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JOB 94-3, [13] Handwritten letter from Schenker to Hammer, dated September 8, 1925
Heinrich discusses the drawing from which the Schenker mezzotint was made, and
its prospects for sale. The Keilgasse house is undergoing deep cleaning.
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JOB 94-3, [14] Handwritten letter from Schenker to Hammer, dated September 9, 1925
Schenker informs Hammer that the drawing from which the Schenker mezzotint was
made has been sold.
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OC 54/33 Typewritten letter from C. Alberti (DMV) to Schenker, dated September 1,
1925
In response to Schenker's request for proofs for the first Meisterwerk Yearbook,
Drei Masken Verlag explain that they have not yet decided on a printing house. They advise
Schenker to submit his next manuscript earlier in the year, on account of the complexity of the
work.
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OC 54/34 Typewritten letter from August Demblin (DMV) to Schenker, dated September 16,
1925
Drei Masken Verlag tell Schenker that a printer for the first Meisterwerk
Yearbook has not yet been found, owing to the high costs of this work, and that first proofs
will not be ready for another two weeks.
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OC 54/35 Typewritten postcard from August Demblin (DMV) to Schenker, dated September 22,
1925
Drei Masken Verlag arranges for Schenker to be paid his advance of 250
marks.
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OJ 11/10, [18] Handwritten postcard from Frimmel to Schenker, dated September 10, 1925
Frimmel will correct [errors pointed out by Schenker], and reports that his
Beethovenhandbuch is in press.
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OJ 11/36, [19] Handwritten letter from Hammer to Schenker, dated September 1, 1925
Hammer explains why he can't just take the test print of his Schenker
mezzotint as the final product. -- He speaks of money difficulties.
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OJ 11/36, [20] Handwritten letter from Hammer to Schenker, dated September 11, 1925
Hammer is working on the plate of the Schenker mezzotint.
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OJ 11/36, [21] Handwritten postcard from Hammer to Schenker, dated September 17, 1925
Hammer asks for a short sitting the next day.
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OJ 11/36, [22] Handwritten postcard from Hammer to Schenker, dated September 17, 1925
Hammer asks for a short sitting the next day.
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OJ 11/54, [4] Handwritten letter from Hoboken to Schenker, dated September 28, 1925
Van Hoboken reports on his recent travels, describing the house that he has
rented for a year in Vienna; he is to register in Vienna for nine months for study purposes; he
thanks Schenker for the plan of work he has sent, and will start lessons with Schenker on
October 13, 1925; encloses $60 in advance monthly payment.
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OJ 11/54, [B] Handwritten calling card from Hoboken to Schenker, undated
Hoboken gives his current address.
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OJ 5/7a, [2] (formerly vC 2) Handwritten letter from Schenker to Gustav von Cube, dated September 13, 1925
Schenker explains to Cube's father why his first teaching assignment went awry, but promises to
continue to help him; he suggests Anthony van Hoboken may be able to assist him.
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OJ 9/12, [5] Handwritten letter from Carl Bamberger to Schenker, dated September 27,
1925
Bamberger is officially a "conductor" at Danzig. -- He asks how to obtain a
Rothberger medallion of Schenker and inquires after Hammer's etching. -- He reports on
Hupka's progress in Cologne, and inquires after F.E. von Cube.
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OJ 9/35, [1] Handwritten letter from Gustav von Cube to Schenker, dated September 7, 1925
Finding himself adversely affected by the current financial crisis, Gustav von
Cube asks Schenker to help find work for his son Felix, to help help him finance his
studies.