OC 3/3: 1921/22 - Carl Bamberger: lessons: 1921/22
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Bamberger:
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1
Mischungsgattungen. Generalbaß nach Em. Bach. 2 Haydn: Sinfonie Ddur. Brahms-Haydn-Variationen. Beethoven op. 53. Wagner: Tristan, Anfang des 2. Aufzuges. Hugo Wolf: Weylas Gesang. Mozart: Sonate Cdur. Bemerkungen zu Konzerten: Furtwängler, Straube, Busch. 3 Am Klavier: S. Bach: Fuge u. Praludium Emoll. Mozart: Sonate Adur. Schumann-Paganini-Etuden Amoll, Edur, Gmoll. 4 Beethoven op. 109. Für Begleitungszwecke: Cello-Konzert von d’Albert, 5 Tannhäuser, Forelle. {2} Sonst noch vom Blatt gelesen: Lieder von Wolf u. Schumann. Beethoven: Septett, vierhändig. — © Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2022 |
Bamberger:
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1
Mixed species. Thoroughbass according to C. P. E. Bach. 2 Haydn: Symphony in D major. Brahms, Haydn Variations. Beethoven Op. 53. Wagner: Tristan , beginning of Act II. Hugo Wolf: “Weylas Gesang”. Mozart: Sonata in C major. Remarks on concerts: Furtwängler, Straube, Busch. 3 At the piano: J. S. Bach: Prelude and Fugue in E minor. Mozart: Sonata in A major. Schumann, Paganini Etudes in A minor, E major, G minor. 4 Beethoven Op. 109. For accompaniment projects: Cello Concerto by d'Albert, 5 Tannhäuser , "Die Forelle”. {2} Also some sight reading: songs by Wolf and Schumann. Beethoven: Septet, four-hands. — © Translation Alan Dodson, 2022 |
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Bamberger:
†
1
Mischungsgattungen. Generalbaß nach Em. Bach. 2 Haydn: Sinfonie Ddur. Brahms-Haydn-Variationen. Beethoven op. 53. Wagner: Tristan, Anfang des 2. Aufzuges. Hugo Wolf: Weylas Gesang. Mozart: Sonate Cdur. Bemerkungen zu Konzerten: Furtwängler, Straube, Busch. 3 Am Klavier: S. Bach: Fuge u. Praludium Emoll. Mozart: Sonate Adur. Schumann-Paganini-Etuden Amoll, Edur, Gmoll. 4 Beethoven op. 109. Für Begleitungszwecke: Cello-Konzert von d’Albert, 5 Tannhäuser, Forelle. {2} Sonst noch vom Blatt gelesen: Lieder von Wolf u. Schumann. Beethoven: Septett, vierhändig. — © Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2022 |
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Bamberger:
†
1
Mixed species. Thoroughbass according to C. P. E. Bach. 2 Haydn: Symphony in D major. Brahms, Haydn Variations. Beethoven Op. 53. Wagner: Tristan , beginning of Act II. Hugo Wolf: “Weylas Gesang”. Mozart: Sonata in C major. Remarks on concerts: Furtwängler, Straube, Busch. 3 At the piano: J. S. Bach: Prelude and Fugue in E minor. Mozart: Sonata in A major. Schumann, Paganini Etudes in A minor, E major, G minor. 4 Beethoven Op. 109. For accompaniment projects: Cello Concerto by d'Albert, 5 Tannhäuser , "Die Forelle”. {2} Also some sight reading: songs by Wolf and Schumann. Beethoven: Septet, four-hands. — © Translation Alan Dodson, 2022 |
Footnotes1 Bamberger took three lessons a week throughout the 1921/22 saison, according to Schenker’s diary. — From January 1922, Schenker raised his fee from 4,000 Kr. a lesson to 10,000 Kr., paying 120,000 Kr. a month (OJ 6/7, [2]). 2 C. P. E. Bach, Essay on the True Art of Playing Keyboard Instruments, Eng. transl. William J. Mitchell (New York: W. W. Norton; London: Cassell, 1949; London: Eulenburg, 1974). Bamberger had done no thoroughbass in 1920/21, so was presumably starting at the beginning, at p. 198. 3 Concerts by Furtwängler are mentioned in six of Schenker’s diary entries from the 1921/22 saison: September 29, November 10 and 17, 1921, January 5, February 16, and March 21, 1922. Concerts by Straube and Busch are mentioned on April 22 and May 18, 1922, respectively. 4 Probably Op. 3, Nos 1, 2, and 6. 5 Eugen d’Albert, Cello Concerto in D major, Op. 20 (1899). |
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Format† Double underlined |