OC 3/2-3: Oct 1913-Jun 1914 - Robert Brünauer: lesson: Tuesday October 7, 1913
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7. X. Brünauer † : über freien Satz; über die Beziehungen zum des strengen zum freien, speziell dem 3-stimmigen Satz; einiges aus Brahms Klavier-Quartett Cm ; 1 endlich auch aus der Nocturne Gdur v. Chopin. © Transcription Robert Kosovsky, 2007, 2020 |
October 7, [1913] Brünauer † : On free composition; on the relationships between strict counterpoint and free composition, especially as concerns three-voice counterpoint; a few points from Brahms's Piano Quartet in C minor; 1 finally also from the Nocturne in G major by Chopin. © Translation Ian Bent, 2020 |
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7. X. Brünauer † : über freien Satz; über die Beziehungen zum des strengen zum freien, speziell dem 3-stimmigen Satz; einiges aus Brahms Klavier-Quartett Cm ; 1 endlich auch aus der Nocturne Gdur v. Chopin. © Transcription Robert Kosovsky, 2007, 2020 |
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October 7, [1913] Brünauer † : On free composition; on the relationships between strict counterpoint and free composition, especially as concerns three-voice counterpoint; a few points from Brahms's Piano Quartet in C minor; 1 finally also from the Nocturne in G major by Chopin. © Translation Ian Bent, 2020 |
Footnotes1 Schenker worked on Brahms’s Piano Quartet No. 3 in C minor, Op. 60, in October 1913 with a view to publishing his material in his planned Kleine Bibliothek . The material survives only in manuscript, in the hand of Jeanette Kornfeld, headed “Kl. Bibl.” and annotated in Heinrich’s hand “Brahms Clavier Quartett Cmoll op. 60,” as OC 34/161–67 (mvt 1), 168–71 (mvt 2: Scherzo), and 172–74 (mvt 3: Andante), mostly text with measure numbers but with a page of sketches for the Andante (175) – no notes on the Finale. Schenker worked on the piece with Brünauer Oct 7–24. Other pupils were Sofie Deutsch, Weisse, Elias, and Breisach. |
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Format† Double underlined |