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Profiles Person Place Organization Work by Schenker Journal Musical Composition Downloads temporarily removed for testing purposes	Frederic Chopin Documents associated with this person: Correspondence Diaries Lessonbooks Types person Names Frederic Chopin Fryderyk Fryderyk Franciszek Frédéric Relationships Ballade No. 1 in G minor, Op. 23 is composed by Frederic Chopin Ballade No. 2 in F major/A minor, Op. 38 is composed by Frederic Chopin Ballade No. 3 in A-flat major, Op. 47 is composed by Frederic Chopin Ballade No. 4 in F minor, Op. 52 is composed by Frederic Chopin Berceuse in Db major, Op. 57 is composed by Frederic Chopin Etude in A minor, Op. 10, No. 2 is composed by Frederic Chopin Etude in A minor, Op. 25, No. 11 is composed by Frederic Chopin Etude in A minor, Op. 25, No. 4 is composed by Frederic Chopin Etude in Ab major, Op. 10, No. 10 is composed by Frederic Chopin Etude in Ab major, Op. 25, No. 1 is composed by Frederic Chopin Etude in B minor, Op. 25, No. 10 is composed by Frederic Chopin Etude in C major is composed by Frederic Chopin Etude in C major, Op. 10, No. 1 is composed by Frederic Chopin Etude in C major, Op. 10, No. 7 is composed by Frederic Chopin Etude in C minor is composed by Frederic Chopin Etude in C minor, Op. 10, No. 12 is composed by Frederic Chopin Etude in C minor, Op. 25, No. 12 is composed by Frederic Chopin Etude in C# minor is composed by Frederic Chopin Etude in C# minor, Op. 10, No. 4 is composed by Frederic Chopin Etude in C# minor, Op. 25, No. 7 is composed by Frederic Chopin Etude in Db major, Op. 25, No. 8 is composed by Frederic Chopin Etude in E major, Op. 10, No. 3 is composed by Frederic Chopin Etude in E minor, Op. 25, No. 5 is composed by Frederic Chopin Etude in Eb major, Op. 10, No. 11 is composed by Frederic Chopin Etude in Eb minor, Op. 10, No. 6 is composed by Frederic Chopin mc000106 is composed by Frederic Chopin Etude in F major, Op. 10, No. 8 is composed by Frederic Chopin mc000015 is composed by Frederic Chopin Etude in F minor is composed by Frederic Chopin Etude in F minor, Op. 10, No. 9 is composed by Frederic Chopin Etude in F minor, Op. 25, No. 2 is composed by Frederic Chopin Etude in G# minor, Op. 25, No. 6 is composed by Frederic Chopin Etude in Gb major, Op. 10, No. 5 is composed by Frederic Chopin Etude in Gb major, Op. 25, No. 9 is composed by Frederic Chopin Etude in Gb major is composed by Frederic Chopin Fantasie in F minor/A-flat major, Op. 137 is composed by Frederic Chopin Mazurka in A minor, Op. 17, No. 4 is composed by Frederic Chopin Mazurka in A minor, Op. 59, No. 1 is composed by Frederic Chopin Mazurka in A minor, Op. 67, No. 4 is composed by Frederic Chopin Mazurka in A minor, Op. 68, No. 2 is composed by Frederic Chopin Mazurka in A minor, Op. 7, No. 2 is composed by Frederic Chopin Mazurka in Ab major is composed by Frederic Chopin Mazurka in Ab major, Op. 17, No. 3 is composed by Frederic Chopin Mazurka in Ab major, Op. 24, No. 3 is composed by Frederic Chopin Mazurka in Ab major, Op. 41, No. 4 is composed by Frederic Chopin Mazurka in Ab major, Op. 50, No. 2 is composed by Frederic Chopin Mazurka in Ab major, Op. 59, No. 2 is composed by Frederic Chopin Mazurka in Ab major, Op. 7, No. 4 is composed by Frederic Chopin Mazurka in B major, Op. 41, No. 3 is composed by Frederic Chopin Mazurka in B major, Op. 56, No. 1 is composed by Frederic Chopin Mazurka in B major, Op. 63, No. 1 is composed by Frederic Chopin Mazurka in B minor, Op. 33, No. 2 is composed by Frederic Chopin Mazurka in B minor, Op. 33, No. 4 is composed by Frederic Chopin Mazurka in Bb major, Op. 17, No. 1 is composed by Frederic Chopin Mazurka in Bb major, Op. 7, No. 1 is composed by Frederic Chopin Mazurka in Bb minor, Op. 24, No. 4 is composed by Frederic Chopin Mazurka in C major, Op. 24, No. 2 is composed by Frederic Chopin Mazurka in C major, Op. 33, No. 3 is composed by Frederic Chopin Mazurka in C major, Op. 56, No. 2 is composed by Frederic Chopin Mazurka in C major, Op. 67, No. 3 is composed by Frederic Chopin Mazurka in C major, Op. 68, No. 1 is composed by Frederic Chopin Mazurka in C major, Op. 7, No. 5 is composed by Frederic Chopin Mazurka in C minor, Op. 30, No. 1 is composed by Frederic Chopin Mazurka in C minor, Op. 56, No. 3 is composed by Frederic Chopin Mazurka in C# minor, Op. 30, No. 4 is composed by Frederic Chopin Mazurka in C# minor, Op. 50, No. 3 is composed by Frederic Chopin Mazurka in C# minor, Op. 6, No. 2 is composed by Frederic Chopin Mazurka in C# minor, Op. 63, No. 2 is composed by Frederic Chopin Mazurka in D major, Op. 33, No. 2 is composed by Frederic Chopin Mazurka in Db major, Op. 33, No. 3 is composed by Frederic Chopin Mazurka in E major, Op. 41, No. 1 is composed by Frederic Chopin Mazurka in E major, Op. 6, No. 3 is composed by Frederic Chopin Mazurka in E minor, Op. 17, No. 2 is composed by Frederic Chopin Mazurka in E minor, Op. 41, No. 2 is composed by Frederic Chopin Mazurka in Eb minor, Op. 6, No. 4 is composed by Frederic Chopin Mazurka in F major, Op. 68, No. 3 is composed by Frederic Chopin Mazurka in F minor Op. 7, No. 3 is composed by Frederic Chopin Mazurka in F minor, Op. 63, No. 3 is composed by Frederic Chopin Mazurka in F minor, Op. 68, No. 4 is composed by Frederic Chopin Mazurka in F# minor, Op. 59, No. 3 is composed by Frederic Chopin Mazurka in F# minor, Op. 6, No. 1 is composed by Frederic Chopin Mazurka in G major, Op. 50, No. 1 is composed by Frederic Chopin Mazurka in G major, Op. 67, No. 1 is composed by Frederic Chopin Mazurka in G minor is composed by Frederic Chopin Mazurka in G minor, Op. 24, No. 1 is composed by Frederic Chopin Mazurka in G minor, Op. 67, No. 2 is composed by Frederic Chopin Mazurka in G# minor, Op. 33, No. 1 is composed by Frederic Chopin Nocturne in Ab major, Op. 32, No. 2 is composed by Frederic Chopin Nocturne in B major, Op. 32, No. 1 is composed by Frederic Chopin Nocturne in B major, Op. 63, No. 1 is composed by Frederic Chopin Nocturne in B major, Op. 9, No. 3 is composed by Frederic Chopin Nocturne in Bb minor, Op. 9, No. 1 is composed by Frederic Chopin Nocturne in C minor, Op. 48, No. 1 is composed by Frederic Chopin Nocturne in C# minor, Op. 27, No. 1 is composed by Frederic Chopin Nocturne in Db major, Op. 27, No. 2 is composed by Frederic Chopin Nocturne in E major, Op. 