OJ 9/31, [17] Stenographically handwritten letter from Cotta to Schenker, dated December 18, 1907

Cotta note the review of Harmonielehre by Max Burkhart, and look forward to receiving the manuscript of Kontrapunkt shortly.

OJ 10/1, [79] Handwritten letter from Dahms to Schenker, dated November 1, 1923

Dahms has devoted a chapter of his Musik des Südens to "genius" in which he asserts its absoluteness and the gulf between genius and mediocrity. — He concurs with Hertzka's judgement of Furtwängler as a "coward"; In his quest for success, the latter has compromised his belief in genius by pandering to Schoenberg. The Korngolds are coming to Rome in August.

OJ 10/1, [96] Handwritten letter from Dahms to Schenker, dated July 14, 1926

Dahms acknowledges receipt of Das Meisterwerk 1, and will review it for the Allgemeine Musikzeitung and his Almanach. — Is going to Berlin. — PS on acoustics of under-dominant.

OJ 10/1, [98] Handwritten postcard from Dahms to Schenker, dated November 13, 1926

Dahms has written his review of Meisterwerk, and has dispatched a copy of his Almanach to Schenker.

OJ 10/1, [99] Handwritten postcard from Dahms to Schenker, dated December 28, 1926

Dahms's review of Meisterwerk 1 is out. Christmas greetings.

OC 54/193 List of review copies for Das Meisterwerk in der Musik, vol. 1

List of review copies for the first Meisterwerk yearbook.

OJ 5/7a, [48] (formerly vC 48) Handwritten postcard from Schenker to Cube, dated September 16, 1933

Schenker acknowledges OJ 9/34, [38], and reports on publications by Oswald Jonas, and the activities of Reinhard Oppel and Otto Vrieslander.

OJ 11/32, [17] Typewritten letter from Robert Haas to Schenker, dated September 20, 1933

Haas promises to have the Griesinger Haydn book delivered, and mentions several other matters.

FS 40/1, [17] Handwritten letter from Schenker to Salzer, dated September 24, 1933

Schenker sets [seminar] meeting date and reports on publications by Jonas, Vrieslander, and von Cube.