoherent message which responds to Schenker’s recent letters, especially that of December 19, Violin urges his friend to remain optimistic. He will discuss things with Furtwängler that should be beneficial. He asks to borrow Hindemith’s letter to Schenker. OC 38/341v Handwritten letter from Moriz and Fanny Violin to Schenker, dated December 24, 1932 Violin asks Schenker’s opinion about a reply to a letter he sent to Joseph Marx, who had been in Constantinople (Istanbul) for the purpose of regenerating a music conservatory there; he encloses a copy of Marx’s reply, which mentions Schenker in particular. OC 18/43 Typewritten letter from Karpath to Schenker, dated December 31, 1932 Karpath answers Schenker's accusations against Joseph Marx among others, in a placatory manner. — He encourages Schenker to ask Furtwängler for the awaited letter. — He will contact Marx and Franz Schmidt. OC 30/40 Handwritten letter from Trude Kaff to Schenker, dated December 31, 1932 Trude Kaff sends New Year greetings to Heinrich Schenker and thanks him for the instruction that he gave her, which has influenced her ever since. OC 18/15 Typewritten letter from Josef Marx to Schenker, dated January 2, 1933 Marx welcomes Schenker's views, and will visit him upon his return from the Graz region. OC 18/29 Typewritten letter from Frederick E. Auslander to Schenker, dated January 5, 1933 Auslander seeks permission from Schenker and his publishers to translate some of his works. OC 30/41 Handwritten letter from Schenker to Trude Kaff, undated [c. January 5, 1933] Unfinished, unsent letter of thanks from Schenker to Trude Kaff. OC 18/18 Typewritten postcard from Marx to Schenker, dated January 14, 1933 Marx will visit Schenker on January 16 at 5.30 p.m. OC 18/19 Typewritten postcard from Marx to Schenker, dated January 15, 1933 Marx changes his visit from January 16 to January 18. OC 38/340v Handwritten letter from Moriz Violin to Fanny Violin, dated January 15, 1933 Moriz Violin reports to his sister Fanny on the use of money for Karl; adjures her to be steadfast; says the doctor holds out possibility for recovery; asks for any news on discussions between Schenker and Josef Marx; and wishes he could be in Vienna and with little Karl. [This letter was passed to Heinrich Schenker.] OC 18/44 Typewritten letter from Karpath to Schenker, dated January 23, 1933 Karpath reports that Joseph Marx is a candidate again for the Directorship of the Academy. — He will advocate to Marx and to Karl Kobald that Schenker be appointed as a professor at the Academy. — He says that he will write a letter to Furtwängler. OC 18/45 Handwritten postcard from Josefine Violin to Karpath, dated January 23, 1933 Josefine Violin informs Karpath of the death of Karl Violin. Karpath sends Schenker the card, and complains in an annotation about the disrespectful mode of address. OC 18/46 Typewritten letter (carbon copy) from Furtwängler to Karpath, dated January 30, 1933 Covering letter for a letter of recommendation (OC 18/47) by Furtwängler for Schenker. OC 18/50 Typewritten letter from Furtwängler to Schenker, dated January 30, 1933 Furtwängler encloses copies of two letters he has sent to Ludwig Karpath. OC 18/47 Typewritten letter (carbon copy) from Furtwängler to Karpath, dated February 6, 1933 Letter of recommendation by Furtwängler, which stresses expressly Schenker's great significance as a music theorist. OC 18/51 Typewritten letter from Karpath to Schenker, dated February 10, 1933 Karpath reports receipt of the letters from Furtwängler and that he is not very happy with them. He will however submit the letter of recommendation to the President of the Academy, Karl Kobald. OC 18/52 Typewritten letter (carbon copy) from Karpath to Furtwängler, including a typewritten annotation from Karpath to Schenker, dated February 15, 1933 Karpath sends the copy of a letter to Furtwängler. He again shows himself discontented with the latter's letter. In his letter to the conductor he asks for another letter of recommendation. OC 18/53 Handwritten letter from Karpath to Schenker, dated February 17, 1933 Karpath stresses that Furtwängler's testimonial is unusable for putting Schenker forward to the authorities [i.e. in the Ministry of Education] as a candidate for a professorship. OC 18/54 Handwritten letter from Karpath to Schenker, dated February 24, 1933 Karpath reports a conversation with Academy President Karl Kobald about a position for Schenker, and regrets being unsuccessful. Kobald and Marx would have recommended Schenker for a newly established "Austro-American course." Karpath asks for a meeting with Schenker. OC 18/23 Typewritten letter from Josef Marx to Schenker, dated February 28, 1933 Marx thanks Schenker for hospitality on January 18. He lacks the influence at the Vienna Akademie to introduce Schenker's theoretical system, but has advocated for the inclusion of Schenker's name on the list of publications to be taken into account in its teaching. He has had Violin's name put down for a forthcoming teaching position, but cannot say how the Ministry of Education will judge that name. OC 18/55 Handwritten letter from Furtwängler to Schenker, dated March 2, 1933 Furtwängler asks if he can visit Schenker that evening. OC 18/30 Typewritten letter from Frederick E. Auslander to Schenker, dated April 8, 1933 Auslander and Weisse plan to wait for clarity over the Marx Harmonielehre plan. — Meanwhile, Auslander will publish extracts from Schenker's works in a magazine, with a view to complete translations later. OC 18/59 Typewritten letter from Furtwängler to Schenker, dated May 17, 1933 Furtwängler asks to call on Schenker on May 20. OC 44/41 Handwritten letter from Hans Weisse to Schenker, dated June 2, 1934 Weisse will send Schenker his Variations and Fugue for 2 pianos when copies are ready; he is glad to learn that Oswald Jonas's book will soon be published. He describes the beauty of Tenants Harbor, Maine, where his family is spending the summer vacation. OC 18/36 Typewritten letter from Arthur Waldeck to Schenker, dated June 3, 1934 After the failure of his initiative to fund a translation of Harmonielehre, Waldeck tells Schenker of his plan to coauthor with Nathan Broder an article introducing Schenker's theory [to English-speaking readers]. OC 44/16 Handwritten letter from Robert Brünauer to Schenker, dated August 8, 1934 Brünauer reacts favorably to Oswald Jonas's newly published book. OC 44/4 Printed and handwritten birth annnouncement from the Cube family to Schenker, dated August 12, 1934 Birth announcement of John-Carsten von Cube. OC 44/45 Handwritten picture postcard from Hans Wolf to Schenker, dated August 28, 1934 Wolf has read to the end of the C. P. E. Bach chapter on thoroughbass, and is going to reread it now: it is "magnificent." OC 44/42 Handwritten letter from Willfort to Schenker, dated September 1, 1934 Willfort gives particulars of his radio concert, implicitly hoping Schenker will listen to it. OC 44/20 Handwritten postcard from Jonas to Schenker, dated [September 3, 1934] Jonas would like to pay a visit to Schenker; — he has heard nothing from Hoboken; — he is remaining in Vienna. OC 44/18 Handwritten notecard from Elias to Schenker, dated September 5, 1934 Miss Elias inquires how Heinrich and Jeanette are, following their return home. OC 44/12 Handwritten postcard from Wilhelm Altmann to Schenker, dated September 10, 1934 Altmann thanks Schenker for sending Oswald Jonas's book, and will cite it in his Tonkünstler-Lexikon, with entries on Jonas and Salzer. — He reminisces on his Galtür visit and recounts his publication plans. OC 44/13 Handwritten picture postcard from Carl Bamberger to Schenker, dated September 12, 1934 Bamberger aks Schenker to listen to a recital on the radio and give his opinion, and inquires whether he may visit Schenker during the week. OC 44/37 Handwritten postcard from Salzer to Schenker, dated September 15, 1934 Salzer asks to visit Schenker on Tuesday or Wednesday, and gives his new address. OC 44/36 Handwritten postcard from Salzer to Schenker, dated September 17, 1934 Salzer cannot visit on Tuesday after all. OC 44/21 Handwritten postcard from Jonas to Schenker, dated September 18, [1934] Jonas is back in Berlin; reports on elucidatory editions, and seeks advice; — he refers to Klemperer and Furtwängler, — he has received letter from Landshoff; — forthcoming lectures in Vienna. OC 44/15 Handwritten letter from Robert Brünauer to Schenker, dated September 20, 1934 Brünauer asks Schenker to put Moriz Violin in touch with Adalbert Franz Seligmann. OC 44/19 Handwritten notecard from Elias to Schenker, dated September 20, 1934 Miss Elias thanks Schenker for the constant concern he shows for her troubles. OC 44/43 Handwritten letter from Jonas and Hans Wolf to Schenker, dated September 24, 1934 Jonas reports on complimentary copies of Das Wesen and the plans for the elucidatory editions. — He hopes to enlist Furtwängler in supporting Hans Wolf's application to reenter Austria from Germany, but thinks a letter from Schenker to Furtwängler would be more effective. OC 44/44 Handwritten letter from Hans Wolf to Schenker, dated September 25, 1934 Wolf is prevented from returning to Vienna from Hamburg by new conditions of entry to Austria. He comments on a recently published article by Schenker. OC 44/23 Handwritten letter from Marianne Kahn to Schenker, dated September 29, 1934 Miss Kahn commits to her 1934/35 lesson schedule with Schenker. She reports on her own pupil cohort. OC 44/46 Handwritten postcard from Jonas and three others to Schenker, dated October 2, 1934 Jonas has spoken to Furtwängler, who will proceed on the matter of Hans Wolf. OC 44/47 Handwritten letter from Hans Wolf to Schenker, dated October 19, 1934 Wolf has receive authorization to enter Austria. OC 44/9 Handwritten letter from Jonas to Schenker dated October 27, 1934 Jonas acknowledges OJ 5/18, 59 and 60; Hoboken has no reason to complain about his behaviour. — As a result of Hoboken's distribution of complimentary copies, Jonas has received letters of appreciation. —Reacts critically to Willi Reich and his magazine 23. — Describes plans for forthcoming events in Hamburg. OC 44/8 Handwritten postcard from Cube to Schenker, dated October 29, 1934 Cube gives the publisher of Schäfke's Geschichte der Musikästhetik, and reports the prospect of a permanent position. OC A/265 Handwritten letter from Hans Wolf to Schenker, dated October 29, 1934 Back in Vienna, Wolf gives his new address, and suggests times for his lessons. OC 44/6 Handwritten postcard from Hans Wolf to Schenker, dated October 30, 1934 Further to his previous letter, Wolf indicates his availability on Tuesdays. OC 44/2 Handwritten letter from Salzer to Schenker, undated [November 5, 1934] Salzer asks to see Schenker in order to set up a lesson time. OC A/287 Handwritten letter from Carl Bamberger to Schenker, dated December 11, 1934 Bamberger wishes to visit Schenker to report on his time in Russia. OC A/291 Handwritten picture postcard from Komorn to Schenker, dated December 22, 1934 Mrs. Komorn send Christmas and New Year's best wishes. OC A/297 Handwritten letter from Carl Bamberger to Schenker, dated December 24, 1934 Bamberger sends best wishes for the New Year, and inquires about a visit. Lessonbooks OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday December 21, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Monday January 15, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Monday January 15, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Monday January 15, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Tuesday January 16, 1912 OC 3/1: Jan 1912-Mar 1912 Jeanette Kornfeld: lesson: Tuesday January 16, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Tuesday January 16, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Wednesday January 17, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Wednesday January 17, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Thursday January 18, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Thursday January 18, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Friday January 19, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Friday January 19, 1912 OC 3/1: Jan 1912-Mar 1912 Marianne Kahn: lesson: Saturday January 20, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Saturday January 20, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Monday