62, No. 2 is composed by Frederic Chopin Nocturne in E minor, Op. 72, No. 1 is composed by Frederic Chopin Nocturne in Eb major, Op. 9, No. 2 is composed by Frederic Chopin Nocturne in Eb minor, Op. 55, No. 2 is composed by Frederic Chopin Nocturne in F major, Op. 15, No. 1 is composed by Frederic Chopin Nocturne in F minor, Op. 55, No. 1 is composed by Frederic Chopin Nocturne in F# major, Op. 15, No. 2 is composed by Frederic Chopin Nocturne in F# minor, Op. 48, No. 2 is composed by Frederic Chopin Nocturne in G major, Op. 37, No. 2 is composed by Frederic Chopin Nocturne in G minor, Op. 15, No. 3 is composed by Frederic Chopin Nocturne in G minor, Op. 37, No. 1 is composed by Frederic Chopin Piano Sonata in B minor, Op. 58 is composed by Frederic Chopin Piano Sonata in Bb minor, Op. 35 is composed by Frederic Chopin Piano Sonata in C minor, Op. 4 is composed by Frederic Chopin Polonaise in A major, Op. 40, No. 1 is composed by Frederic Chopin Polonaise in Ab major, Op. 53 is composed by Frederic Chopin Polonaise in Bb major, Op. 71, No. 2 is composed by Frederic Chopin Polonaise in C minor, Op. 40, No. 2 is composed by Frederic Chopin Polonaise in C# minor, Op. 26, No. 1 is composed by Frederic Chopin Polonaise in D minor, Op. 71, No. 1 is composed by Frederic Chopin Polonaise in Eb minor, Op. 26, No. 2 is composed by Frederic Chopin Polonaise in F minor, Op. 71, No. 3 is composed by Frederic Chopin Polonaise in F# minor, Op. 44 is composed by Frederic Chopin Polonaise-Fantaisie in Ab major, Op. 61 is composed by Frederic Chopin Prelude in A major, Op. 28, No. 7 is composed by Frederic Chopin Prelude in A minor, Op. 28, No. 2 is composed by Frederic Chopin Prelude in Ab major, Op. 28, No. 17 is composed by Frederic Chopin Prelude in B major, Op. 28, No. 11 is composed by Frederic Chopin Prelude in B minor, Op. 28, No. 6 is composed by Frederic Chopin Prelude in Bb major, Op. 28, No. 21 is composed by Frederic Chopin Prelude in Bb minor, Op. 28, No. 16 is composed by Frederic Chopin Prelude in C major, Op. 28, No. 1 is composed by Frederic Chopin Prelude in C minor, Op. 28, No. 20 is composed by Frederic Chopin Prelude in C# minor, Op. 28, No. 10 is composed by Frederic Chopin Prelude in C# minor, Op. 45 is composed by Frederic Chopin Prelude in D major, Op. 28, No. 5 is composed by Frederic Chopin Prelude in D minor, Op. 28, No. 24 is composed by Frederic Chopin Prelude in Db major, Op. 28, No. 15 is composed by Frederic Chopin Prelude in E major, Op. 28, No. 9 is composed by Frederic Chopin Prelude in E minor, Op. 28, No. 4 is composed by Frederic Chopin Prelude in Eb major, Op. 28, No. 19 is composed by Frederic Chopin Prelude in Eb minor, Op. 28, No. 14 is composed by Frederic Chopin Prelude in F major, Op. 28, No. 23 is composed by Frederic Chopin Prelude in F minor, Op. 28, No. 18 is composed by Frederic Chopin Prelude in F# major, Op. 28, No. 13 is composed by Frederic Chopin Prelude in F# minor, Op. 28, No. 8 is composed by Frederic Chopin Prelude in G major, Op. 28, No. 3 is composed by Frederic Chopin Prelude in G minor, Op. 28, No. 22 is composed by Frederic Chopin Prelude in G# minor, Op. 28, No. 12 is composed by Frederic Chopin Waltz in A minor, Op. 34, No. 2 is composed by Frederic Chopin Waltz in Ab major is composed by Frederic Chopin Waltz in Ab major, Op. 34, No. 1 is composed by Frederic Chopin Waltz in Ab major, Op. 42 is composed by Frederic Chopin Waltz in Ab major, Op. 64, No. 3 is composed by Frederic Chopin Waltz in Ab major, Op. 69, No. 1 (“L’Adieu”) is composed by Frederic Chopin Waltz in B minor, Op. 69, No. 2 is composed by Frederic Chopin Waltz in C# minor, Op. 64, No. 2 is composed by Frederic Chopin Waltz in Db major, Op. 64, No. 1 (“Minute”) is composed by Frederic Chopin Waltz in Db major, Op. 70, No. 3 is composed by Frederic Chopin Waltz in E minor, Op. --, Brown No. 56 is composed by Frederic Chopin Waltz in Eb major, Op. 18 is composed by Frederic Chopin Waltz in F major, Op. 34, No. 3 is composed by Frederic Chopin Waltz in F minor, Op. 70, No. 2 is composed by Frederic Chopin Waltz in Gb major, Op. 70, No. 1 is composed by Frederic Chopin Scherzo in B-flat minor, Op. 31 is composed by Frederic Chopin Scherzo in E major, Op. 54 is composed by Frederic Chopin Impromptu in F# major, Op. 36 is composed by Frederic Chopin Variations on “Là ci darem,” Op. 2 is composed by Frederic Chopin Two Polonaises, Op. 40 is composed by Frederic Chopin Etudes, Op. 10 is composed by Frederic Chopin Nocturne in E major, Op. 63, No. 2 is composed by Frederic Chopin Fantasy in F minor-Ab major, Op. 49 is composed by Frederic Chopin Etudes, Op. 25 is composed by Frederic Chopin Etudes, Op. 10 and Op. 25 is composed by Frederic Chopin Cello Sonata in G minor, Op. 65 is composed by Frederic Chopin Scherzo in B minor, Op. 20 is composed by Frederic Chopin Scherzo in C# minor, Op. 39 is composed by Frederic Chopin Andante spianato in G major, Op. 22 is composed by Frederic Chopin Piano Concerto No. 2 in F minor, Op. 21 is composed by Frederic Chopin Piano Concerto No. 1 in E minor, Op. 11 is composed by Frederic Chopin Trois nouvelles études is composed by Frederic Chopin Mazurkas, Op. 33 is composed by Frederic Chopin Rondo in C major, Op. 73 is composed by Frederic Chopin Barcarolle, Op. 60 is composed by Frederic Chopin Waltz in Db major is composed by Frederic Chopin Etude in A minor is composed by Frederic Chopin Mazurka in A minor is composed by Frederic Chopin Waltz in E major is composed by Frederic Chopin Mazurka in E minor is composed by Frederic Chopin Mazurka in E minor is composed by Frederic Chopin Mazurka in C major is composed by Frederic Chopin Downloads temporarily removed for testing purposes Correspondence OJ 13/29, [4] Handwritten letter from Rosenthal to Schenker, dated December 31, 1901 Rosenthal responds to Schenker regarding the effect of "habit and prejudice" on the performer; wishes to discuss phrasing-slurs in Chopin with him. OJ 5/35, [1] Handwritten draft letter from Schenker to Ernst Rudorff, dated January 21, 1908 Schenker makes a first approach to Rudorff; it concerns interpretation of a passage in Chopin's Ballade No. 2, Op. 38; — He asserts his belief in consulting -- and teaching students to consult -- only original sources, and in the Urtext principle. OJ 13/37, 1 Handwritten letter from Ernst Rudorff to Schenker, dated January 