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OC 52/835 Typed letter from Kalmus (UE) to Schenker, dated May 13, 1927
Kalmus notifies Schenker that proofs of the newly-revised "Appassionata"
Sonata are on their way.
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OC 52/836 Postal receipt for item from Schenker to UE, dated May 18, 1927
Postal receipt for proofs of "Appassionata" Sonata
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OC 52/837 Typed postcard from Kalmus (UE) to Schenker, dated May 20, 1927
Kalmus acknowledges the "Appassionata" proofs.
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OC 52/838 Typed postcard from Kalmus (UE) to Schenker, dated May 27, 1927
Proofs of the defective pages of the revised "Appassionata" Symphony have been
dispatched to Schenker.
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OC 52/839 Postal receipt for item from Schenker to UE, dated May 31, 1927
Postal receipt for final proofs of "Appassionata" Sonata
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OC 52/840 Typed postcard from Barbara Rothe (UE) to Schenker, dated May 31, 1927
A copy of Schenker's Fifth Symphony monograph has been dispatched to
Vrieslander as requested.
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OC 54/148 Typed letter from Mandruck to Schenker, dated May 3, 1927
Mandruck return the original sketches of Haydn's "Representation of Chaos" to
Schenker and inform him that they have prepared the stereotype in accordance with his
wishes.
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OC 54/149 Typed postcard from August Demblin (DMV) to Schenker, dated May 3, 1927
Drei Masken Verlag confirm that they have arranged for two copies of the page
proofs for the second Meisterwerk volume to be sent to him, and the third to Otto Erich
Deutsch.
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OC 54/150 Typed postcard from Mandruck to Schenker, dated May 4, 1927
Mandruck notify Schenker that a set of galley proofs for the second
Meisterwerk volume will soon arrive.
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OC 54/151 Postal receipt for a letter to Otto Erich Deutsch, dated May 4, 1927
Postal receipt for a package containing sketches of music examples for the second
Meisterwerk volume.
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OC 54/152 Postal receipt for a letter to Drei Masken Verlag (München), dated May 4,
1927
Postal receipt for a package containing 3 pages of engravings for the second
Meisterwerk volume.
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OC 54/153 Postal receipt for a letter to Drei Masken Verlag (München), dated May 6,
1927
Postal receipt for an imprimatur copy of Figure 33 for the second Meisterwerk
volume.
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OC 54/154 Typed postcard from August Demblin (DMV) to Schenker, dated May 9, 1927
Drei Masken Verlag confirm receipt of the imprimatur copy of Figure 33 for the
second Meisterwerk volume. They request that Schenker now send the galley proofs for pages
1–30.
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OC 54/155 Postal receipt for a letter to Drei Masken Verlag (München), dated May 11,
1927
Postal receipt for a package containing the third page proofs of the second
Meisterwerk volume, and 9 engravings.
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OC 54/156 Postal receipt for a letter to Drei Masken Verlag (München), dated May 12,
1927
Postal receipt for a package containing an imprimatur graph of Mozart's G
minor Symphony for the second Meisterwerk volume.
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OC 54/157 Typed postcard from August Demblin (DMV) to Schenker, dated May 13, 1927
Drei Masken Verlag inform Schenker that they have forwarded his requested
corrections to the printing house, and will be in touch soon regarding the completion of the
graphs for the second Meisterwerk volume.
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OC 54/158 Typed letter from August Demblin (DMV) to Schenker, dated May 16, 1927
Drei Masken Verlag notify Schenker that they will send him the missing galley
proofs for the second Meisterwerk volume that day, and inform him that his requests for corrections
regarding the Mozart graph have been successfully processed.
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OC 54/159 Typed letter from Mandruck to Schenker, dated May 16, 1927
Mandruck enclose the missing galley proofs for the second Meisterwerk volume,
and confirm that the requested changes have been successfully
executed.
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OC 54/160 Postal receipt for a letter to Drei Masken Verlag (München), dated May 16,
1927
Postal receipt for page proofs for the second Meisterwerk
volume.