January 22, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Monday January 22, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Monday January 22, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Tuesday January 23, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Tuesday January 23, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Wednesday January 24, 1912 OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday January 24, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Wednesday January 24, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Thursday January 25, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Thursday January 25, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Friday January 26, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Friday January 26, 1912 OC 3/1: Jan 1912-Mar 1912 Marianne Kahn: lesson: Saturday January 27, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Saturday January 27, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Saturday January 27, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Monday January 29, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Monday January 29, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Monday January 29, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Monday January 29, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Tuesday January 30, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Tuesday January 30, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Tuesday January 30, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Wednesday January 31, 1912 OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday January 31, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Wednesday January 31, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Thursday February 1, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Thursday February 1, 1912 OC 3/1: Jan 1912-Mar 1912 Marianne Kahn: lesson: Saturday February 3, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Saturday February 3, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Saturday February 3, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Monday February 5, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Monday February 5, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Monday February 5, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Tuesday February 6, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Tuesday February 6, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Tuesday February 6, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Wednesday February 7, 1912 OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday February 7, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Wednesday February 7, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Thursday February 8, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Thursday February 8, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Friday February 9, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Friday February 9, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Friday February 9, 1912 OC 3/1: Jan 1912-Mar 1912 Marianne Kahn: lesson: Saturday February 10, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Saturday February 10, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Saturday February 10, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Monday February 12, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Monday February 12, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Monday February 12, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Tuesday February 13, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Tuesday February 13, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Tuesday February 13, 1912 OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday February 14, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Wednesday February 14, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Wednesday February 14, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Thursday February 15, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Thursday February 15, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Friday February 16, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Friday February 16, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Friday February 16, 1912 OC 3/1: Jan 1912-Mar 1912 Marianne Kahn: lesson: Saturday February 17, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Saturday February 17, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Saturday February 17, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Monday February 19, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Monday February 19, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Monday February 19, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Tuesday February 20, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Tuesday February 20, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Tuesday February 20, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Wednesday February 21, 1912 OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday February 21, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Wednesday February 21, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Thursday February 22, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Thursday February 22, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Friday February 23, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Friday February 23, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Friday February 23, 1912 OC 3/1: Jan 1912-Mar 1912 Marianne Kahn: lesson: Saturday February 24, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Saturday February 24, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Saturday February 24, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Monday February 26, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Monday February 26, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Monday February 26, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Tuesday February 27, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Tuesday February 27, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Wednesday February 28, 1912 OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday February 28, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Wednesday February 28, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Thursday February 29, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Thursday February 29, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Friday March 1, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Friday March 1, 1912 OC 3/1: Jan 1912-Mar 1912 Marianne Kahn: lesson: Saturday March 2, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Saturday March 2, 1912 OC 3/1: Jan 1912-Mar 1912 Evelina Pairamall: lesson: Saturday March 2, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Monday March 4, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Monday March 4, 1912 OC 3/1: Jan 1912-Mar 1912 Angi Elias: lesson: Monday March 4, 1912 OC 3/1: Jan 1912-Mar 1912 Hans Weisse: lesson: Tuesday March 5, 1912 OC 3/1: Jan 1912-Mar 1912 Robert Brünauer: lesson: Tuesday March 5, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday October 1, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday October 1, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday October 1, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Wednesday October 2, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday October 2, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday October 2, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday October 2, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday October 3, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday October 3, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday October 4, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday October 4, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Friday October 4, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday October 4, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday October 5, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday October 5, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday October 5, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday October 7, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday October 7, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday October 7, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday October 8, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday October 8, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday October 8, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday October 9, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday October 9, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday October 9, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday October 10, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday October 10, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday October 10, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friay October 11, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday October 11, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday October 11, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday October 12, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday October 12, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday October 12, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday October 14, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday October 14, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday October 14, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday October 15, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday October 15, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday October 15, 1912 OC 3/1-2: Oct 1912-Jun 1913 Jeanette Kornfeld: lesson: Tuesday October 15, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday October 16, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday October 16, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday October 16, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday October 17, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday October 17, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday October 17, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday October 18, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday October 18, 1912 OC 3/1-2: Oct 1912-Jun 1913 Albert Elkus: lesson: Friday October 18, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday October 18, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday October 19, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday October 19, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday October 19, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday October 21, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday October 21, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday October 21, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday October 22, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday October 22, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday October 22, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday October 23, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday October 23, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday October 23, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday October 24, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday October 24, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday October 24, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday October 25, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday October 25, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday October 25, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday October 26, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday October 26, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday October 26, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday October 28, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday October 28, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi, Elias: lesson: Monday October 28, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday October 29, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday October 29, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday October 29, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday October 30, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday October 30, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday October 30, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday October 31, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday October 31, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday October 31, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday November 2, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday November 2, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday November 4, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday November 4, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday November 5, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday November 5, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday November 5, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday November 6, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday November 6, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday November 6, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Thursday November 7, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Thursday November 7, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Thursday November 7, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday November 9, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday November 9, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday November 9, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday November 11, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday November 11, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday November 11, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday November 12, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday November 12, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday November 12, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday November 13, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday November 13, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday November 13, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday November 14, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday November 14, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday November 14, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday November 15, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Monday November 15, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday November 15, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday November 16, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday November 16, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday November 16, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday November 18, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday November 18, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday November 18, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday November 19, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday November 19, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday November 20, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday November 20, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday November 20, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday November 21, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday November 21, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday November 21, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday November 22, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday November 22, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday November 22, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday November 23, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday November 23, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday November 23, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Saturday November 23, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday November 25, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday November 25, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday November 25, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuessday November 26, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday November 26, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday November 26, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday November 27, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday November 27, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday November 27, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday November 28, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday November 28, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday November 28, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday November 29, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday November 29, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday November 29, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday November 30, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday November 30, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday November 30, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday December 2, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday December 2, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday December 2, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday December 3, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday December 3, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday December 3, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday December 4, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday December 4, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday December 4, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday December 5, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday December 5, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday December 5, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday December 6, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday December 6, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday December 6, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday December 7, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday December 7, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday December 7, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday December 9, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday December 9, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday December 9, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday December 10, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday December 10, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday December 10, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday December 11, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday December 11, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday December 11, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday December 12, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday December 12, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday December 12, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday December 13, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday December 13, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday December 13, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday December 14, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday December 14, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday December 14, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday December 16, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday December 16, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday December 16, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday December 17, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday December 17, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday December 17, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday December 18, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday December 18, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday December 19, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Thursday December 19, 1912 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday December 19, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday December 20, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday December 20, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday December 20, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday December 21, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday December 21, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday December 23, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday December 23, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday December 23, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday December 24, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday December 27, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday December 27, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Friday December 27, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday December 37, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday December 28, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday December 28, 1912 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday December 28, 1912 OC 3/1-2: Oct 1912-Jun 1913 Frl. Newlov: lesson: Monday December 30, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday December 30, 1912 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday December 31, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday, December 31, 1912 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday, December 31, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday, January 2, 1913 OC 3/1-2: Oct 1912-Jun 1913 Fräulein Newlov: lesson: Thursday, January 2, 1913 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday, January 2, 1913 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday, January 3, 1913 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday, January 3, 1913 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday, January 3, 1913 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday, January 4, 1913 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday, January 4, 1913 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday, January 4, 1913 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday, January 7, 1913 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday, January 7, 1913 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday, January 7, 1913 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday, January 8, 1913 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday, January 8, 1913 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday, January 8, 1913 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday, January 9, 1913 OC 3/1-2: Oct 1912-Jun 1913 Fräulein Newlov: lesson: Thursday, January 9, 1913 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday, January 9, 1913 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday, January 10, 1913 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday, January 10, 1913 OC 3/1-2: Oct 1912-Jun 1913 Fräulein Bloch: lesson: Friday, January 10, 1913 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Friday, January 10, 1913 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday, January 11, 1913 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday, January 11, 1913 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Saturday, January 11, 1913 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Monday, January 13, 1913 OC 3/1-2: Oct 1912-Jun 1913 Fräulein Newlov: lesson: Monday, January 13, 1913 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Monday, January 13, 1913 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Tuesday, January 14, 1913 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tusday, January 14, 1913 OC 3/1-2: Oct 1912-Jun 1913 Robert Brünauer: lesson: