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OC 39/1 Handwritten envelope for proofs sent by Deutsch to Schenker, postmarked August 23,
1930
Envelope for proofs.
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OC 54/208 Postal receipt for a parcel to Georg Tomay, dated August 4, 1930
Postal receipt for a package containing music examples for the third
Meisterwerk yearbook.
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OC 54/209 Postal receipt for a parcel to Georg Tomay, dated August 4, 1930
Postal receipt for a package containing Urlinie graphs for the third
Meisterwerk volume.
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OC 54/210 Postal receipt for a parcel to Georg Tomay, dated August 11, 1930
Postal receipt for a package containing Urlinie graphs for
the third Meisterwerk volume.
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OC 54/211 Handwritten letter from Georg Tomay to Schenker, dated August 13, 1930
Tomay encloses sepia prints of music examples for the third Meisterwerk
yearbook, and asks Schenker to check them thoroughly and mark up any final
corrections.
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OC 54/212 Postal receipt for a package to Georg Tomay, dated August 16, 1930
Postal receipt for a package containing imprimatur copies of music examples
for the third Meisterwerk volume.
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OC 54/213 Postal receipt for a parcel to Georg Tomay, dated August 19, 1930
Postal receipt for a package containing first proof corrections of Urlinie
graphs for the third Meisterwerk volume.
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OC 54/235 Typewritten postcard from Drei Masken Verlag to Deutsch, dated August 30, 1930,
forwarded to Schenker September 2, 1930
Drei Masken Verlag asks for clarification about what to do with the corrected
galley-proofs they have recently received from Schenker; Deutsch forwards it to Schenker
asking him to reply direct to the publisher.
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OC 54/316 Handwritten picture postcard from Deutsch to Schenker, dated August 11,
1930
Deutsch has received the first proofs [of the third Meisterwerk yearbook] from
the printers, and would like to look carefully at them before forwarding them to
Schenker.
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OC 54/317 Postal receipt, for consignment from Schenker to Deutsch, postmarked August 25,
1930
Schenker sends letters (from Leo Kestenberg to Hans Weisse) to
Deutsch.
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OC 54/318 Typewritten picture postcard from Deutsch to Schenker, dated August 27,
1930
Deutsch has no objection to Schenker adding a note about a possible source for
the “Eroica” Symphony in his notes on the text of the work. -- He is happy that reading the
proofs of the third Meisterwerk yearbook has been useful. -- He suggests that the [Austrian]
Minister for Education ought to see the letters that Leo Kestenberg has written about
Schenker’s work. -- He asks Schenker for a possible journalist contact in
Aussig.
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OC 54/319 Typewritten picture postcard from Deutsch to Schenker, dated August 30,
1930
Deutsch asks Schenker to suggest a time when the two of them can get together
in Vienna.
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OJ 71/20, [2] Handwritten copy of a letter from Leo Kestenberg to Hans Weisse, in the hand of
Jeanette Schenker, dated August 4, 1930
Pleased that Weisse is intent on promoting Schenker’s theoretical work,
Kestenberg invites Weisse to give a lecture at the Central Institute for Music Education and
Teaching, and offers his support for Weisse speaking at the Academy for Church and School Music
and the Conservatory [Hochschule für Musik] in Charlottenburg.
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WSLB-Hds 191.566 Handwritten letter from Schenker to Deutsch, dated August 5, 1930
Replying to Deutsch’s letter of July 30, Schenker warmly recommends his
long-standing pupil Marianne Kahn as a teacher for Deutsch’s brother. -- He then
comments at length on a newspaper article by Richard Benz (of which Deutsch had sent
a clipping), using a medical metaphor to describe the current pathological state of
music.
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WSLB-Hds 191.567 Handwritten letter from Schenker to Deutsch, dated August 15,
[1930]
Schenker thanks Deutsch for his careful, helpful reading of the proofs
to the third Meisterwerk yearbook. -- Tomay has assigned the autography of the
foreground graphs for the second movement of the "Eroica" Symphony to an apprentice;
these are full of mistakes and will have to be done again. But Tomay’s own work, on
the third and fourth movements, is excellent. -- In a postscript, he comments on his
entry in the most recent Meyers Lexikon, and on a review of the second Meisterwerk
yearbook in the Deutsche Tonkünstler-Zeitung.
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WSLB-Hds 191.568 Handwritten letter from Schenker to Deutsch, dated August 23, 1930
Schenker is sending Deutsch copies of letters written by Leo Kestenberg
praising his theories for their practical application to composition and
performance, noting that Furtwängler is championing his cause everywhere. -- He then
launches into a tirade against the city of Vienna for snubbing him and his
work.