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{recto}
[All in a decorated rule-frame]

[Absender:] H Schenker
III, Reisnerstr 38

[An:] H Prof. M. Violin
XIV, Sechshauserstr. 126. II l

[postmark:] 3/3 WIEN 49 | 3.VI.10‒5 | * R * ||

{verso}

Fl .

Die Korrekturen der „chrom. fantasie“ sind schon angekommen. 1


Dein
[signed:] H

3. 6. 10.

© Transcription Ian Bent, 2019

{recto}
[All in a decorated rule-frame]

[From:] H. Schenker
[Vienna] III, Reisnerstraße 38

[To:] Prof. M. Violin
[Vienna] XIV, Sechshauserstraße 126 II [?left]

[postmark:] 3/3 VIENNA 49 | 3.VI.10‒5 | * R * ||

{verso}

Fl .

The proofs of the Chromatic Fantasy have now arrived. 1


Dein
[signed:] H

June 3, 1910

© Translation Ian Bent, 2019

{recto}
[All in a decorated rule-frame]

[Absender:] H Schenker
III, Reisnerstr 38

[An:] H Prof. M. Violin
XIV, Sechshauserstr. 126. II l

[postmark:] 3/3 WIEN 49 | 3.VI.10‒5 | * R * ||

{verso}

Fl .

Die Korrekturen der „chrom. fantasie“ sind schon angekommen. 1


Dein
[signed:] H

3. 6. 10.

© Transcription Ian Bent, 2019

{recto}
[All in a decorated rule-frame]

[From:] H. Schenker
[Vienna] III, Reisnerstraße 38

[To:] Prof. M. Violin
[Vienna] XIV, Sechshauserstraße 126 II [?left]

[postmark:] 3/3 VIENNA 49 | 3.VI.10‒5 | * R * ||

{verso}

Fl .

The proofs of the Chromatic Fantasy have now arrived. 1


Dein
[signed:] H

June 3, 1910

© Translation Ian Bent, 2019

Footnotes

1 The first proofs were hand-delivered to Schenker on June 2 (OC 52/51), and acknowledged by Schenker the next day (WSLB 61). Schenker had returned the two halves of the proofs by June 20 (OC 52/52).

Commentary

Format
printed postcard, holograph sender and recipient addresses, recto; holograph salutation, message, valediction, and signature, verso
Provenance
Violin, Moriz (document date-1956)--Heirs of Moriz Violin (1956-195?)--University of California, Riverside (195?--)
Rights Holder
Heirs of Henrich Schenker, deemed to be in the public domain
License
All reasonable steps have been taken to locate the heirs of Heinrich Schenker. Any claim to intellectual rights on this document should be addressed to the Schenker Correspondence Project, Faculty of Music, University of Cambridge, at schenkercorrespondence[at]mus[dot]cam[dot]ac[dot]uk

Digital version created: 2019-11-28
Last updated: 2010-02-10