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OJ 10/3, [84] Typewritten picture postcard from Deutsch to Schenker, dated May 1, 1928
Deutsch has picked up a copy of his and Schenker’s recent edition of the
“Unfinished” Symphony; he has made a complaint to Universal Edition and let the publisher
know of Schenker’s displeasure with the-- He is going away for a few days, but returning to
give a radio broadcast on Schubert’s settings of Walter Scott.
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OJ 10/3, [85] Typewritten picture postcard from Deutsch to Schenker, dated May 15, 1928
Deutsch thanks Schenker for his kind words (about his recent radio broadcast)
and describes the difficulties in preparing things for publication in Radio Wien. He informs
Schenker that Brahms’s arrangement of a Schubert song has already been published. He has
discovered that the Guitar Quartet believed to be by Schubert is an arrangement, and that an
early cantata, Die Advokaten, is also based on the work of another
composer.
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OJ 10/3, [86] Typewritten picture postcard from Deutsch to Schenker, dated May 22, 1928
Deutsch thanks Schenker for his most recent letter, and is sending him in
return the original version of the finale of Schubert’s Divertissement à
l’hongroise.
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OJ 15/15, [30] Handwritten postcard from Weisse to Schenker, dated May 25, 1928
About to leave Vienna, Weisse asks if he can see Schenker to say
good-bye.
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OJ 15/15, [31] Handwritten postcard from Weisse to Schenker, dated May 31, 1928
Weisse will bid up to twice the estimated price at auction for a copy of C. P.
E. Bach's Essay on the True Art of Playing Keyboard Instruments.
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OJ 5/7a, [15] (formerly vC 15) Handwritten postcard from Schenker to Cube, dated May 28, 1928
Schenker sends Cube an article written for the Beethoven centenary festival and suggests a
"connection" between Bonn and Düsseldorf; refers to American professors teaching the Urlinie in the USA;
outlines summer plans.
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OJ 9/34, [12] Handwritten letter from Cube to Schenker, dated May 24, 1928
Cube acknowledges receipt of the Hammer engravings and reports on the planned
Scheuermann exhibition; reports on a forthcoming lecture and seminar, and the growth of his
student numbers.
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WSLB-Hds 191.562 Handwritten letter from Schenker to Deutsch, dated May 17, 1928
Responding to Deutsch’s previous message, Schenker confirms that the
Deutsche Trauermesse must, on musical grounds, be a work by Franz Schubert. He also
agrees with Deutsch that the Quartet for guitar, flute, violin, and cello must be an
arrangement of a work by a fashionable composer of the time.