OC 3/3: Oct 1915-Jun 1916 - Marianne Kahn: lessons: Jan-Feb 1916
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Ende Februar [1916]: ⇧ Kahn † : Wohltemp. Kl: Asd-Präl., Fuge; Gism; beide nur sehr flüchtig. Kammermusik von Brahms: Ein erstes flüchtiges Betrachten von Fm-Quint; Horn-Trio, Hd-Trio, Kl.-V.-Sonate Gd; nun Kl.-V.-Sonate Ad. Wiederholt Soirée de Vienne von Liszt für Fr. Stirling. ‒ © Transcription Robert Kosovsky, 2007 |
January-February [1916]: ⇧ Kahn † : Well-tempered Clavier : Aę major Prelude & Fugue; Gě minor; both only very fleetingly. Chamber music of Brahms: a first fleeting consideration of the F minor Quintet; Horn Trio, B major Trio, Violin & Piano Sonata in G major; now Violin & Piano Sonata in A major. Revisited: Soirée de Vienne by Liszt für Mrs. Stirling. © Translation Ian Bent, 2020 |
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Ende Februar [1916]: ⇧ Kahn † : Wohltemp. Kl: Asd-Präl., Fuge; Gism; beide nur sehr flüchtig. Kammermusik von Brahms: Ein erstes flüchtiges Betrachten von Fm-Quint; Horn-Trio, Hd-Trio, Kl.-V.-Sonate Gd; nun Kl.-V.-Sonate Ad. Wiederholt Soirée de Vienne von Liszt für Fr. Stirling. ‒ © Transcription Robert Kosovsky, 2007 |
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January-February [1916]: ⇧ Kahn † : Well-tempered Clavier : Aę major Prelude & Fugue; Gě minor; both only very fleetingly. Chamber music of Brahms: a first fleeting consideration of the F minor Quintet; Horn Trio, B major Trio, Violin & Piano Sonata in G major; now Violin & Piano Sonata in A major. Revisited: Soirée de Vienne by Liszt für Mrs. Stirling. © Translation Ian Bent, 2020 |
Format† Double underlined |