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OC 24/20 Handwritten letter from Frimmel to Schenker, dated August 1, 1921
Frimmel acknowledges receipt of a complimentary copy of Tonwille 1, comments
neutrally on Schenker's incursions into politics, imagines something rather different by the
concept of "Tonwille," and while agreeing with the criticism of Riemann thinks it could have
been done more gently. — He asks for review copies of Schenker's editions of Beethoven Op.
110 and 101.
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OC 24/4-5 Handwritten lettercard from Moriz Violin to Heinrich Schenker, dated August 3, 1921
Violin expresses his awe concerning the first issue of Der Tonwille, and declares
himself ready to offer his services in making Schenker's work better understood.
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OJ 10/1, [65] Handwritten letter from Dahms to Schenker, dated August 21, 1921
Dahms is unable to visit the Schenkers in Galtür. — He criticizes Berlin and its
artists and critics.
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OJ 14/23, [20] Handwritten postcard from Seligmann to Schenker, undated [probably August
1921]
Seligmann thanks Schenker for arranging to have one of his books sent to him,
but it has not yet reached him. He looks forward to seeing him in the
autumn.
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OJ 15/15, [9] Handwritten postcard from Weisse to Schenker, postmarked August 22, 1921
Weisse is taking a very late summer holiday and so cannot visit Schenker in
Galtür. He has finished composing a sonata and is writing out a fair copy.