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25.
Kahn :

Ungarische Tänze: Desd, Fd, Em; 1 beim letzteren Ausarbeitung jener Vortragsanweisungen, die Brahms in weiser Voraussicht selbst wiedergeschrieben, die aber dem Spieler 2 in ihrer Bedeutung meistens unbekannt bleiben. Repetiert: Etude Fm von Chopin.

© Transcription Robert Kosovsky, 2007, 2020


[April] 25, [1914]
Kahn :

Hungarian Dances in Dę major, F major, and E minor; 1 in the last of these, elaboration of those performance indications that Brahms has, in his foresight, wisely written out again himself, though many a player 2 remains unaware of their significance.” Revisited: Etude in F minor of Chopin.

© Translation Ian Bent, 2020


25.
Kahn :

Ungarische Tänze: Desd, Fd, Em; 1 beim letzteren Ausarbeitung jener Vortragsanweisungen, die Brahms in weiser Voraussicht selbst wiedergeschrieben, die aber dem Spieler 2 in ihrer Bedeutung meistens unbekannt bleiben. Repetiert: Etude Fm von Chopin.

© Transcription Robert Kosovsky, 2007, 2020


[April] 25, [1914]
Kahn :

Hungarian Dances in Dę major, F major, and E minor; 1 in the last of these, elaboration of those performance indications that Brahms has, in his foresight, wisely written out again himself, though many a player 2 remains unaware of their significance.” Revisited: Etude in F minor of Chopin.

© Translation Ian Bent, 2020

Footnotes

1 Brahms’s Hungarian Dances for piano four hands: Dę major = No. 6; F major = No. 3 or 7; E minor = No. 9 or 20 or 21.

2 “dem Spieler”: masculine, hence in general rather than referring to the pupil.