23, 1908 Grunsky replies to Schenker's inquiry about a passage in Chopin's Ballade No. 2, and welcomes Schenker's advocacy of the Urtext principle. OJ 13/37, 13 Handwritten letter from Ernst Rudorff to Schenker, dated November 16, 1910 Rudorff approves of the [highly controversial] Introduction to Schenker's Kontrapunkt I. — He discusses favorably Schenker's edition of the Chromatic Fantasy and Fugue, raising some technical matters. OJ 9/30, [4] Handwritten letter from Tony Colbert to Schenker, dated September 27, 1912 Mrs. Colbert suggests works she might study. -- She is enjoying Schenker's (newly published) monograph on Beethoven's Ninth Symphony. OC B/270 Typewritten letter from Louis Koch to Schenker, dated November 29, 1915 Koch thanks Schenker for a copy of his elucidatory edition of Op. 111, and reports his Chopin holdings. WSLB 310 Handwritten letter from Schenker to Hertzka (UE), dated December 17, 1919 Louis Koch has given consent; Schenker asks Hertzka to pick up the photographs while in Frankfurt; they need to discuss how Schenker allocates his time for the Kleine Bibliothek and other tasks. OC B/168 Typewritten letter from Wilhelm Altmann to Schenker, dated February 25, 1920 Altmann is glad Schenker hopes to visit the Library; photography of Chopin Etudes Op. 10 is in progress. OC 52/223 Handwritten draft contract, in Jeanette Schenker's hand, between UE and Schenker for the Kleine Bibliothek and Beethoven sonatas edition, undated [March 17,?] 1920 Handwritten draft contract jointly for the Kleine Bibliothek and Beethoven sonatas edition. OC 52/560 Draft Contract between UE and Schenker for the Kleine Bibliothek, dated March 23, 1920 Draft contract for the Kleine Bibliothek. OC 52/517 Typed contract from between UE and Schenker for the Kleine Bibliothek, dated July 10, 1920 Contract between UE and Schenker for the Kleine Bibliothek. OJ 10/1, [65] Handwritten letter from Dahms to Schenker, dated August 21, 1921 Dahms is unable to visit the Schenkers in Galtür. — He criticizes Berlin and its artists and critics. OJ 14/1, [5] Handwritten letter from Felix Hupka to Schenker, dated November 18, 1921 Hupka reports on his latest concert, in Munich. Otto Vrieslander and Herman Roth were present, and Hupka reports their critical reactions to his program. He visited the home of Paul Hirsch. OJ 12/59, [5] Handwritten letter from Siegfried Fritz Müller to Schenker, dated September 21, 1924 Siegfried Fritz Müller has met with resistence in rural Switzerland to Schenker's ideas. -- He describes his daily working practices. -- He plans to return to Schenker for lessons in Spring 1925 and lists the works in his prepared programs. OC 54/5-7 Draft letter from Schenker to Drei Masken Verlag, dated as sent on December 9, 1924 In the light of an exchange of letters with UE, Schenker suggests that the new publication have a new title (Die Urlinie) but that the old typeface and format be retained. He suggests that the new periodical should include articles on each of the Chopin etudes and the four Brahms symphonies, and on symphonies by Beethoven, Mozart, Schubert and Haydn, from all of which book-length studies could subsequently be made. OJ 11/36, [17] Handwritten letter from Hammer to Schenker, dated March 1, 1925 Hammer describes his travels and work in the past eight months, and compares the piano playing of Otto Vrieslander with that of Schenker. OJ 6/7, [19] Handwritten letter from Schenker to Moriz Violin, dated April 10, 1925 Continuing the story of the ongoing financial battle against Hertzka and Universal Edition, Schenker thanks Violin for providing confirmation of the subscriptions paid for by Max Temming, then recounts that, at a meeting with Hertzka and his bookkeeper, the order-book for Der Tonwille had several pages torn out. Schenker is upset that his lawyer Dr. Baumgarten, though an old friend, is not fully supportive of his position and would prefer seek a compromise with Hertzka; this, Schenker feels, would rob him of much of his hard-earned royalties, especially from the Beethoven sonata edition. He now asks Violin to find a contact – outside Hamburg – who would be willing to order nine copies of Tonwille 1, as evidence that this issue is still in demand, despite Hertzka's claims to the contrary. He has attended a performance of Hans Weisse's Sextet, of which he found the variation movement and the trio section of the scherzo to be the most satisfactory parts. OJ 10/1, [91] Handwritten letter from Dahms to Schenker, dated December 1, 1925 The [Hammer] mezzotint has arrived; Dahms expresses a reservation about it. — He has been writing for Die Musik. — He succeeded in getting compensation from UE. OJ 11/54, [6] Handwritten letter from van Hoboken to Schenker, dated January 3, 1926 Van Hoboken sends New Year greetings; reports that he is to see in the Paris Conservatory Library the autograph manuscript of Beethoven's "Appassionata" Sonata, which Einstein has apparently already photographed; he will travel to Vienna on January 6 for lesson on January 9. OJ 14/45, [54] Handwritten letter from Moriz Violin to Schenker, undated, written July 13, 1926 Replying to Schenker's postcard of July 8 and the receipt of the first Meisterwerk Yearbook, Violin singles out the article "Weg mit dem Phrasierungsbogen" and remarks on passages in two Chopin etudes and in Beethoven's "Pathétique" Sonata which Schenker would find interesting. There is no news concerning his piano trio (with Mauritz van den Berg and Friedrich Buxbaum) but he is considering playing a concerto in the 1926-27 season. OJ 10/3, [53] Typewritten postcard from Deutsch to Schenker, dated January 16, 1927 Deutsch asks Schenker what he wrote about Domenico Scarlatti and Chopin as non-German geniuses, for his forthcoming trip to Sweden. He has learned that Schubert was paid for two summers’ teaching for the Esterházy family; he has valued two song manuscripts belonging to the family at 4,000 marks. OJ 9/34, [6] Handwritten letter from Cube to Schenker, dated January 24, 1927 Acknowledges Schenker's reply and corrections. There will be no problem with his teacher's examination in May. Reports on recent activities. OJ 11/54, [12] Handwritten letter from van Hoboken to Schenker, dated January 28, 1927 Hoboken had to cancel his planned visit to John Petrie Dunn because of illness. — He reports on library visits in London