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OC B/269a-b Postal receipts for a letter and other item from Schenker to Louis Koch, dated November
15, 1915
Postal receipts for letter of November 14, 1915 and separate item to Louis
Koch.
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OC B/270 Typewritten letter from Louis Koch to Schenker, dated November 29, 1915
Koch thanks Schenker for a copy of his elucidatory edition of Op. 111, and
reports his Chopin holdings.
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OJ 10/1, [10] Handwritten field postcard from Dahms to Schenker, dated October 2, 1915
Dahms is unable to describe his [wartime] experiences. He has had to revise his
opinions.
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OJ 10/1, [11] Handwritten field postcard from Dahms to Schenker, dated October 13, 1915
Dahms is sick.
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OJ 10/1, [12] Handwritten field postcard from Dahms to Schenker, dated October 29, 1915
Dahms inquires why Schenker singled out Strauss's Alpine
Symphony.
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OJ 10/1, [13] Handwritten letter from Dahms to Schenker, undated but presumably November 1,
1915
Dahms acknowledges Schenker's letter with joy; he is committed to the struggle
against the "other side."
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OJ 10/1, [7] Handwritten field postcard from Dahms to Schenker, dated April 5, 1915
Dahms has been conscripted and writes from the battle front. He has submitted an
article on Schenker's edition of Op. 110.
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OJ 10/1, [8] Handwritten field postcard from Dahms to Schenker, dated April 25, 1915
Dahms writes of the "fatherland" and of Hindenburg's
"voice-leading."
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OJ 10/1, [9] Handwritten field postcard from Dahms to Schenker, dated June 4, 1915
Dahms echoes Schenker: The German character must prevail over
others.
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OJ 12/9, [11] Handwritten calling card from Karpath to Schenker, dated January 8, 1915
Karpath thanks Schenker for his condolences.
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OJ 15/34, [2] Handwritten letter from Viktor Zuckerkandl to Heinrich Schenker, undated [August 20,
1915]
Zuckerkandl reports on life in the military.
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OJ 5/45, [1] Copy letter from Schenker to Weisse, in Jeanette Schenker’s hand, dated June 17,
1915
In a six-page letter, and following harsh exchanges the previous day, Schenker
castigates Weisse for trying to avoid paying for four lessons, speaking of his own difficulties
in managing the profession of private teacher, and the unfair ways in which artists are treated
financially.