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OJ 12/7, 1 Handwritten letter from Kalbeck to Schenker, dated May 17, 1897
Kalbeck invites Schenker to come the next morning to play some of his
compositions.
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OJ 12/7, 2 Handwritten notecard from Kalbeck to Schenker, dated May 21, 1897
Kalbeck praises the articles Schenker has sent him, and hopes the
"Lienau-Schlesinger project" has not fallen through.
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OJ 5/19, 3 Handwritten letter from Schenker to Kalbeck, dated May 10, 1897
Schenker asks Kalbeck to listen to some of his
compositions.
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OJ 5/19, 4 Handwritten letter from Schenker to Kalbeck, dated May 19, 1897
Schenker offers to send Kalbeck articles.
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OJ 6/3, [3] Handwritten calling card with envelope from Schenker to Moriz Violin, postmarked May
22, 1897
Schenker reports that he is off [to Germany] and will see Violin on June
3.
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OJ 9/27, [1] Handwritten letter from Busoni to Schenker, undated [May 10, 1897]
Busoni invites Schenker to call on him [for the first time].
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OJ 9/27, [2] Handwritten letter from Busoni to Schenker, undated [c. May 20, 1897]
Busoni acknowledges receipt of a packet of Schenker's compositions. He suggests
that Schenker might combine three of the piano pieces into a single three-section work. He will
not now be able to visit Mannheim, where the two men were planning to meet.
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OJ 9/6, [18] Handwritten letter from Eugen d'Albert to Schenker, dated May 8,
1897
Eugen d'Albert expresses his determination to study and perform
Schenker's piano pieces in the coming winter, and alludes to Schenker's forthcoming
meeting with Paula Szalit.
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Sbb B II 4413 Handwritten letter with envelope from Schenker to Busoni, dated May 18,
1897
Schenker reports that Karl Goldmark wrote him a glowing recommendation to
Edition Peters on the strength of which he approached Peters, who expressed their regrets.
He seeks Busoni's advice and help. Eugen d'Albert has undertaken to play something of his
during the winter. He draws Busoni's attention to an article he has
published.
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Sbb B II 4414 Handwritten letter from Schenker to Busoni, dated May 19, 1897
Schenker reports interest in his music on the part of publisher Robert Lienau,
involving also Max Kalbeck.