Ende Februar [1916]:
⇧ Elias ^† :

Chopin, Prélude Gism, Asd (auch vergl. mit Autogr.) Cm, Bd, endlich Esd; immer genau. Beethoven op. 110, 3. S. 1. Arioso u. Anfang der Fuge. Litaney fortgesetzt; Choral aus dem Weihnachts- {6} oratorium u. dabei Choral-Phantasien u. ähnliche Formen, wozu Lectüre des 1. Chorals aus der Matthäus-Passion N^o 296, Erk. ¹ ‒

January-February [1916]:
⇧ Elias ^† :

Chopin, Prelude[s] in Gě minor, Aę major (also compared with autograph) C minor, Bę major, finally Eę major; always precise. Beethoven Op. 110, third movement, first Arioso and beginning of the Fugue. [C. P. E. Bach] Litany studied further; chorale from the Christmas {6} Oratorio and in that connection chorale fantasies and similar forms, added to which reading of the first chorale from the St. Matthew Passion No. 296, Erk. ¹ ‒

Ende Februar [1916]:
⇧ Elias ^† :

Chopin, Prélude Gism, Asd (auch vergl. mit Autogr.) Cm, Bd, endlich Esd; immer genau. Beethoven op. 110, 3. S. 1. Arioso u. Anfang der Fuge. Litaney fortgesetzt; Choral aus dem Weihnachts- {6} oratorium u. dabei Choral-Phantasien u. ähnliche Formen, wozu Lectüre des 1. Chorals aus der Matthäus-Passion N^o 296, Erk. ¹ ‒

January-February [1916]:
⇧ Elias ^† :

Chopin, Prelude[s] in Gě minor, Aę major (also compared with autograph) C minor, Bę major, finally Eę major; always precise. Beethoven Op. 110, third movement, first Arioso and beginning of the Fugue. [C. P. E. Bach] Litany studied further; chorale from the Christmas {6} Oratorio and in that connection chorale fantasies and similar forms, added to which reading of the first chorale from the St. Matthew Passion No. 296, Erk. ¹ ‒