Tuesday, January 14, 1913 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday, January 15, 1913 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday, January 15, 1913 OC 3/1-2: Oct 1912-Jun 1913 Felix Hupka: lesson: Wednesday, January 15, 1913 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday, January 16, 1913 OC 3/1-2: Oct 1912-Jun 1913 Fräulein Newlov: lesson: Thursday, January 16, 1913 OC 3/1-2: Oct 1912-Jun 1913 Toni Colbert: lesson: Thursday, January 16, 1913 OC 3/1-2: Oct 1912-Jun 1913 Käthe Stirling: lesson: Friday, January 17, 1913 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday, January 17, 1913 OC 3/1-2: Oct 1912-Jun 1913 Fräulein Bloch: lesson: Friday, January 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday October 1, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday October 1, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday October 2, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday October 2, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday October 3, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday October 3, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday October 3, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday October 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday October 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday October 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday October 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday October 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday October 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday October 7, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday October 7, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday October 7, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday October 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday October 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday October 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday October 9, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday October 9, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday October 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday October 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday October 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday October 11, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday October 11, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday October 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday October 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday October 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday October 14, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday October 14, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday October 14, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday October 15, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday October 15, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday October 15, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday October 16, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday October 16, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday October 16, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday October 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday October 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday October 18, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday October 18, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday October 18, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday October 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday October 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday October 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday October 21, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday October 21, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday October 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday October 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday October 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday October 23, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday October 23, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday October 23, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday October 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday October 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday October 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday October 25, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday October 25, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday October 25, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday October 27, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday October 27, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday October 27, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday October 28, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday October 28, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday October 28, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday October 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday October 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday October 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday October 30, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday October 30, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday October 30, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday October 31, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday October 31, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday October 31, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday November 3, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday November 3, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday November 3, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday November 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday November 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday November 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday November 5, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday November 5, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday November 5, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday November 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday November 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday November 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday November 7, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday November 7, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday November 7, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday November 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday November 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday November 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Jenny Kornfeld: lesson: Saturday November 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday November 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday November 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday November 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday November 11, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday November 11, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday November 11, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday November 12, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday November 12, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday November 12, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday November 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday November 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday November 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday November 14, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday November 14, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday November 14, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday November 15, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday November 15, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday November 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday November 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday November 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday November 18, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday November 18, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday November 18, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday November 19, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday November 19, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday November 19, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday November 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday November 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday November 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday November 21, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday November 21, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday November 21, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday November 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday November 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday November 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday November 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday November 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday November 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday November 25, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday November 25, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday November 25, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday November 26, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday November 26, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday November 26, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday November 27, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday November 27, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday November 27, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday November 28, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday November 28, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday November 28, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday November 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday November 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday November 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday December 1, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday December 1, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday December 1, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday December 2, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday December 2, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday December 2, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday December 2, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday December 3, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday December 3, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday December 3, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday December 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday December 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday December 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday December 5, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday December 5, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday December 5, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday December 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday December 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday December 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday December 9, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday December 9, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday December 9, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday December 9, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday December 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday December 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday December 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday December 11, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday