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OC 3/2-3: Oct 1913-Jun 1914 - Angi Elias: lesson: Monday December 22, 1913


22. XII.
Elias † :

Noch einmal 7 u. 7⁀6 1 u. dazu Fortsetzung in Roth s Generalbaß-Beispiel. 2

© Transcription Robert Kosovsky, 2007, 2020

December 22, [1913]
Elias † :

Once again, 7 and 7⁀6 1 and in addition continuation in Roth’s thoroughbass example. 2

© Translation Ian Bent, 2020

22. XII.
Elias † :

Noch einmal 7 u. 7⁀6 1 u. dazu Fortsetzung in Roth s Generalbaß-Beispiel. 2

© Transcription Robert Kosovsky, 2007, 2020

December 22, [1913]
Elias † :

Once again, 7 and 7⁀6 1 and in addition continuation in Roth’s thoroughbass example. 2

© Translation Ian Bent, 2020

Footnotes

1 Continuing from her lesson of November 24, reference is to C. P. E. Bach, Essay on the True Art of Playing Keyboard Instruments, Eng. transl. William J. Mitchell (New York: W. W. Norton; London: Cassell, 1949; London: Eulenburg, 1974), pp. 265–83 “The Chord of the Seventh,” and pp. 283–86, “The Seven-Six Chord” (Bach’s chapters XIII and XIV).

2 Continuing from her lesson on November 24, Herman Roth, ed., 25 Geistliche Lieder (aus dem Schemellischen Gesangbuch) für eine Singstimme und basso continuo (Leipzig: C. F. Peters, [n.d.]), a copy of which, with annotations in Schenker's hand, is preserved at OJ 25/1, this would be chorale No. 7 “Kommt, Seelen! dieser Tag.”

Format

† Double underlined