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GdM Briefe HS, [2] Handwritten letter from Schenker to the Gesellschaft der Musikfreunde, dated October
31, 1932
Schenker requests permission to use Brahms's "Octaven und Quinten" in Der freie
Satz or as a separate publication.
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NYnscl MP.0008.01/1/1, 1 Handwritten postcard from Schenker to Arthur Waldeck, dated October 16,
1932
Schenker will consider Waldeck's offer next week.
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OJ 12/6, [16] Handwritten letter from Jonas to Schenker, dated October 1, 1932
Further on Hoboken and the number of subscriptions; Jonas thanks Schenker for
approving an article about the Photogrammarchiv that he hopes will be published in Die
Musik.
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OJ 12/6, [17] Handwritten letter from Jonas to Schenker, dated November 27, 1932
Jonas has received a preliminary refusal from Anthony van Hoboken [over
subscriptions for Das Wesen des musikalischen Kunstwerks], and seeks Schenker's advice;
reports contact with Furtwängler; comments on lectures given by Webern.
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OJ 12/6, [24] Handwritten letter from Jonas to Schenker, dated October 25, 1932
Jonas acknowledges OJ 5/18, 16 (not surviving); is pleased his article has
Schenker's approval; sends [text of] lecture for Schenker's judgment; result of subscription
[for Einführung] so far depressing.
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OJ 71/9, [1] Typewritten letter (carbon copy) from Otto Erich Deutsch to Hoboken, with
handwritten annotation by Deutsch to Schenker, dated October 3, 1932
Deutsch expresses offense at Hoboken's behavior. Hoboken forwards copy to
Schenker.
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OJ 89/5, [8] Handwritten letter from Schenker to Hoboken, dated October 17, 1932
Schenker asks Hoboken to honor his testamentary instructions as to the
"fragmentary" publication of Der freie Satz in the event of his early death.