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OJ 12/9, [9] Typewritten letter from Karpath to Schenker, dated November 14, 1914
Karpath invites Schenker to contribute to the periodical Der Merker, of which he
has recently become the editor-in-chief.
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OJ 12/9, [10] Typewritten letter from Karpath to Schenker, dated November 21, 1914
Karpath describes his editorial policy for the periodical Der Merker and asks
Schenker for contributions.
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OJ 12/9, [13] Handwritten letter from Karpath to Schenker, dated January 26, 1916
Karpath is worried about the disappearance of Aron Mittelmann, and asks Schenker
to help him search.
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OJ 12/9, [21] Printed notice by Ludwig Karpath, dated end of March 1917
Karpath announces that he is standing down as the chief editor of the periodical
Der Merker.
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OJ 15/34, [3] Handwritten letter from Viktor Zuckerkandl to Schenker, dated January 14,
[1918]
Acknowledges one postcard; the other reaches him while writing the letter.
Reports and comments on article by Hans Friedrich in Der Merker. Remarks on the nature of
hatred, national and personal, in wartime.
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OJ 15/5, [1] Handwritten letter from Eberhard von Waechter to Schenker, dated August 21,
1918
Waechter asks for a copy of Schenker's Kontrapunkt 2, because he is making a
critique of the Neue Musuikalische Theorien und Phantasien; he requests an article for Das Neue
Oesterreich from Schenker, and hopes for regular contributions in future.
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OJ 5/43, [1] Handwritten draft letter from Schenker to Eberhard von Waechter, dated September 28,
1918
Schenker thanks Waechter for sending some of his work and praises it for being on
the right path toward genius; he questions musical education and existing music periodicals.
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OJ 8/3, [70] Handwritten double-postcard from Heinrich Schenker and Jeanette Kornfeld (Schenker) to
Moriz and Valerie Violin, dated September 25, 1919
(1) Heinrich to Moriz: draws Moriz Violin's attention to an article in Der
Merker; (2) Jeanette to Valerie: needs to buy a suit, and asks advice as to
where.
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OJ 15/5, [4] Handwritten letter from Eberhard von Waechter to Schenker, dated October 1,
1919
Waechter asks for an article on performance for Der Merker, remarking that
analysis takes the performer only so far, after which the latter's feelings must take over. He
praises Schenker's prowess in analysis, and asks again if he may send the manuscript of his
latest book for Schenker's appraisal.
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OJ 15/5, [5] Handwritten note from Eberhard von Waechter to Schenker, dated October 11,
1919
Waechter regrets Schenker's refusal to agree to write articles for Der Merker,
and expresses doubts about his "prophetic zeal."
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OC 1 B/41-45 Handwritten draft letter from Schenker to Eberhard von Waechter, dated October 17,
1919
Schenker addresses the misunderstanding that has arisen, explaining his
willingness to contribute articles to Der Merker once his current projects are in print.
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OJ 15/5, [6] Handwritten letter from Eberhard von Waechter to Schenker, dated October 19,
1919
Waechter understands Schenker's wish not to pre-publish his Art of Performance in
article form, and hopes that Schenker will provide a universal solution to the performance
problem; explains the editorial control of Der Merker, encouraging Weisse to submit his two
articles to it; expresses pleasure that he has procured from Halm reviews of Schenker's
Harmonielehre and Kontrapunkt 1; is unable to send his Musikkritik der Gegenwart at present.
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WSLB 309 Handwritten letter from Schenker to Hertzka (UE), dated November 22, 1919
Schenker outlines a production schedule of his work for UE, which includes Die
letzten fünf Sonaten ... op. 101, the Kleine Bibliothek, and the complete edition of Beethoven
piano sonatas. He makes stipulations about production, and asks questions about honoraria.