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Profiles Person Place Organization Work by Schenker Journal Musical Composition Downloads temporarily removed for testing purposes	Antonín Dvořák Documents associated with this person: Correspondence Diaries Lessonbooks Types person Names Antonín Dvořák Antonin Dvořák Dvorak Relationships Symphony No. 8 in G major is composed by Antonín Dvořák String Quartet in Ab major, Op. 105 is composed by Antonín Dvořák Piano Trio in F minor is composed by Antonín Dvořák String Quintet in Eb major, Op. 97 is composed by Antonín Dvořák Piano Trio in E minor (“Dumky”) is composed by Antonín Dvořák String Quartet in C major, Op. 61 is composed by Antonín Dvořák Rusalka is composed by Antonín Dvořák V přírodĕ (From Nature’s Realm) is composed by Antonín Dvořák String Quartet in Eb major, Op. 51 is composed by Antonín Dvořák Serenade, Op. 44, for wind instruments is composed by Antonín Dvořák Serenade, Op. 22, for strings is composed by Antonín Dvořák Legenden, Op. 59, piano 4 hands is composed by Antonín Dvořák Piano Quintet in A major, op. 81 is composed by Antonín Dvořák Terzett is composed by Antonín Dvořák String Sextet in A major, Op. 48 is composed by Antonín Dvořák Symphony No. 9 in E minor, “From the New World”, Op. 95 is composed by Antonín Dvořák Downloads temporarily removed for testing purposes Correspondence OJ 5/15, [2]-[3] Handwritten incomplete draft of a letter from Schenker to Grunsky, undated [?c. June 1, 1908] Responding to Grunsky's request, Schenker gives his assessment of Bruckner's music. First exploring common ground between him and Grunsky, he then offers "technical reasons" why he regards Bruckner as "possessing minimal powers of invention," therefore cannot call him a "master." In the process, he compares the "Komponisten" (composers) of the present day unfavorably with the "Tonsetzer" (tonal craftsmen) of the past. WSLB-Hds 94476 Handwritten letter from Schenker to Seligmann, dated July 17, 1909 Schenker thanks Seligmann for helping him to get a friend’s essay on Byron’s Manfred published in a Viennese newspaper. He then asks whether it would be possible to make a judgment about painters, and paintings, on purely objective grounds, as he (Schenker) has been aiming to do with composers and musical works. WSLB 132 Handwritten letter from Schenker to Hertzka (UE), dated August 25, 1912 Schenker returns the contract for Die letzten fünf Sonaten von Beethoven signed. — Proclaiming "Ex Austria lux," he says that Austria's tradition from Haydn to Brahms and Dvořák[sic] will now be followed by Schenker's "explanation" (Aufklärung) of that tradition, which will spawn a new generation of composers superior to the present "cacophony," with Universal Edition as the agent of that "rebuilding of tonal music" (Aufbau der Tonkunst). — He alludes to the possibility of teaching for the Gesellschaft der Musikfreunde's proposed "Hochschule." — He prompts Hertzka to act on the Organization of Musicians project in the fall. OJ 14/45, [61] Handwritten letter from Moriz Violin to Schenker, dated February 23, 1927 Following a brief description of a recent illness, Violin replies to Schenker's question about accepting the Order of Merit from the Viennese Academy of Art and Science and advises him to accept it. He realizes that staying in Hamburg would be bad for his son's long-term health and has spoken to Artur Schnabel about the possibility of moving to Berlin or Frankfurt. An influential man in Frankfurt is the father-in-law of Paul Klenau; Violin knows of Klenau's respect for Schenker, and asks his friend to write to Klenau in support of his application for a post there. OJ 5/11, [1a] First draft of a handwritten letter from Schenker to Furtwängler, in Jeanette Schenker’s hand, dated November 11‒16, 1931 OJ 5/11, [1b] Second draft of a handwritten letter from Schenker to Furtwängler in Jeanette and Heinrich Schenker’s hand, dated November 11‒16, 1931 OJ 12/6, [19] Handwritten letter from Jonas to Schenker, dated January 28, 1933 Jonas still has no response from Hoboken re: his Einführung; encloses four essays; reports on forthcoming article, his teaching and advocacy of critical editions, planned radio lectures and performance, and other work. Diaries Diary entry by Schenker for 27 December 1907 Diary entry by Schenker for 27 March 1915 Diary entry by Schenker for 13 February 1916 Diary entry by Schenker for 12 May 1920 Diary entry by Schenker for 13 November 1922 Diary entry by Schenker for 22 October 1924 Diary entry by Schenker for 22 February 1925 Diary entry by Schenker for 30 November 1925 Diary entry by Schenker for 22 January 1926 Diary entry by Schenker for 3 October 1926 Diary entry by Schenker for 16 January 1927 Diary entry by Schenker for 6 November 1927 Diary entry by Schenker for 26 February 1928 Diary entry by Schenker for 25 March 1928 Diary entry by Schenker for 8 April 1928 Diary entry by Schenker for 28 May 1928 Diary entry by Schenker for 13 October 1928 Diary entry by Schenker for 4 November 1928 Diary entry by Schenker for 25 December 1928 Diary entry by Schenker for 9 March 1929 Diary entry by Schenker for 28 April 1929 Diary entry by Schenker for 13 October 1929 Diary entry by Schenker for 10 January 1930 Diary entry by Schenker for 19 January 1930 Diary entry by Schenker for 23 January 1930 Diary entry by Schenker for 10 February 1930 Diary entry by Schenker for 11 May 1930 Diary entry by Schenker for 11 December 1931 Lessonbooks OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday December 12, 1912 OC 3/1-2: Oct 1912-Jun 1913 Sofie Deutsch: lesson: Thursday, January 2, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Thursday October 9, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday October 15, 1913 OC 3/2-3: Oct 1913-Jun 1914 Sofie Deutsch: lesson: Thursday October 16, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday December 6, 1913 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Wednesday December 10, 1913 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, March 2, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, March 28, 1914 OC 3/2-3: Oct 1913-Jun 1914 Hans Weisse: lesson: Monday, April 20, 1914 OC 3/3: Oct 1919-Jun 1920 Angi Elias: lessons: Feb 1920-Jun 1920 OC 3/3: Oct 1919-Jun 1920 Hans Weisse: lessons: Feb 1920-Jun 1920