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OC 52/862 Invoice from UE to Schenker, dated October 10, 1930
Invoice for Tonwille sent to the Kiel Hochschule students.
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OC 54/215 Handwritten letter from Georg Tomay to Schenker, dated October 17, 1930
Tomay asks whether Schenker has received any new proofs from the printing house, and
sends a gentle reminder concerning the outstanding fees.
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OC 54/216 Handwritten receipt from Georg Tomay to Schenker, dated October 18, 1930
Tomay confirms receipt of the outstanding payment for his work on the third Meisterwerk yearbook.
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OC 54/237 Typewritten letter from Drei Masken Verlag to Schenker, dated October 8,
1930
Drei Masken Verlag say the printers cannot be held responsible for mistakes in
the page-proofs and layout of the third Meisterwerk yearbook that Schenker failed to note in
the galley-proofs. A new set of page-proofs will be issued, and the last section of the book
will be repaginated.
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OC 54/238 Typewritten letter from Drei Masken Verlag to Schenker, dated October 14,
1930
Drei Masken Verlag confirms that the printers should not be held responsible
for changes that were not indicated in the galley proofs. They will send printouts of the
music examples and Urlinie pages in a few days; Schenker is asked to approve the way in
which they are bound and inserted into the yearbook.
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OC 54/324 Typewritten picture postcard from Deutsch to Schenker, dated October 3,
1930
Deutsch has learned that the sources that may have once been in Archduke
Rudolph’s collection in Olmütz were not transferred to Kremsier, and that the last footnote
(NB) on p. 87 of the third Meisterwerk yearbook ought to be changed.
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OC 54/325 Handwritten letter from Deutsch to Schenker, dated October 11, 1930
Deutsch explains to Schenker which proof corrections may be the author’s
responsibility, and which the printer’s or publisher’s, and advises him to write back to the
publisher but not to get unduly upset about these matters.
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OC 54/326 Typewritten picture postcard from Deutsch to Schenker, dated October 12,
1930
Deutsch explains to Schenker that it is a publisher’s duty to contact an
author in the event of some possible errors, especially of a technical nature, even if it
has not actually financed the work itself.
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OC 54/327 Handwritten letter from Deutsch to Schenker, dated October 15, 1930
Deutsch makes some late corrections to the proofs of the third Meisterwerk
yearbook. He also suggests mentioning the supplementary music illustrations and foreground
graphs in the table of contents.
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OC 54/328 Typewritten letter from Deutsch to Schenker, dated October 19, 1930
Deutsch suggests a way of placing the loose music illustrations and the bound
graphs of the Urlinien inside the third Meisterwerk yearbook. He invites the Schenkers for a
visit soon, perhaps on Friday, October 24.
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OC 54/329 Handwritten letter from Deutsch to Schenker, dated October 24, 1930
Deutsch makes further suggestions about how the musical material for the
"Eroica" – the booklet of Urlinie graphs, and other illustrations (“figures”) – should fit
into the third Meisterwerk yearbook. He also recommends fully paginating the
booklet.
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OC 54/330 Handwritten letter from Deutsch to Schenker, dated October 24, 1930
Deutsch recommends three modifications to the layout of the supplements for
the third Meisterwerk yearbook.
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OJ 14/45, [87] Handwritten letter from Moriz Violin to Schenker, dated October 13, 1930
Violin has just heard that Hans Weisse will be lecturing in Berlin in
December; he plans to go there to hear him. His pupil Agnes Becker, returning from a trip to
London, has discovered that Schenker's Beethoven sonata edition is much in demand,
especially from students at the Royal Academy of Music.
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OJ 14/45, [88] Handwritten letter from Moriz Violin to Jeanette Schenker, dated October 18,
1930
Upon hearing from Furtwängler that Schenker is unwell, Violin asks Jeanette
for news about him.
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OJ 5/18, 1 Handwritten letter from Schenker to Jonas, dated October 7, 1930
In a letter dictated to Jeanette because of eye trouble, but signed and dated by
Heinrich, Schenker tells Jonas that Vrieslander, Roth, and von Cube were unable to support
themselves in Munich and have moved elsewhere.
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OJ 6/7, [51] Handwritten letter, with envelope, from Schenker to Violin, dated October 21,
1930
Writing after a long and serious illness, Schenker assures his friend that he
is alive and well. The doctors have pronounced him generally fit, but he suffers from a
painful tightening of the thorax, and also a flickering that causes him to "lose" letters
and notes. He has had to give many double-lessons of late, in theory, which he finds tiring.
To Hoboken, who, though gifted, is concerned only about his money and often comes to lessons
without having prepared anything, he would rather play than give over-long lectures. He is
concerned, for his own sake as much as for Weisse's, about the lectures in Berlin that
Weisse will deliver, and about his eagerness to debate with Alfred Lorenz; he is glad that
Violin is going to Berlin, and will give him instructions about what to do there. His
Beethoven sonata edition brings in 100 shillings per month – a good deal for the publishers
– and his brother still has half of his inheritance. But he is still alive – with Der freie
Satz.
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WSLB 422 Handwritten letter from Schenker to UE, dated October 13, 1930
Schenker inquires as to the likely costs of an unrevised second edition of
Harmonielehre.
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WSLB-Hds 191.570 Letter from Schenker to Deutsch in Jeanette Schenker’s hand, dated October 12,
1930
Schenker will follow all of Deutsch’s recent suggestions regarding the
page formatting of the third Meisterwerk yearbook, for which he is most grateful. --
He then launches a further attack upon Anthony van Hoboken’s
character.
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WSLB-Hds 191.571 Letter from Schenker to Deutsch, in Jeanette Schenker’s hand, dated October
17, 1930
Enclosing two recent letters from Drei Masken Verlag, Schenker asks
Deutsch’s advice on what further action to take, if any. His doctor has pronounced
him fit.