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OC B/205 Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Schenker, dated April 26,
1913
Schmidt identifies the autograph manuscript material of Beethoven Op. 111 held
by the Beethoven-Haus, and the extent to which photography of it has been carried
out.
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OC B/277 Handwritten calling card from Carl Krebs to Schenker, dated April 27,
1913
Krebs gives information about the whereabouts of Beethoven's Piano Sonata Op.
101, but not of Op. 106.
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OJ 12/9, [6] Handwritten letter from Karpath to Schenker, dated April 3, 1913
Karpath exchanges newspaper clippings with Schenker. — Announces a forthcoming
review of Schenker's monograph on Beethoven's Ninth Symphony (1912). — Tells of a potential new
pupil for Schenker who is currently studying with Schreker. — Complains at being persecuted by
supporters of Schoenberg.
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OJ 13/23, [1] Printed form letter from Hugo Riemann to Schenker, postmarked April 15,
1913
Riemann requests autobiographical information for his
Lexikon.
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OJ 15/16, [15] Handwritten letter from Weisse to Schenker, dated April 15, 1913
Weisse comments on Brahms's juxtaposition of the diatonic and chromatic and use
of modal mixture in his Waltz in C# major, Op. 36, No. 6, and asks Schenker to write about
this.