and Paris, discusses manuscripts and conditions for photography, purchases. — He plans no further trips this season. OC 54/132 Typed letter from Otto Vrieslander to Schenker, dated February 15, 1927 Vrieslander informs Schenker that Alfred Einstein (DMV) has decided to engrave the music examples for the second Meisterwerk volume in order to ensure a flawless reproduction. He also reports that the width of the pages in the supplement will be expanded, and notifies Schenker of the changes that he will make to the music examples following this decision. Vrieslander states he has officially enquired with Einstein about potential problems in the printing process, making clear that Schenker will not be able to bear any additional costs for printing errors. OJ 6/7, [34] Handwritten letter from Schenker to Moriz Violin, dated June 30, 1927 Schenker answers Violin's birthday greetings letter philosophically. He is able to work on the final version Der freie Satz at leisure and in good spirits. He reports on the establishment of an archive of photographic reproductions of autograph and gives an account of a visit from Violin's sister Fanny: in return for a picture of Karl Violin, he is enclosing two pictures of himself and one of Jeanette. Finally, he urges his friend to spend part of the summer in Galtür. OJ 11/54, [15] Handwritten letter from van Hoboken to Schenker, dated August 28, 1927 Hoboken reports on meeting with Furtwängler regarding the Photogrammarchiv, and expresses the hope that it will be possible to interest Furtwängler in performance according to the sources in the Archive; he encloses the final version of the "Aufruf" for the Archive, and discusses negotiations with the Austrian National Library and Ministry of Education. — Comments on Oppel's plan to teach in Leipzig. — Agrees to Schenker's lesson plan and fee for 1927/28. — Describes his travel plans, which include meetings with Louis Koch in Frankurt, Ludwig Schiedermair in Bonn, contact with John Petrie Dunn in England, C. S. Terry in Scotland, and Maurice Cauchie in Paris, and photographing [of sources] at the [Paris] Conservatory. OJ 10/3, [68] Typewritten letter from Deutsch to Schenker, dated September 12, 1927 Deutsch has sent Vrieslander’s prospectus of the second Meisterwerk yearbook to the publisher almost unchanged, despite overlength. — He reports 200 new acquisitions [for Hoboken's collection], particularly in Mozart, Haydn, and Chopin. OJ 10/3, [70] Typewritten picture postcard from Deutsch to Schenker, dated October 11, 1927 Deutsch has seen Otto Vrieslander, who surprisingly did not mention the recent publication of his songs. He explains how different early print-runs of Beethoven’s works may display telling differences, and how parallel publications in different cities could sometimes show changes attributable to the composer (as is typically found in Chopin). OJ 14/45, [68] Handwritten letter from Violin to Schenker, dated November 13, 1927 Violin thanks Schenker for sending him the second volume of Meisterwerk, which he regards as a milestone in offering the strongest statement of his theories. He is accompanying a cellist in early January and will not be able to get to Vienna at Christmas after all. His wife and son – who is now able to get up and around – are hoping to go to Vienna at Easter. OJ 14/45, [69] Handwritten letter from Violin to Schenker, dated December 27, 1927 Violin reports that his concert (cello recital) has been put back a week because of a tendon problem in his left hand. He owes Otto Vrieslander a response to his recent written work, but he feels that Vrieslander does not truly understand Schenker's cause, does not have the same "orientation" towards it as he, and expresses himself poorly. (Weisse, he says, could have done things better.) However, all this pettiness is nothing compared with the achievement of Meisterwerk 2, and of the "crowning" work that will soon follow. OJ 89/2, [4] Handwritten letter from Schenker to Hoboken, dated March 16, 1928 Schenker speaks of Hoboken's Photogrammarchiv as a "grand contribution," and of the work to be done there; reports on a copy of Beethoven Sonata, Op. 90, by Archduke Rudolph. — He will show Hoboken recent articles by Dahms and Vrieslander, and inquires about Hoboken's birthday.— Furtwängler may come to Vienna permanently. OJ 9/34, [13] Handwritten letter from Cube to Schenker, dated July 6, 1928 Cube reports on Scheuermann exhibit, and consequent interest and sales, encloses associated newspaper article; also on recent lecturing and composition activity. He is unlikely to visit Schenker this year; recalls people at Galtür. OJ 9/34, [14] Handwritten letter from Cube to Schenker, dated October 4, 1928 Cube acknowledges OJ 5/7a, [18] and [19], and comments; reports on his own recent activities and plans, and on events in the Conservatory, on a forthcoming Schubert festival, and Radio Vienna. He is about to return the Hammer etching. OJ 89/3, [3] Typewritten letter (carbon copy) from Hoboken to Schenker, dated July 7, 1929 Hoboken recounts recent travels. — Is now at Kliffende, where he is about to build a house. — Reports meetings with Hubermann and Harburger; encloses a letter and articles from the latter. — Refers to a Vrieslander problem. OJ 5/7a, [27] (formerly vC 27) Handwritten letter from Schenker to Cube, dated August 10, 1929 Schenker reponds, on information from Reinhard Oppel, to Cube's question in OJ 9/34, [19] about finding a publisher; advises Cube to seek friends who will play his music, after which publication should ensue. Schenker gives detailed comments, with music examples, on Cube's two piano sonatas, praising them highly and making suggestions for improvement. OJ 89/3, [10] Handwritten letter from Schenker to Hoboken, dated September 18, 1929 Schenker acknowledges check; — comments on Hoboken's work on a Chopin Etude; — discusses an approach by Vrieslander; — explains how the possibility of a professorship at Heidelberg had come about. OJ 89/3, [11] Typewritten letter (typed copy) from Vrieslander to Schenker, dated October 23, 1929 Vrieslander reports that Hoboken has given him notice to vacate, and rehearses the course of events leading up to this situation, events that intertwine with Vrieslander's obligations to the Photogrammarchiv. OJ 11/32, [5] Typed letter from Robert Haas to Schenker, dated November 