OJ 9/12, [3] Handwritten letter from Carl Bamberger to Schenker, dated February 23, 1925

As a follow-up to his previous letter, Bamberger gives a full account of the number of subscriptions to Der Tonwille that he has either instigated himself or encouraged others to take on.

OJ 6/7, [21] Handwritten letter from Schenker to Moriz Violin, dated May 16, 1925

Making preparations with his solicitor for the legal action against Universal Edition, Schenker asks Violin to find out whether Max Temming paid for the additional subscriptions to Der Tonwille directly through Albert Gutmann in Vienna, or through the firm of Hofmeister in Leipzig. He is nearing completion of the contents of the first Meisterwerk yearbook and asks Violin whether he has yet made summer plans and whether these might include a trip to Galtür.

OJ 10/3, [134] Handwritten picture postcard from Deutsch to Schenker, dated December 14, 1930

Deutsch thanks Schenker -- and Hans Weisse -- for Weisse’s lecture. Hoboken has recently acquired a second edition of Beethoven’s Sonata Op. 22, which Schenker may wish to consult.

OJ 6/8, [13] Handwritten letter, with envelope, from Schenker to Violin, dated June 12, 1932

Schenker refers to his “betrayal” by Herman Roth and shares with Vrieslander’s letter on the subject. He updates Violin on the forthcoming publication of the Fünf Urlinie-Tafeln, accusing the Mannes School of getting more publicity and profits from the sale of the work than it deserves.

Diary entry by Schenker for 16 May 1925

Diary entry by Schenker for 12 April 1932

Diary entry by Schenker for 3 June 1932

Diary entry by Schenker for 13 June 1932

Diary entry by Schenker for 14 June 1932

Diary entry by Schenker for 19 June 1932

Diary entry by Schenker for 28 June 1932