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OC 44/46 Handwritten postcard from Jonas and three others to Schenker, dated October 2,
1934
Jonas has spoken to Furtwängler, who will proceed on the matter of Hans
Wolf.
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OC 44/47 Handwritten letter from Hans Wolf to Schenker, dated October 19, 1934
Wolf has receive authorization to enter Austria.
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OC 44/6 Handwritten postcard from Hans Wolf to Schenker, dated October 30, 1934
Further to his previous letter, Wolf indicates his availability on
Tuesdays.
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OC 44/8 Handwritten postcard from Cube to Schenker, dated October 29, 1934
Cube gives the publisher of Schäfke's Geschichte der Musikästhetik, and reports the prospect of a
permanent position.
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OC 44/9 Handwritten letter from Jonas to Schenker dated October 27, 1934
Jonas acknowledges OJ 5/18, 59 and 60; Hoboken has no reason to complain about
his behaviour. — As a result of Hoboken's distribution of complimentary copies, Jonas has
received letters of appreciation. —Reacts critically to Willi Reich and his magazine 23. —
Describes plans for forthcoming events in Hamburg.
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OC A/265 Handwritten letter from Hans Wolf to Schenker, dated October 29, 1934
Back in Vienna, Wolf gives his new address, and suggests times for his
lessons.
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OJ 11/16, [16] Typewritten letter from Furtwängler to Schenker, dated October 3, 1934
Furtwängler has used his influence to enable [Hans Wolf to exit
Germany].
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OJ 5/18, 59 Handwritten letter from Schenker to Jonas, dated October 16, 1934
Schenker cautions Jonas that he detects "something afoot" with Hoboken and his
wife. — Mentions Hans Wolf's reentry problems and reports on German students coming to him.
—An article on Schenker has been included in Spanish Enciclopedia universale. —Reports on
Zuckerkandl, Breisach, von Cube, and Weisse.
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OJ 5/18, 60 Handwritten letter from Schenker to Jonas, dated October 25, 1934
Schenker thanks Jonas for the assistance he has given Hans Wolf, and reports
that Furtwängler has intervened on Wolf's behalf, and also helped von Cube obtain a position
in Hamburg; Hoboken "doesn't want to drop" Jonas.
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OJ 5/7a, [51] (formerly vC 51) Handwritten letter from Schenker to Cube, dated October 26, 1934
Acknowledges OC 9/34, [42], and its contents; comments on the "youth of today" – organic
connection is the best thing for them; asks publisher of Schäfke book. Once Der freie Satz is in
print, he will give his mind to the continuation of the Urlinie-Tafeln. Schenker's name is included in
the Spanish Enciclicopedia universale.
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OJ 9/34, [42] Handwritten letter from Cube to Schenker, dated October 4, 1934
Quotes letter from Furtwängler in extenso touching on reasons for dismissal and
articulating the importance of Schenker's theory; Cube describes the impact of this letter on his
Director. The names of Schenker, Halm, and Kurth were deleted from a recent text of his, and
censorship has been imposed. Describes his own recent activities. Outlines his geometric theory of the
diatonic components of tonality. Encloses photograph of his wife and son; describes hardships. Denies
rumors that he has cheated Moriz Violin, and refers to the resulting backlash on him: Violin has a
"complex", feels downtrodden by everyone.