OJ 12/17, [1] Handwritten letter from Komorn to Heinrich Schenker, dated September 20, 1923

Miss Komorn is transferring her studies from Hans Weisse to Schenker. She asks for suggested pieces to prepare, and for the day and time of her first lesson.

OJ 5/7a, [29] (formerly vC 29) Handwritten postcard from Schenker to Cube, undated [June 8, 1930]

Schenker sends copy of Vrieslander's article and comments on it, comparing it unfavorably with Meisterwerk III; inquires about Cube's "article," asks whether Erich Voß is with him; reports departure date for Galtür.

OJ 15/16, [65] Handwritten letter from Weisse to Schenker, dated November 27, 1930

Weisse thanks Schenker for the essay "Rameau oder Beethoven?". He is surprised to hear that Jonas has sought Schenker's help in finding employment, and urges Schenker not to write a letter of recommendation until a concrete piece of work materializes. He is about to go to Berlin to deliver two lectures on Schenker's theories, and has heard that Moriz Violin and Reinhard Oppel will be there; he would like to give one of these lectures at Schenker's home before a small audience of his most dedicated pupils, and suggests a date and time for this.

OJ 14/23, [24] Handwritten postcard from Seligmann to Schenker, postmarked March 11, 1931

Seligmann thanks Schenker for sending him the third Meisterwerk yearbook and says he greatly enjoyed learning about Rameau in the opening essay. But, he says, Schenker can hardly be surprised that he is ignored by the Ministry [of Education] if he constantly offends the people who are responsible to the Minister.

Diary entry by Schenker for 21 March 1930

Diary entry by Schenker for 27 April 1930

Diary entry by Schenker for 8 May 1930

Diary entry by Schenker for 9 August 1930

Diary entry by Schenker for 23 November 1930

Diary entry by Schenker for 25 May 1931

Diary entry by Schenker for 31 July 1933