OC 3/1-2: Oct 1912-Jun 1913 - Käthe Stirling: lesson: Friay October 11, 1912
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{11}11. X. Stirling : Vogelpredigt Egalisirung des Trillers unbeschadet einzelner Aczente. Grieg: Ad . Kampf um den Rhythmus punktirter Noten im Am Trio; hohes Staccato: Klang spitzer Pedalschleppe länger schnellerer Wurf nach oben. (Vortrag † ). 1 © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
{11}October 11, [1912] Stirling : “Sermon to the Birds” equalizing the trill irrespective of individual accents. Grieg A major. Battle over the rhythm of dotted notes in the A minor Trio; high staccato notes: sound of sharp pedal movement longer faster leap upwards. (Performance † ). 1 © Translation Ian Bent, 2022-23 |
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{11}11. X. Stirling : Vogelpredigt Egalisirung des Trillers unbeschadet einzelner Aczente. Grieg: Ad . Kampf um den Rhythmus punktirter Noten im Am Trio; hohes Staccato: Klang spitzer Pedalschleppe länger schnellerer Wurf nach oben. (Vortrag † ). 1 © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
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{11}October 11, [1912] Stirling : “Sermon to the Birds” equalizing the trill irrespective of individual accents. Grieg A major. Battle over the rhythm of dotted notes in the A minor Trio; high staccato notes: sound of sharp pedal movement longer faster leap upwards. (Performance † ). 1 © Translation Ian Bent, 2022-23 |
Footnotes1 “Vortrag” (“Performance”): probably a note to himself to consider including this case in his planned book Die Kunst des Vortrags, which remained unfinished and unpublished, an edition of which in English translation was published as Heinrich Schenker, The Art of Performance, ed. Heribert Esser, transl. Irene Schreier Scott (New York: Oxford University Press, 2000). The short section on use of the pedal, pp. 10–11, does not include this material. |
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Format† Double underlined |