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OJ 8/1, [4] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated July 1,
1911
Schenker reports on Jeanette's and his journey to Sulden.
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OJ 8/1, [5] Handwritten picture postcard from Heinrich Schenker and Jenny Kornfeld to Moriz Violin,
dated July 10, 1911
Schenker asks why Violin is silent about visiting them.
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OC 52/63 Typewritten postcard from UE to Schenker, dated July 27, 1911
UE confirms sending Schenker's edition of the Chromatic Fantasy and Fugue to
Gottfried Galston. Hertzka is on holiday, and will reply on his return.
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WSLB 79 Handwritten letter from Schenker to UE, dated August 18, 1911
Schenker provides requested personal data.
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OJ 6/5, [2] Handwritten double letter from Heinrich Schenker and Jenny Kornfeld to Moriz Violin,
dated August 26, 1911
With Heinrich and Jenny Kornfeld still in Sulden (Tyrol), Heinrich alludes to
the uncertainty about their return on account of a recent storm and destruction to the road;
— they have decided that, on return to Vienna, Jenny shall stay in a hotel until an
apartment is found for her; — Violin is asked to mail a letter to Schenker's attorney which
concerns Jenny's maintenance payments; Jenny reports that she is unrecognized in
Sulden.
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OC 52/65 Typewritten postcard from UE to Schenker, dated September 14, 1911
Emil Hertka is away on business; Schenker should wait a day or
two.
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OC 52/77 Typewritten postcard from Hertzka (UE) to Schenker, dated January 16,
1912
Emil Hertka confirms that UE wants Schenker to produce structural diagrams for
movements 2-4 of Beethoven's Ninth Symphony for his monograph on that work.
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OC 52/80 Typewritten postcard from Hertzka (UE) to Schenker, dated February 7,
1912
Hertzka assures Schenker that he will receive a full set of page-proofs for
checking.
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OC 52/87 Typewritten express postcard from UE to Schenker, dated April 16, 1912
Hertzka acknowledges receipt of the Preface to Beethovens neunte
Sinfonie.
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OC 52/435 Typewritten postcard from Hertzka (UE) to Schenker, dated May 31, 1912
Hertzka asks Schenker to collect him from his office on June 1 for their
meeting.
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OC 52/101 Typewritten postcard from UE to Schenker, dated October 1, 1912
As instructed, UE has sent Schenker's Beethovens neunte Sinfonie to Ludwig
Karpath.
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OJ 15/16, [35] Handwritten letter from Weisse to Schenker, dated May 5, 1918
Weisse reports his renewed interest in counterpoint through the rereading of the
first volume of Schenker's Kontrapunkt; he has also come across Bussler's Freier Satz and has
heard mainly positive things about Ernst Kurth's Linearer Kontrapunkt, a book which he will
order and report on to his teacher.
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OJ 6/6, [9] Handwritten triple-letter from Jeanette Kornfeld and Heinrich Schenker to Valerie and
Moriz Violin, dated July 15, 1919
(1) Jeanette to Valerie: offers sympathy and reassurance about her illness;
describes the Tantalier Castle and its romantic associations; (2) Heinrich to Valerie:
recommends eating large quantities; (3) Heinrich to Moriz: supports food theory by reference to
his own proneness to nervous depression; suggests that Valerie recuperate in Zell am
See.
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OJ 9/5, [2] Handwritten letter from Josef Albersheim to Schenker, dated August 8, 1927
The costs of his son's lessons with Schenker are a burden to Josef Albersheim; he
asks Schenker for some "accommodation," asserting that with teachers of Schenker's caliber
pupils normally attend for fewer lessons a month.
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OJ 5/5, [1] Incomplete handwritten draft letter from Schenker to Josef Albersheim, dated August 12,
1927
Schenker articulates the reasons why Gerhard Albershim should continue his
lessons at the same frequency for another year.