OC 3/2-3: Oct 1913-Jun 1914 - Paul Breisach: lesson: Tuesday December 30, 1913
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30. Breisach † : Brahms Studien Quinten, Oktaven; {41} noch einmal Ad Quartett, Adagio; Gründe der 4-teiligen Form; 1 über Taktzahl. 2 © Transcription Robert Kosovsky, 2007, 2020 |
[December] 30, [1913] Breisach † : Brahms’s studies in Oktaven und Quinten ; {41} once again, the A major Quartet, Adagio; grounds for 4-part form; 1 about bar counting. 2 © Translation Ian Bent, 2020 |
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30. Breisach † : Brahms Studien Quinten, Oktaven; {41} noch einmal Ad Quartett, Adagio; Gründe der 4-teiligen Form; 1 über Taktzahl. 2 © Transcription Robert Kosovsky, 2007, 2020 |
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[December] 30, [1913] Breisach † : Brahms’s studies in Oktaven und Quinten ; {41} once again, the A major Quartet, Adagio; grounds for 4-part form; 1 about bar counting. 2 © Translation Ian Bent, 2020 |
Footnotes1 Harmonielehre, pp. 12–15 (Eng. transl., p. 11); Cf. Der freie Satz, §317, pp. 212–13 (Eng. transl., p. 141). 2 Taktzahl: literally “bar-number,” “bar-count”; in view of the reference to “ordering of measures” (“Anordnung der Takte”) in Weisse’s lesson for this same day, perhaps Schenker is pointing out the grouping of measures into higher-order units. Since Schenker never published on this work, we have no means of corroborating. |
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Format† Double underlined |