29, 1930 Accepts Schenker's invitation to Hans Weisse's lecture, and gives two pieces of information. OJ 5/7a, [38] (formerly vC 38) Handwritten letter from Schenker to Cube, in Jeanette Schenker's hand, dated June 30, 1931 Schenker encloses the [Mozart calling] card, and sends an article from Der Kunstwart; he emphasizes that Moriz Violin's new institute is a "school," not a "seminar," and offers detailed advice; comments that his theory from Harmonielehre to Meisterwerk constitutes a self-contained whole; recommends use of C. P. E. Bach's Versuch with his theory applied to the examples; and foretells the Urlinie-Tafeln that should be available to Violin/Cub in Hamburg and to Weisse in New York. His eyes have suffered and need complete rest. OJ 6/8, [7] Handwritten letter from Schenker to Violin, dated October 17, 1931 Schenker offers Violin words of comfort in the light of a misappropriation of the title “Professor.” He also describes progress on Chopin’s Op. 10, No. 12, and the Bach Prelude in C major for the Five Analyses in Sketchform, and his work on a document of Anton Schindler purporting to convey Beethoven’s instructions on the performance of the Op. 14 sonatas. OJ 5/7a, [40] (formerly vC 40) Handwritten letter from Schenker to Cube, undated [c. October 29, 1931] Angi Elias has made a fair copy of Cube's latest graph of the C major Prelude (Wohltemperirtes Clavier, Book I), which Schenker may use in his seminar; Cube to write thanking Elias; Schenker comments on changes to Cube's graph. OJ 12/24, [3] Typewritten letter from Kromer to Schenker, dated January 26, 1932 The Archive has defective photographic copies and offers them for student use. OJ 11/54, [40] Typewritten letter from Hoboken to Schenker, dated July 29, 1932 Hoboken comments on some contemporary music; — he comments adversely on the new edition by Edouard Ganche of Chopin's works; — he may visit the Schenkers and bring Eva Boy with him. OJ 89/5, [3] Handwritten letter from Schenker to Hoboken, dated July 31, 1932 Schenker welcomes a visit from Hoboken and Miss Boy, and encloses a clipping of an article. OJ 89/5, [4] Handwritten postcard from Schenker to Hoboken, dated August 5, 1932 The Ganche edition is much worse than Hoboken has said. Reports on Vrieslander publication. OJ 12/6, [38] Handwritten letter from Jonas to Schenker, dated September 25, [1932] Jonas reports letter from Hoboken re subscriptions to his Einführung; also reports re publishing (Breithaupt), reviewing (for Einstein), and imminent broadcast talks, and teaching next academic year; also re Sandra Droucker lecture on Schenker in Oslo. OJ 89/6, [8] Typewritten letter (carbon copy), from Hoboken to Schenker, dated July 20, 1933 The Hobokens will not come to Reigersberg; — He re-sends his two songs for further comment; — He sends a booklet by Gottfried Benn; — They are isolated in Partenkirchen, and are distressed at events in Germany; — Alfred Cortot has visited the Photogram Archive and expressed an interest. OJ 89/6, [9] Handwritten letter from Schenker to Hoboken, dated July 25, 1933 In writing of Hoboken's prospects as a composer, Schenker is not interested in creating imitation Bachs and Brahmses. — He delights in Cortot's visit to the Photogram Archive - but Cortot belongs to the already convinced. — He makes observations on some inclosed feuilletons, and gives information about Goos. OJ 89/6, [10] Typewritten letter (carbon copy), from Hoboken to Schenker, dated August 5, 1933 Hoboken is gratified by Schenker's praise of his song compositions; — He will continue his Chopin projects someday, but is preoccupied with the worsening European political situation; — He comments on Kleiber, Max Graf, on Goos's estimate of Schenker's importance, and returns newspaper clippings that Schenker has sent him with comments. OJ 89/7, [7] Typewritten letter (carbon copy) from Hoboken to Schenker, dated March 15, 1934 Hoboken outlines plans to expand publicity for the Photogram Archive. — Reports re his work on Chopin's Scherzo Op. 54, which he will bring to his April 3 lesson. — Refers to the invitation to Schenker to contribute to the journal of the Reichsmusikkammer. OJ 5/7a, [49] (formerly vC 49) Handwritten postcard from Schenker to Cube, dated May 8, 1934 Schenker congratulates Cube on the graph he has sent, and reports on Der freie Satz and the continuation of the Urlinie-Tafeln. OJ 12/6, [37] Handwritten letter from Jonas to Schenker, dated August 23, 1934 Jonas seeks advice on what to include in the first issue of the planned elucidatory editions; — distribution of his book is delayed until September; — Jonas is correcting proofs of two articles. OJ 5/18, 52 Handwritten picture postcard from Schenker to Jonas, dated August 28, 1934 Schenker lists the pieces he has worked through with Hoboken with a view to publication; puzzles over Furtwangler's lack of contact; outlines homeward travel. OC 44/43 Handwritten letter from Jonas and Hans Wolf to Schenker, dated September 24, 1934 Jonas reports on complimentary copies of Das Wesen and the plans for the elucidatory editions. — He hopes to enlist Furtwängler in supporting Hans Wolf's application to reenter Austria from Germany, but thinks a letter from Schenker to Furtwängler would be more effective. OJ 5/7a, [51] (formerly vC 51) Handwritten letter from Schenker to Cube, dated October 26, 1934 Acknowledges OC 9/34, [42], and its contents; comments on the "youth of today" – organic connection is the best thing for them; asks publisher of Schäfke book. Once Der freie Satz is in print, he will give his mind to the continuation of the Urlinie-Tafeln. Schenker's name is included in the Spanish Enciclicopedia universale. LC ASC 27/45, [34] Handwritten letter from Moriz Violin to Schoenberg, undated [October 1?, 1949] Violin reports on a successful performance of a C. P. E. Bach concerto at the Carmel Bach Festival and on a Music Teacher's Convention in San Francisco. Diaries Diary entry by Schenker for 23 November 1906 Diary entry by Schenker for 29 November 1906 Diary entry by Schenker for 6 December 1906 Diary entry by Schenker for 26 January 1907 Diary entry by Schenker for 29 April 1909 Diary entry by Schenker for 5 November 1912 Diary entry by Schenker for 25 November 1912 Diary entry by Schenker for 8 April 1913 Diary entry by Schenker for 9 April 1913 Diary entry by Schenker for 15 April 1913 