December 11, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday December 11, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday December 12, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday December 12, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday December 12, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday December 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday December 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday December 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday December 15, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday December 15, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday December 15, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday December 16, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday December 16, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday December 16, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday December 16, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday December 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday December 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday December 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday December 18, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday December 18, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday December 18, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday December 19, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday December 19, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday December 19, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday December 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday December 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday December 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday December 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday December 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday December 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday December 23, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday December 23, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday December 23, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday December 23, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday December 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday December 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday December 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday December 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday December 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday December 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday December 30, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday December 30, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday December 30, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday December 30, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday December 31, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday December 31, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday December 31, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Friday, January 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, January 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, January 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, January 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, January 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, January 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, January 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, January 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, January 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, January 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, January 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Monday, January 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Monday, January 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, January 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, January 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, January 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, January 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, January 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, January 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, January 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, January 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, January 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, January 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, January 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, January 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, January 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, January 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, January 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, January 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, January 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, January 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, January 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, January 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, January 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, January 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, January 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, January 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, January 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, January 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, January 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, January 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, January 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, January 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, January 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, January 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, January 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, January 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, January 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, January 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, January 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, January 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, January 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, January 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, January 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, January 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, January 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, January 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, January 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, January 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, January 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, January 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, January 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, January 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, January 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, January 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, January 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, January 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, January 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, January 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, January 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, January 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, January 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, January 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, January 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, January 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, January 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, January 31, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, January 31, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, January 31, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, February 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, February 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, February 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, February 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, February 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, February 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, February 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, February 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, February 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, February 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, February 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, February 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, February 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, February 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, February 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, February 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, February 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, February 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, February 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, February 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, February 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, February 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, February 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, February 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, February 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, February 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, February 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, February 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, February 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, February 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, February 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, February 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, February 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, February 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, February 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, February 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, February 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, February 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, February 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, February 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, February 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, February 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, February 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, February 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, February 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, February 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, February 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, February 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, February 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, February 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, February 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, February 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, February 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, February 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, February 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, February 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, February 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, February 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, February 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, February 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, February 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, February 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, February 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, February 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, February 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, February 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, February 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, February 