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OC 52/101 Typewritten postcard from UE to Schenker, dated October 1, 1912
As instructed, UE has sent Schenker's Beethovens neunte Sinfonie to Ludwig
Karpath.
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OC 52/102 Typewritten letter from Hertzka (UE) to Schenker, dated October 3, 1912
Hertzka gives his reaction to a letter from Hugo Heller to
Schenker.
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OC 52/103 Handwritten and typewritten postcard from UE to Schenker, dated October 15,
1912
Hertzka is out of town.
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OC 52/104 Typewritten letter from Hertzka (UE) to Schenker, dated October 23, 1912
Hertzka will speak with Harpner next week.
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OC 52/436 Handwritten note by Schenker, undated [late October, 1912?]
Self-reminder that the requested "supplementary honorarium" of 400 Kronen has
not yet been delivered.
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OC B/179 Handwritten letter from Albert Kopfermann (Königliche Bibliothek zu Berlin) to
Schenker, dated October 31, 1912
Kopfermann informs Schenker which late Beethoven piano sonatas the Library has
autograph pages of, and the arrangements for making photographs.
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OJ 15/16, [11] Handwritten letter from Weisse to Schenker, dated October 6, 1912
Weisse has heard nothing from Moriz Violin and is anxious to transfer to Schenker
for piano lessons.
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OJ 9/6, [55a] Handwritten letter from Eugen d’Albert to Schenker, undated [?May 10,
1912]
Eugen d'Albert proposes that Schenker take on a 15-year old
musician.
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WSLB 139 Handwritten letter from Schenker to Hertzka (UE), dated October 3, 1912
Schenker forwards a letter from Hugo Heller [from Germany] and asks how he
should handle the matter [of the proposed Organisation], pointing out that a comparable
movement has already be launched in Germany.
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WSLB 140 Handwritten letter from Schenker to Hertzka (UE), dated October14, 1912
Dr. Harpner is recovered; Schenker hopes to see Hugo Heller shortly. -- He
prompts yet again for the "supplementary honorarium."