Diary entry by Schenker for 17 April 1913 Diary entry by Schenker for 21 April 1913 Diary entry by Schenker for 6 October 1913 Diary entry by Schenker for 8 October 1913 Diary entry by Schenker for 10 October 1913 Diary entry by Schenker for 19 December 1913 Diary entry by Schenker for 27 April 1914 Diary entry by Schenker for 18 May 1914 Diary entry by Schenker for 15 July 1914 Diary entry by Schenker for 16 December 1914 Diary entry by Schenker for 18 March 1915 Diary entry by Schenker for 11 October 1915 Diary entry by Schenker for 7 November 1915 Diary entry by Schenker for 14 November 1915 Diary entry by Schenker for 15 November 1915 Diary entry by Schenker for 5 December 1915 Diary entry by Schenker for 9 February 1916 Diary entry by Schenker for 20 February 1916 Diary entry by Schenker for 24 February 1916 Diary entry by Schenker for 18 March 1916 Diary entry by Schenker for 31 May 1916 Diary entry by Schenker for 20 August 1916 Diary entry by Schenker for 8 October 1916 Diary entry by Schenker for 4 October 1917 Diary entry by Schenker for 1 July 1925 Diary entry by Schenker for 16 September 1925 Diary entry by Schenker for 13 December 1925 Diary entry by Schenker for 7 January 1926 Diary entry by Schenker for 8 January 1926 Diary entry by Schenker for 16 January 1926 Diary entry by Schenker for 7 February 1926 Diary entry by Schenker for 12 February 1926 Diary entry by Schenker for 16 February 1926 Diary entry by Schenker for 17 March 1926 Diary entry by Schenker for 22 March 1926 Diary entry by Schenker for 8 April 1926 Diary entry by Schenker for 19 April 1926 Diary entry by Schenker for 8 May 1926 Diary entry by Schenker for 15 June 1926 Diary entry by Schenker for 29 September 1926 Diary entry by Schenker for 4 December 1926 Diary entry by Schenker for 21 December 1926 Diary entry by Schenker for 17 January 1927 Diary entry by Schenker for 1 February 1927 Diary entry by Schenker for 4 February 1927 Diary entry by Schenker for 20 February 1927 Diary entry by Schenker for 23 February 1927 Diary entry by Schenker for 28 February 1927 Diary entry by Schenker for 26 April 1927 Diary entry by Schenker for 28 April 1927 Diary entry by Schenker for 10 June 1927 Diary entry by Schenker for 7 October 1927 Diary entry by Schenker for 22 November 1927 Diary entry by Schenker for 2 January 1928 Diary entry by Schenker for 8 January 1928 Diary entry by Schenker for 30 January 1928 Diary entry by Schenker for 4 February 1928 Diary entry by Schenker for 10 March 1928 Diary entry by Schenker for 31 March 1928 Diary entry by Schenker for 4 May 1928 Diary entry by Schenker for 6 May 1928 Diary entry by Schenker for 13 May 1928 Diary entry by Schenker for 9 June 1928 Diary entry by Schenker for 9 August 1928 Diary entry by Schenker for 29 September 1928 Diary entry by Schenker for 30 September 1928 Diary entry by Schenker for 2 October 1928 Diary entry by Schenker for 3 October 1928 Diary entry by Schenker for 20 October 1928 Diary entry by Schenker for 26 October 1928 Diary entry by Schenker for 30 October 1928 Diary entry by Schenker for 31 October 1928 Diary entry by Schenker for 5 November 1928 Diary entry by Schenker for 14 November 1928 Diary entry by Schenker for 15 December 1928 Diary entry by Schenker for 20 December 1928 Diary entry by Schenker for 5 January 1929 Diary entry by Schenker for 20 February 1929 Diary entry by Schenker for 22 February 1929 Diary entry by Schenker for 14 March 1929 Diary entry by Schenker for 10 April 1929 Diary entry by Schenker for 14 April 1929 Diary entry by Schenker for 25 April 1929 Diary entry by Schenker for 2 May 1929 Diary entry by Schenker for 23 May 1929 Diary entry by Schenker for 25 May 1929 Diary entry by Schenker for 4 June 1929 Diary entry by Schenker for 5 August 1929 Diary entry by Schenker for 17 September 1929 Diary entry by Schenker for 23 September 1929 Diary entry by Schenker for 30 September 1929 Diary entry by Schenker for 10 October 1929 Diary entry by Schenker for 6 December 1929 Diary entry by Schenker for 27 December 1929 Diary entry by Schenker for 15 January 1930 Diary entry by Schenker for 19 January 1930 Diary entry by Schenker for 14 February 1930 Diary entry by Schenker for 13 May 1930 Diary entry by Schenker for 2 June 1930 Diary entry by Schenker for 17 June 1930 Diary entry by Schenker for 3 July 1930 Diary entry by Schenker for 6 August 1930 Diary entry by Schenker for 10 September 1930 Diary entry by Schenker for 25 October 1930 Diary entry by Schenker for 29 November 1930 Diary entry by Schenker for 17 December 1930 Diary entry by Schenker for 21 February 1931 Diary entry by Schenker for 25 February 1931 Diary entry by Schenker for 18 April 1931 Diary entry by Schenker for 3 June 1931 Diary entry by Schenker for 27 June 1931 Diary entry by Schenker for 14 August 1931 Diary entry by Schenker for 20 September 1931 Diary entry by Schenker for 21 September 1931 Diary entry by Schenker for 21 December 1931 Diary entry by Schenker for 4 January 1932 Diary entry by Schenker for 8 June 1932 Diary entry by Schenker for 30 July 1932 Diary entry by Schenker for 3 August 1932 Diary entry by Schenker for 7 August 1932 Diary entry by Schenker for 25 August 1932 Diary entry by Schenker for 28 August 1932 Diary entry by Schenker for 30 August 1932 Diary entry by Schenker for 21 September 1932 Diary entry by Schenker for 26 September 1932 Diary entry by Schenker for 25 October 1932 Diary entry by Schenker for 18 January 1933 Diary entry by Schenker for 20 January 1933 Diary entry by Schenker for 25 August 1933 Diary entry by Schenker for 17 November 1933 Diary entry by Schenker for 6 April 1934 Diary entry by Schenker for 3 June 1934 Diary entry by Schenker for 24 August 1934 Diary entry by Schenker for 16 September 1934 Diary entry by Schenker for 17 October 1934 Lessonbooks OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Thursday January 18, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Friday January 19, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Monday January 22, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Friday January 26, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Tuesday January 30, 1912 OC 3/1: Jan 1912-Mar 1912 Fräulein Newlov: lesson: Thursday February 1, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Tuesday February 6, 1912 OC 3/1: Jan 1912-Mar 1912 Frau Stirling: lesson: Tuesday February 13, 1912 OC 3/1: Jan 1912-Mar 1912 Marianne Kahn: lesson: Saturday February 17, 1912 OC 3/1: Jan 1912-Mar 1912 Marianne Kahn: lesson: Saturday March 2, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Tuesday October 15, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday October 17, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Saturday October 19, 1912 OC 3/1-2: Oct 1912-Jun 1913 Angi Elias: lesson: Wednesday November 20, 1912 OC 3/1-2: Oct 1912-Jun 1913 Trude Kaff: lesson: Wednesday December 4, 1912 OC 3/1-2: Oct 1912-Jun 1913 Marianne Kahn: lesson: Saturday December 7, 1912 OC 3/1-2: Oct 1912-Jun 1913 Hans Weisse: lesson: Friday December 20, 1912 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday October 1, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday October 1, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday October 2, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday October 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday October 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday October 7, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday October 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday October 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday October 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday October 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday October 11, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday October 14, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday October 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday October 18, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday October 21, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday October 21, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday October 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday October 24, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday October 25, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Tuesday October 28, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday October 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday November 5, 1913 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Friday November 7, 1913 OC 3/2-3: Oct 1913-Jun 1914 Jenny Kornfeld: lesson: Saturday November 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday November 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday November 15, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday November 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday November 21, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday November 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday November 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday November 27, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday November 28, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday November 29, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday December 3, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday December 4, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday December 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday December 11, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday December 12, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday December 13, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday December 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday December 20, 1913 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, January 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, January 3, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Monday, January 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, January 9, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, January 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, January 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, January 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, January 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, January 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, January 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, February 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, February 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, February 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, February 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, February 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, February 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, February 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, February 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, February 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, February 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Saturday, February 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, February 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Felix Hupka: lesson: Wednesday, February 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, March 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, March 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, March 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, March 26, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, March 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, April 4, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, April 11, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Tuesday, April 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Robert Brünauer: lesson: Tuesday, April 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, April 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, April 17, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, April 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, April 27, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday, April 30, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, May 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, May 16, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, May 21, 1914 OC 3/2-3: Oct 1913-Jun 1914 Marianne Kahn: lesson: Saturday, May 23, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, May 25, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, May 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Paul Breisach: lesson: Friday, May 29, 1914 OC 3/2-3: Oct 1913-Jun 1914 