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, February 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, February 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, February 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, February 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, February 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, February 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, February 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, February 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, February 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, February 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, February 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, February 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, March 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, March 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, March 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, March 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, March 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, March 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, March 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, March 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, March 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, March 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, March 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, March 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, March 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, March 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, March 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, March 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, March 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, March 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, March 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, March 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, March 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, March 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, March 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, March 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, March 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, March 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, March 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, March 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, March 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, March 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, March 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, March 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, March 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, March 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Friday, March 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, March 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, March 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, March 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, March 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, March 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, March 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, March 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, March 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, March 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, March 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, March 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, March 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, March 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, March 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, March 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, March 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, March 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, March 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, March 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, March 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, March 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, March 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, March 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, March 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, March 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, March 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, March 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, March 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, March 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, March 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, March 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, March 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, March 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, March 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, March 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, March 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, March 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, March 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, March 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, March 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, March 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, March 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, March 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, March 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, March 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, March 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, March 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, March 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, March 31, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, March 31, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, March 31, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, March 31, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, April 1, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, April 1, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, April 1, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, April 1, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, April 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, April 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, April 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, April 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, April 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, April 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, April 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, April 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, April 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, April 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, April 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, April 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, April 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, April 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, April 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, April 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, April 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, April 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, April 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, April 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, April 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, April 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, April 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, April 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, April 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, April 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, April 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, April 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, April 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, April 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, April 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, April 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, April 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, April 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, April 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, April 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, April 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, April 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, April 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, April 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, April 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, April 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, April 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, April 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, April 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, April 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, April 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, April 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, April 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, April 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, April 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, April 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, April 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, April 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, April 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, April 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, April 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, April 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamal: lesson: Wednesday, April 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, April 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, April 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, April 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, April 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, April 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, April 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, April 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, April 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, April 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, April 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, April 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, April 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, April 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, April 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, April 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, April 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, April 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, April 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, April 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, April 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, April 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, April 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, April 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, April 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, May 1, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, May 1, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, May 1, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, May 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, May 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, May 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, May 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, May 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, May 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, May 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, May 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, May 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, May 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, May 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, May 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, May 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, May 