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OC 1A/16-17 Handwritten letter (carbon copy) from Schenker to Newlov, dated September 16,
1913
Schenker regrets that he is unable to offer Newlov lessons in the coming
season.
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OC 1A/25-26 Handwritten letter (carbon copy) from Schenker to Newlov, dated September 24,
1913
Schenker says he has not received an alleged letter from Newlov; — he asks about
payment outstanding from 1912/13 season.
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OC 1A/27-29 Handwritten letter (carbon copy) from Schenker to Newlov, dated September 25,
1913
Angry letter in which Schenker defends himself against the accusation that he is
demanding a fee that has already been paid: he has all her letters, copies of his own, and all
her payment slips. He describes her unorthodox payment system, comparing it with that of other
pupils. He details her payment record for 1912/13 and insists on payment for June
1913.
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OJ 10/3, [1] Part of handwritten letter from Ludwig Scheibler to Otto Erich Deutsch, dated September 6,
1913
Scheibler states that the pieces contained in Schenker's C. P. E. Bach: Klavierwerke are
late works and inferior to the early and middle-period works.
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OJ 10/3, [3] Typewritten postcard from Otto Erich Deutsch to Schenker, dated September 25, 1913
Deutsch has forwarded Schenker's (non-extant) reply to Ludwig Scheibler, and states that Louis Koch
has taken over the autograph manuscripts of Carl Meinert.
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OJ 11/36, [1] Handwritten letter from Hammer to Schenker dated September 12, 1913
Hammer approaches Schenker regarding piano lessons for his wife.
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OJ 11/36, [2] Handwritten letter from Hammer to Schenker dated September 17, [1913]
Hammer cannot afford Schenker's fee; he dislikes the modern piano and has a Stein
grand piano, a Hammerklavier copy, and a clavichord.
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OJ 11/36, [3] Handwritten letter from Hammer to Schenker undated [September 26, 1913]
Hammer regrets Schenker's refusal to teach his wife.
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OJ 12/9, [7] Typewritten letter from Karpath to Schenker, dated September 24, 1913
Karpath is pleased to have introduced Paul Breisach to Schenker as a new pupil.
He wants to send another young man ‒ whose mother is divorced and could pay only a reduced fee ‒
to him for instruction.
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OJ 15/15, [1] Handwritten postcard from Weisse to Schenker, dated September 1, 1913
At the end of a relatively unproductive summer, Weisse is looking forward to
seeing his teacher.
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OJ 15/15, [2] Handwritten postcard from Weisse to Schenker, dated October 10?, 1913
Weisse asks for advice about modal mixture.
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OJ 15/15, [H] Handwritten letter from Weisse to Schenker, dated [September] 23, [1913]
Weisse expresses his delight at the approach just made to his teacher from
publishing house of C. F. Peters. He affirms his indebtedness to his teacher for all that he has
learned and, regarding himself more a son than a mere pupil of Schenker’s, he asks to be
addressed in future by the familiar "Du," though he would want to continue to use "Sie" when
addressing his teacher.
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OJ 15/16, [20] Handwritten letter from Weisse to Schenker, dated September 13, 1913
Weisse reports a conversation with Franz Steiner about Richard Strauss and his
alleged interest in Schenker's work. — Weisse looks forward to having three lessons a week with
Schenker.