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OC 54/161 Postal receipt for a letter to Drei Masken Verlag (München), dated May 20,
1927
Postal receipt for a package containing the second page proofs of Meisterwerk
2.
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OC 54/162 Typed letter from Mandruck to Drei Masken Verlag, dated May 19, 1927
Mandruck notify Drei Masken Verlag that they have enclosed a new set of proofs
for the second Meisterwerk volume, amended in accordance with Schenker's
wishes.
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OC 54/163 Typed letter from August Demblin (DMV) to Schenker, dated May 20, 1927
Drei Masken Verlag notify Schenker that they have enclosed a set of amended
proofs for the second Meisterwerk yearbook.
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OC 54/164 Typed letter from August Demblin (DMV) to Schenker, dated May 23, 1927
Drei Masken Verlag confirm receipt of Schenker's imprimatur graphs and amended proofs for
the second Meisterwerk yearbook, assuring him that the requested correction in the Mozart
Symphony has been made.
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OC 54/165 Postal receipt for a letter to Drei Masken Verlag (München), dated May 24, 1927
Postal receipt for a package containing the last set of galley proofs for the second Meisterwerk
volume.
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OC 54/166 Postal receipt for a letter to Drei Masken Verlag (München), dated May 27,
1927
Postal receipt for a package containing imprimatur copies of music examples
for the second Meisterwerk volume.
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OC 54/167 Typed letter from August Demblin (DMV) to Schenker, dated May 30, 1927
Drei Masken Verlag have enclosed the sample proofs of the first two gatherings
for Meisterwerk 2, and request that he responds to their query about the size and placement
of music examples as soon as possible.
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OJ 10/3, [61] Typewritten postcard from Deutsch to Schenker, dated May 9, 1927
Deutsch asks Schenker to lend him the April 1927 issue of Der Schriftsteller.
He is grateful for having been introduced to the artist Viktor Hammer. He recommends that
Schenker visit the Beethoven exposition in the City Hall, and also the Planetarium, where an
“optical organ” is on display.
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OJ 10/3, [62] Typewritten postcard from Deutsch to Schenker, dated May 11, 1927
Deutsch has been invited to pose for an album of the Beethoven Committee; he
enquires whether Schenker has accepted an invitation to do so, in which case he will do the
same. He is delighted to learn that the (Photogram) Archive has been
agreed.
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OJ 11/1, [1] Typewritten letter from Atelier Pietzner-Fayer to Schenker, dated May 10,
1927
Pietzner-Fayer extends the deadline for portrait photography to May
20.
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OJ 6/7, [33] Handwritten letter from Schenker to Violin, dated May 27, 1927
Schenker has tried to find out more about the plans for the conservatory in
Frankfurt to be upgraded to a music Hochschule (and, presumably, for Violin to be posted
there), but he is reluctant to press his contacts too far, as this may prove
counterproductive.
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OJ 9/12, [7] Handwritten letter from Carl Bamberger to Schenker, dated May 10, 1927
Bamberger has been appointed second conductor at the Darmstadt operahouse. He
asks to visit Schenker in Vienna.
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OJ 9/34, [8] Handwritten letter from Cube to Schenker, dated May 28, 1927
Cube reports on the state teaching examination, on which he was graded
"satisfactory," deploring the way it was conducted.
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OJ 9/8, [3] Handwritten postcard from Wilhelm Altmann to Schenker, dated May 26, 1927
Altmann reports on conversion of Hoch Conservatory to
Hochschule.
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WSLB 378 Handwritten letter from Schenker to UE, dated May 17, 1927
Schenker returns proofs of the "Appassionata" Sonata.
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WSLB 380 Handwritten postcard from Schenker to UE, dated May 27, 1927
Schenker asks that a complimentary copy of his Fifth Symphony monograph be sent
to Vrieslander.
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WSLB 382 Handwritten letter from Schenker to UE, dated May 30, 1927
Schenker returns final proofs of "Appassionata" Sonata with
imprimatur.