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, May 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, May 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, May 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Friday, May 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, May 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, May 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, May 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, May 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, May 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, May 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, May 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, May 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, May 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, May 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, May 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, May 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, May 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, May 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, May 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, May 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, May 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, May 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, May 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, May 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Friday, May 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, May 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, May 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, May 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, May 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, May 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, May 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, May 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, May 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, May 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, May 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, May 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, May 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, May 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, May 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, May 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, May 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, May 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, May 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, May 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, May 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Friday, May 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, May 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, May 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, May 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, May 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, May 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, May 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, May 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, May 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, May 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, May 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, May 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, May 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, May 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, May 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, May 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, May 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, May 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, May 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, May 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, May 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Friday, May 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, May 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, May 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, May 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, May 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, May 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, May 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, May 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, June 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, June 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, June 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, June 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, June 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, June 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, June 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, June 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Thursday, June 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, June 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, June 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Friday, June 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Friday, June 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, June 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, June 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, June 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, June 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, June 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, June 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, June 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, June 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, June 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, June 8, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, June 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, June 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, June 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, June 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, June 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, June 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Wednesday, June 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, June 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Friday, June 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, June 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Friday, June 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, June 12, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, June 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, June 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, June 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Saturday, June 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, June 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, June 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, June 15, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, June 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Tuesday, June 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, June 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, June 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, June 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, June 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, June 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Wednesday, June 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, June 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Kolischer: lesson: Thursday, June 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, June 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Friday, June 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Evelina Pairamall: lesson: Friday, June 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, June 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday, June 19, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, June 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, June 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, June 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Saturday, June 20, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Monday, June 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, June 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Monday, June 22, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday, June 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, June 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, June 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, June 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, June 24, 1914 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday, June 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Thursday, June 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, June 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Friday, June 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, June 26, 1914 OC 3/3: Oct 1914-Jun 1915 Sofie Deutsch: lesson: October 1, 1914 OC 3/3: Oct 1914-Jun 1915 Evelina Pairamall: lesson: October 3, 1914 OC 3/3: Oct 1914-Jun 1915 Angi Elias: lesson: October 8, 1914 OC 3/3: Oct 1914-Jun 1915 Viktor Zuckerkandl: lesson: October 8, 1914 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: October 9, 1914 OC 3/3: Oct 1914-Jun 1915 Paul Breisach: lesson: October 9, 1914 OC 3/3: Oct 1914-Jun 1915 Marianne Kahn: lesson: October 10, 1914 OC 3/3: Oct 1914-Jun 1915 Felix Hupka: lesson: October 10, 1914 OC 3/3: Oct 1914-Jun 1915 Toni Colbert: lesson: October 12, 1914 OC 3/3: Oct 1914-Jun 1915 Paul Breisach: lesson: October 16, 1914 OC 3/3: Oct 1914-Jun 1915 Angi Elias: lesson: October 21, 1914 OC 3/3: Oct 1914-Jun 1915 Sofie Deutsch: lesson: October 22, 1914 OC 3/3: Oct 1914-Jun 1915 Viktor Zuckerkandl: lesson: October 22, 1914 OC 3/3: Oct 1914-Jun 1915 Felix Hupka: lesson: October 24, 1914 OC 3/3: Oct 1914-Jun 1915 Sofie Deutsch: lesson: October 26, 1914 OC 3/3: Oct 1914-Jun 1915 Toni Colbert: lesson: October 26, 1914 OC 3/3: Oct 1914-Jun 1915 Sofie Deutsch: lesson: October 26, 1914 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: October 27, 1914 OC 3/3: Oct 1914-Jun 1915 Paul Breisach: lesson: October 27, 1914 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: October 27, 1914 OC 3/3: Oct 1914-Jun 1915 Sofie Deutsch: lesson: October 29, 1914 OC 3/3: Oct 1914-Jun 1915 Victor Zuckerkandl: lesson: November 2, 1914 OC 3/3: Oct 1914-Jun 1915 Toni Colbert: lesson: November 2, 1914 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: November 3, 1914 OC 3/3: Oct 1914-Jun 1915 Robert Brünauer: lesson: November 3, 1914 OC 3/3: Oct 1914-Jun 1915 Evelina Pairamall: lesson: November 4, 1914 OC 3/3: Oct 1914-Jun 1915 Robert Brünauer: lesson: November 13, 1914 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: November 20, 1914 OC 3/3: Oct 1914-Jun 1915 Paul Breisach: lesson: November 20, 1914 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: November 24, 1914 OC 3/3: Oct 1914-Jun 1915 Paul Breisach: lesson: November 24, 1914 OC 3/3: Oct 1914-Jun 1915 Angi Elias: lesson: end of November OC 3/3: Oct 1914-Jun 1915 Marianne Kahn: lesson: November 28, 1914 OC 3/3: Oct 1914-Jun 1915 Toni Colbert: lesson: December 28, 1914 OC 3/3: Oct 1914-Jun 1915 Robert Brünauer: lesson: December 29, 1914 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: December 29, 1914 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: December 30, 1914 OC 3/3: Oct 1914-Jun 1915 Felix Hupka: lesson: December 30, 1914 OC 3/3: Oct 1914-Jun 1915 Marianne Kahn: lesson: January 2, 1915 OC 3/3: Oct 1914-Jun 1915 Sofie Deutsch: lesson: January 4, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: January 13, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: January 15, 1915 OC 3/3: Oct 1914-Jun 1915 Marianne Kahn: lesson: January 16, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lessons: January 19, 1915 OC 3/3: Oct 1914-Jun 1915 Robert Brünauer: lesson: January 19, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: February 3, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: February 5, 1915 OC 3/3: Oct 1914-Jun 1915 Angi Elias: lesson: February 6, 1915 OC 3/3: Oct 1914-Jun 1915 Evelina Pairamall: lesson: February 6, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: February 9, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: February 23, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: February 24, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: February 26, 1915 OC 3/3: Oct 1914-Jun 1915 Paul Breisach: lesson: February 26, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: March 4, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: March 4, 1915 OC 3/3: Oct 1914-Jun 1915 Robert Brünauer: lesson: March 5, 1915 OC 3/3: Oct 1914-Jun 1915 Viktor Zuckerkandl: lesson: March 8, 1915 OC 3/3: Oct 1914-Jun 1915 Sofie Deutsch: lesson: March 11, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: March 12, 1915 OC 3/3: Oct 1914-Jun 1915 Fräulein König: lesson: March 15, 1915 OC 3/3: Oct 1914-Jun 1915 Robert Brünauer: lesson: March 19, 1915 OC 3/3: Oct 1914-Jun 1915 Marianne Kahn: lesson: March 20, 1915 OC 3/3: Oct 1914-Jun 1915 Angi Elias: lesson: March 20, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: March 27, 1915 OC 3/3: Oct 1914-Jun 1915 Paul Breisach: lesson: March 30, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: March 30, 1915 OC 3/3: Oct 1914-Jun 1915 Evelina Pairamall: lesson: April 3, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: April 7, 1915 OC 3/3: Oct 1914-Jun 1915 Sofie Deutsch: lesson: April 8, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: April 30, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: June 4, 1915 OC 3/3: Oct 1914-Jun 1915 Paul Breisach: lesson: June 5, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: June 8, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: June 9, 1915 OC 3/3: Oct 1914-Jun 1915 Toni Colbert: lesson: June 15, 1915 OC 3/3: Oct 1914-Jun 1915 Angi Elias: lesson: June 16, 1915 OC 3/3: Oct 1914-Jun 1915 Viktor Zuckerkandl: lesson: June 22, 1915 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Sofie Deutsch: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Evelina Pairamall: lessons: Oct 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: October 23, 1914 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Sofie Deutsch: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Evelina Pairamall: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Fräulein Selig: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Marianne Kahn: lessons: Dec 1915 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: Dec 1915 OC 3/3: Oct 1915-Jun 1916 Sofie Deutsch: lessons: Dec 1915 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: Dec 1915 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: Dec 1915 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: Dec 1915 OC 3/3: Oct 1915-Jun 1916 Evelina Pairamall: lessons: Dec 1915 OC 3/3: Oct 1915-Jun 1916 Fräulein Selig: lessons: Dec 1915 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Sofie Deutsch: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Marianne Kahn: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Evelina Pairamall: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Herr Perutz: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein Selig: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Marianne Kahn: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Herr Perutz: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein Selig: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Marianne Kahn: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Herr Perutz: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein Selig: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Sofie Deutsch: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Marianne Kahn: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein Selig: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: mid-May to mid-June, 1916 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: mid-May to mid-June, 1916 OC 3/3: Oct 1915-Jun 1916 Sofie Deutsch: lessons: mid-May to mid-June, 1916 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: mid-May to mid-June, 1916 OC 3/3: Oct 1915-Jun 1916 Felix Hupka: lessons: mid-May to mid-June, 1916 OC 3/3: Oct 1915-Jun 1916 Marianne Kahn: lessons: mid-May to mid-June, 1916 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: mid-May to mid-June, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: mid-May to mid-June, 1916 OC 3/3: Oct 1915-Jun 1916 Evelina Pairamall: lessons: mid-May to mid-June, 1916 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: Dec 1915 OC 3/3: 1916/17 Robert Brünauer: lessons: October-November [1916] OC 3/3: 1916/17 Sofie Deutsch: lessons: October-November [1916] OC 3/3: 1916/17 Angi Elias: lessons: October-November [1916] OC 3/3: 1916/17 Lilly Freund: lessons: October-November [1916] OC 3/3: 1916/17 Marianne Kahn: lessons: October-November [1916] OC 3/3: 1916/17 Fräulein König: lessons: October-November [1916] OC 3/3: 1916/17 Evelina Pairamall: lessons: October-November [1916] OC 3/3: 1916/17 Fräulein Selig: lessons: October-November [1916] OC 3/3: 1916/17 Robert Brünauer: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Angi Elias: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Lilly Freund: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Marianne Kahn: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Fräulein König: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Evelina Pairamall: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Fräulein Selig: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Felix Hupka: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Herr Blum: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Herr Blum: lessons: April‒June 1917 OC 3/3: 1916/17 Robert Brünauer: lessons: April‒June 1917 OC 3/3: 1916/17 Angi Elias: lessons: April‒June 1917 OC 3/3: 1916/17 Lilly Freund: lessons: April‒June 1917 OC 3/3: 1916/17 Marianne Kahn: lessons: April‒June 1917 OC 3/3: 1916/17 Fräulein König: lessons: April‒June 1917 OC 3/3: 1916/17 Fräulein Selig: lessons: April‒June 1917 OC 3/3: 1916/17 Evelina Pairamall: lessons: April‒June 1917 OC 3/3: 1917/18 Herr Blum: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Robert Brünauer: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Angi Elias: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Lilly Freund: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Trude Kaff: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Marianne Kahn: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Frau Kaposi: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Fräulein König: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Fräulein Selig: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Herr Blum: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Paul Breisach: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Robert Brünauer: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Angi Elias: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Lilly Freund: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Trude Kaff: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Marianne Kahn: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Frau Kaposi: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Fräulein König: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Evelina Pairamall: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Fräulein Selig: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Hans Weisse: lessons: 2nd semester 1917/18 OC 3/3: 1918/19 Paul Breisach: lessons: 1918/19 OC 3/3: 1918/19 Robert Brünauer: lessons: 1918/19 OC 3/3: 1918/19 Angi Elias: lessons: 1918/19 OC 3/3: 1918/19 Richard Figdor: lessons: 1918/19 OC 3/3: 1918/19 Hans Gärtner: lessons: 1918/19 OC 3/3: 1918/19 Felix Hupka: lessons: 1918/19 OC 3/3: 1918/19 Oswald Jonas: lessons: 1918/19 OC 3/3: 1918/19 Trude Kaff: lessons: 1918/19 OC 3/3: 1918/19 Marianne Kahn: lessons: 1918/19 OC 3/3: 1918/19 Fräulein König: lessons: 1918/19 OC 3/3: 1918/19 Frau Kaposi: lessons: 1918/19 OC 3/3: 1918/19 Fräulein Moscisker: lessons: 1918/19 OC 3/3: 1918/19 Evelina Pairamall: lessons: 1918/19 OC 3/3: 1918/19 Fräulein Schaab: lessons: 1918/19 OC 3/3: 1918/19 Hans Weisse: lessons: 1918/19 OC 3/3: Oct 1919-Jun 1920 Robert Brünauer: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Angi Elias: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Richard Figdor: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Fräulein Fried: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Hans Gärtner: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Felix Hupka: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Oswald Jonas: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Marianne Kahn: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Frau Kaposi: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Klammerth [jnr]: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Mond: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Fräulein Moscisker: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Evelina Pairamall: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Fräulein Schaab: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Hans Weisse: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Robert Brünauer: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Angi Elias: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Richard Figdor: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Fräulein Fried: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Hans Gärtner: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Felix Hupka: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Marianne Kahn: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Frau Kaposi: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Fräulein Klammerth: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Fräulein Moscisker: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Evelina Pairamall: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Fräulein Schaab: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Hans Weisse: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Mond: lessons: Feb 1920-Jun 1920 OC 3/3: 1920/21 Carl Bamberger: lessons: 1920/21 OC 3/3: 1920/21 Robert Brünauer: lessons: 1920/21 OC 3/3: 1920/21 Angi Elias: lessons: 1920/21 OC 3/3: 1920/21 Richard Figdor: lessons: 1920/21 OC 3/3: 1920/21 Fräulein Fried: lessons: 1920/21 OC 3/3: 1920/21 Felix Hupka: lessons: 1920/21 OC 3/3: 1920/21 Marianne Kahn: lessons: 1920/21 OC 3/3: 1920/21 Klammerth [jnr]: lessons: 1920/21 OC 3/3: 1920/21 Mond: lessons: 1920/21 OC 3/3: 1920/21 Fräulein Mosčisker: lessons: 1920/21 OC 3/3: 1920/21 Evelina Pairamall: lessons: 1920/21 OC 3/3: 1920/21 Fräulein Schaab: lessons: 1920/21 OC 3/3: 1920/21 Theodor Schreier: lessons: 1920/21 OC 3/3: 1920/21 Herr Volk: lessons: 1920/21 OC 3/3: 1920/21 Hans Gärtner: lessons: 1920/21 OC 3/3: 1921/22 Carl Bamberger: lessons: 1921/22 OC 3/3: 1921/22 Robert Brünauer: lessons: 1921/22 OC 3/3: 1921/22 Angi Elias: lessons: 1921/22 OC 3/3: 1921/22 Felix Hupka: lessons: 1921/22 OC 3/3: 1921/22 Marianne Kahn: lessons: 1921/22 OC 3/3: 1921/22 Evelina Pairamall: lessons: 1921/22 OC 3/3: 1921/22 Fräulein Mosčisker: lessons: 1921/22 OC 3/3: 1921/22 Fräulein Schaab: lessons: 1921/22 OC 3/3: 1923/24 Carl Bamberger: lessons: 1923/24 OC 3/3: 1923/24 Brünauer: lessons: 1923/24 OC 3/3: 1923/24 Felix-Eberhard von Cube: lessons: 1923/24 OC 3/3: 1923/24 Elias: lessons: 1923/24 OC 3/3: 1923/24 Fräulein Gergely: lessons: 1923/24 OC 3/3: 1923/24 Frau Hähnl: lessons: 1923/24 OC 3/3: 1923/24 Marianne Kahn: lessons: 1923/24 OC 3/3: 1923/24 Maria Komorn: lessons: 1923/24 OC 3/3: 1923/24 Marianne Leibl: lessons: 1923/24 OC 3/3: 1923/24 Hans Weisse: lessons: 1923/24 OC 3/3: 1924/25 Robert Brünauer: lessons: 1924/25 OC 3/3: 1924/25 Felix-Eberhard von Cube: lessons: 1924/25 OC 3/3: 1924/25 Angi Elias: lessons: 1924/25 OC 3/3: 1924/25 Marianne Kahn: lessons: 1924/25 OC 3/3: 1924/25 Komorn: lessons: 1924/25 OC 3/3: 1924/25 Fräulein Moscisker: lessons: 1924/25 OC 3/3: 1924/25 Siegfried Fritz Müller: lessons: 1924/25 OC 3/3: 1924/25 Evelina Pairamall: lessons: 1924/25 OC 3/3: 1924/25 Hans Weisse: lessons: 1924/25 Other material OC 2/p. 20, [4] Review by Karl Grunsky of Schenker's Harmonielehre, dated December 18, 1907 OC 34/161-175 Heinrich Schenker: Analysis of Brahms, Piano Quartet No. 3 in C minor, Op. 60, movements 1-3 (OC 34/161-175) OC 2/p. 60, [3] Review: Bekker, "Musiker-Faksimiles" OC 2/p. 79, [4] Schenker entry in Hugo Riemanns Musiklexikon, 11th edition (1929) OC B/452 Address by Furtwängler, delivered May 16, 1933