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FS 40/1, [22] Handwritten letter from Schenker to Salzer, dated June 6, [1934]
Schenker is breaking his association with Willfort and Kraus, but offers to
continue working with Salzer.
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FS 40/1, [23] Handwritten letter from Schenker to Salzer, dated June 11, 1934
Hoping that he and Jeanette will be able to get away on the 15th, Schenker
reports a conversation with Furtwängler, and the latter's praise for Jonas.
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FS 40/1, [24] Handwritten picture postcard from Schenker to Salzer, undated [June 18,
1934]
Reports contents of letter from Hans Weisse.
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OC 18/36 Typewritten letter from Arthur Waldeck to Schenker, dated June 3, 1934
After the failure of his initiative to fund a translation of Harmonielehre,
Waldeck tells Schenker of his plan to coauthor with Nathan Broder an article introducing
Schenker's theory [to English-speaking readers].
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OC 44/41 Handwritten letter from Hans Weisse to Schenker, dated June 2, 1934
Weisse will send Schenker his Variations and Fugue for 2 pianos when copies
are ready; he is glad to learn that Oswald Jonas's book will soon be published. He describes
the beauty of Tenants Harbor, Maine, where his family is spending the summer
vacation.
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OJ 10/18, [7] Handwritten letter from Elias to Schenker, dated June 17, 1934
Miss Elias sends best wishes for Schenker's [66th] birthday. She hopes that in
Böckstein he can recover after the exhausting work on Der freie Satz.
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OJ 11/16, [14] Typewritten letter from Furtwängler to Schenker, dated June 25, 1934
Furtwängler sends a letter of recommendation for Moriz
Violin.
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OJ 12/6, [32] Handwritten letter from Jonas to Schenker, dated June 11, 1934
Publication of Jonas's book has been delayed until June 22; — he may give a
lecture in conjunction with Edwin Fischer; — his Beethoven sketches article is in press; —
Hoboken is considering Jonas's proposed elucidatory edition plan in conjunction with a
putative publication by the Photogram Archive.
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OJ 12/6, [33] Handwritten letter from Jonas to Schenker, dated June 29, 1934
Jonas describes his summer travel plans, including Bayreuth; hopes to meet
Schenker in Vienna in August. Reports state of play on his book, a proof copy of which
Furtwängler is reading. Reports on recent lecture, and prospect of another
lecture.
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OJ 15/22, [7] Handwritten letter from Willfort to Schenker, dated June 14, 1934
Willfort, writing from Berlin, has been unable to make contact with Furtwängler.
— He has spent time with Jonas; — is disappointed that Schenker will not be in Vienna to hear
him conduct the Brahms' "Tragic" Overture; — gives travel plans; — inquires after Schenker's
reaction to his work on the "Moonlight" Sonata.
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OJ 5/18, 43 Handwritten letter from Schenker to Jonas, dated June 24, 1934
Schenker reports on visit from Furtwängler and future visit; — reacts to news
in Jonas's letter; — Brahms on Beethoven's notation; — printing of Der freie Satz begins
soon.
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OJ 70/17, [2] Typewritten letter from Furtwängler to whomever, dated June 25, 1934
Furtwängler recommends Violin.
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OJ 89/7, [9] Handwritten letter from Schenker to Hoboken, dated June 12, 1934
Schenker recounts a visit to Grinzing to view Hoboken's new house, and then to
the Kobenzl; — reports on last-minute work for Der freie Satz and a new edition of the Beethoven
piano sonatas; — comments on political developments in Europe; — Jeanette and he are leaving for
the summer vacation.
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OJ 9/34, [40] Handwritten letter from Cube to Schenker, June 2, 1934
Quotes part of a letter from the Reichsmusikkammer regarding grounds for his
dismissal, and reports subsequent conversation with the Conservatory administration.
Encloses review of a recent lecture. Includes revised Ursatz for Bach Prelude in body of
letter. Inquires about Hans Wolf, and reports on Furtwängler.
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OJ 9/34, [41] Handwritten letter from Cube to Schenker, dated June 7, 1934
Acknowledges a (non-extant) letter in which Schenker had expressed dismay at a review (enclosed
with OJ 9/34, [40]) of a recent lecture by Cube, who explains the circumstances under which he had to disguise
the source of some of his ideas: Schenkerian theory is regarded as "Jewish rubbish," and is no longer discussed;
one has to choose one words carefully.