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BNba 304g, [1] Handwritten letter from Schenker to F. A. Schmidt (Beethoven-Haus), dated November 27,
1913
Schenker asks the Beethoven-Haus to prepare and supply him with photographs of
the autograph manuscript of the first movement of Beethoven's Piano Sonata in C minor, Op. 111,
and announces the publication of his Erläuterungsausgabe of Op. 109 and monograph on Beethoven's
Ninth Symphony.
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OC B/176 Handwritten letter from Albert Kopfermann (Königliche Bibliothek zu Berlin) to
Schenker, dated November 18, 1913
Kopfermann provides an estimate for the photography of Beethoven's Ninth Symphony
that Schenker has requested; and notifies him of another source of this work in the Library's
holdings.
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OC B/275 Handwritten letter from Louis Koch to Schenker, dated November 22, 1913
Koch gives the provenance of the Op. 110 manuscript in his possession, and
other information.
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OC B/279 Typewritten letter from Leo Liepmannssohn to Schenker, dated November 29,
1913
Liepmannssohn has none of the manuscripts Schenker seeks.
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OJ 10/1, [1] Handwritten letter from Dahms to Schenker, dated November 9, 1913
Dahms acknowledges receipt of Schenker's letter of September 27 and the
Erläuterungsausgabe of Op. 109, is reading other work of Schenker's, and is glad to be
disseminating his work.
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OJ 15/15, [K] Handwritten letter from Weisse to Schenker, undated [November 1913]
This communication consists of three parts: p. 1 offers an interpretation of a
passage from Brahms's Horn Trio, first movement; p. 2 is a quotation from Schopenhauer
concerning the ethical status of a search for artistic truth; p. 3 offers an interpretation of
the Waltz No. 12 from Brahms's Op. 39.
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OJ 5/27, [2] Handwritten letter from Schenker to Evelina Pairamall, dated November 12,
1913
Schenker thanks Evelina Pairamall warmly for sending him an article by
Saint-Saens on manuscripts in Berlin, which covers an autograph manuscript of Beethoven's Ninth
Symphony, and reports to her his own work on another autograph of that work. -- He asks if she
is returning to Vienna soon, and promises to show her his discoveries, concluding with a joke
employing musical technical terms.
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OJ 6/5, [29] Handwritten letter from Heinrich Schenker to Valerie Violin, dated November 28,
1913
Heinrich and Jeanette have regarded it as their duty to invite Fanny Violin on
each occasion that they invited Moriz and Valerie; their conduct is thus blameless; only now
have they understood Fanny's true meaning in writing as she did after two years. They wish to
place no pressure on her and to help her overcome her illness.
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OJ 9/7, [1] Handwritten letter from Hermine d’Albert to Schenker, dated November 1,
1913
Hermine d'Albert writes that Schenker's letter to her husband has caused
him some distress, and he will provide an explanation in person. She hopes that
Schenker will be sitting near to her at the concert.
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OJ 9/7, [A] Handwritten letter from Hermine d’Albert to Schenker, undated
Hermine d'Albert on behalf of her husband invites Schenker for
tomorrow.