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OC 3/2-3: Oct 1913-Jun 1914 - Hans Weisse: lesson: Thursday, February 19, 1914


19.
{54} Weisse † :

Aufsatz zur Psychologie der Form; mit Benutzung der Ergebnisse früherer Stunden über die Umstellungen 1 bei Brahms, auch über Canon; Generalbaß Fortsetzung. 2

© Transcription Robert Kosovsky, 2007, 2020

[February] 19, [1914]
{54} Weisse † :

Essay on the psychology of form; with use of the results of earlier lessons on adaptations 1 in Brahms, also on canon; continuation of thoroughbass studies. 2

© Translation Ian Bent, 2020

19.
{54} Weisse † :

Aufsatz zur Psychologie der Form; mit Benutzung der Ergebnisse früherer Stunden über die Umstellungen 1 bei Brahms, auch über Canon; Generalbaß Fortsetzung. 2

© Transcription Robert Kosovsky, 2007, 2020

[February] 19, [1914]
{54} Weisse † :

Essay on the psychology of form; with use of the results of earlier lessons on adaptations 1 in Brahms, also on canon; continuation of thoroughbass studies. 2

© Translation Ian Bent, 2020

Footnotes

1 “Umstellungen”: although this could carry a technical meaning (e.g. “transpositions” “inversions,” or changes of function), it may refer more simply to changes of musical material that have been presented previously in a piece. (Despite the reference to earlier lessons, the word ”Umstellung” does not appear earlier in this or in previous lessonbooks since Weisse’s first lesson notes in January 1912.)

2 On February 9, Weisse was studying Chapter III of C. P. E. Bach, Essay on the True Art of Playing Keyboard Instruments, Eng. transl. William J. Mitchell (New York: W. W. Norton; London: Cassell, 1949; London: Eulenburg, 1974), pp. 209–22 "The Chord of the Sixth." The lesson note for February 23 has him working on this chapter and moving on to Chapter IV, "The Diminished Triad."

Format

† Double underlined