Fräulein Bloch: lesson: Friday, June 5, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, June 6, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday, June 10, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, June 13, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, June 18, 1914 OC 3/2-3: Oct 1913-Jun 1914 Toni Colbert: lesson: Thursday, June 25, 1914 OC 3/3: Oct 1914-Jun 1915 Marianne Kahn: lesson: October 10, 1914 OC 3/3: Oct 1914-Jun 1915 Sofie Deutsch: lesson: October 26, 1914 OC 3/3: Oct 1914-Jun 1915 Sofie Deutsch: lesson: October 29, 1914 OC 3/3: Oct 1914-Jun 1915 Marianne Kahn: lesson: November 28, 1914 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: December 30, 1914 OC 3/3: Oct 1914-Jun 1915 Felix Hupka: lesson: December 30, 1914 OC 3/3: Oct 1914-Jun 1915 Marianne Kahn: lesson: January 16, 1915 OC 3/3: Oct 1914-Jun 1915 Robert Brünauer: lesson: January 19, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: February 3, 1915 OC 3/3: Oct 1914-Jun 1915 Angi Elias: lesson: February 6, 1915 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: March 4, 1915 OC 3/3: Oct 1914-Jun 1915 Fräulein König: lesson: March 15, 1915 OC 3/3: Oct 1914-Jun 1915 Angi Elias: lesson: March 20, 1915 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: Nov 1915 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: Dec 1915 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: Dec 1915 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Herr Perutz: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein Selig: lessons: Jan-Feb 1916 OC 3/3: Oct 1915-Jun 1916 Robert Brünauer: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Herr Perutz: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein Selig: lessons: March 1-15, 1916 OC 3/3: Oct 1915-Jun 1916 Marianne Kahn: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein König: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Herr Perutz: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein Selig: lessons: c.March 16-April 30, 1916 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Angi Elias: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Frau Kaposi: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Fräulein Selig: lessons: First half of May, 1916 OC 3/3: Oct 1915-Jun 1916 Marianne Kahn: lessons: mid-May to mid-June, 1916 OC 3/3: Oct 1915-Jun 1916 Toni Colbert: lessons: Dec 1915 OC 3/3: 1916/17 Sofie Deutsch: lessons: October-November [1916] OC 3/3: 1916/17 Angi Elias: lessons: October-November [1916] OC 3/3: 1916/17 Marianne Kahn: lessons: October-November [1916] OC 3/3: 1916/17 Fräulein König: lessons: October-November [1916] OC 3/3: 1916/17 Fräulein Selig: lessons: October-November [1916] OC 3/3: 1916/17 Robert Brünauer: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Angi Elias: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Lilly Freund: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Marianne Kahn: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Fräulein König: lessons: December 1916‒March 1917 OC 3/3: 1916/17 Herr Blum: lessons: April‒June 1917 OC 3/3: 1916/17 Angi Elias: lessons: April‒June 1917 OC 3/3: 1916/17 Marianne Kahn: lessons: April‒June 1917 OC 3/3: 1916/17 Fräulein König: lessons: April‒June 1917 OC 3/3: 1917/18 Herr Blum: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Robert Brünauer: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Angi Elias: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Trude Kaff: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Frau Kaposi: lessons: 1st semester 1917/18 OC 3/3: 1917/18 Herr Blum: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Robert Brünauer: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Angi Elias: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Lilly Freund: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Trude Kaff: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Marianne Kahn: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Frau Kaposi: lessons: 2nd semester 1917/18 OC 3/3: 1917/18 Evelina Pairamall: lessons: 2nd semester 1917/18 OC 3/3: 1918/19 Robert Brünauer: lessons: 1918/19 OC 3/3: 1918/19 Angi Elias: lessons: 1918/19 OC 3/3: 1918/19 Richard Figdor: lessons: 1918/19 OC 3/3: 1918/19 Felix Hupka: lessons: 1918/19 OC 3/3: 1918/19 Oswald Jonas: lessons: 1918/19 OC 3/3: 1918/19 Trude Kaff: lessons: 1918/19 OC 3/3: 1918/19 Marianne Kahn: lessons: 1918/19 OC 3/3: 1918/19 Fräulein König: lessons: 1918/19 OC 3/3: 1918/19 Frau Kaposi: lessons: 1918/19 OC 3/3: 1918/19 Fräulein Moscisker: lessons: 1918/19 OC 3/3: 1918/19 Evelina Pairamall: lessons: 1918/19 OC 3/3: 1918/19 Fräulein Schaab: lessons: 1918/19 OC 3/3: 1918/19 Hans Weisse: lessons: 1918/19 OC 3/3: Oct 1919-Jun 1920 Oswald Jonas: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Marianne Kahn: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Frau Kaposi: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Fräulein Moscisker: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Evelina Pairamall: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Hans Weisse: lessons: Oct 1919-Jan 1920 OC 3/3: Oct 1919-Jun 1920 Robert Brünauer: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Angi Elias: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Richard Figdor: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Fräulein Fried: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Marianne Kahn: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Frau Kaposi: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Fräulein Moscisker: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Evelina Pairamall: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Hans Weisse: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Mond: lessons: Feb 1920-Jun 1920 OC 3/3: 1920/21 Carl Bamberger: lessons: 1920/21 OC 3/3: 1920/21 Robert Brünauer: lessons: 1920/21 OC 3/3: 1920/21 Angi Elias: lessons: 1920/21 OC 3/3: 1920/21 Fräulein Fried: lessons: 1920/21 OC 3/3: 1920/21 Felix Hupka: lessons: 1920/21 OC 3/3: 1920/21 Marianne Kahn: lessons: 1920/21 OC 3/3: 1920/21 Klammerth [jnr]: lessons: 1920/21 OC 3/3: 1920/21 Fräulein Mosčisker: lessons: 1920/21 OC 3/3: 1920/21 Evelina Pairamall: lessons: 1920/21 OC 3/3: 1923/24 Marianne Kahn: lessons: 1923/24 OC 3/3: 1923/24 Marianne Leibl: lessons: 1923/24 OC 3/3: 1923/24 Hans Weisse: lessons: 1923/24