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OC 52/492 Typewritten letter from Hertzka (UE) to Schenker, dated September 19,
1911
UE cannot proceed with the Beethoven last five sonatas project absent a grant.
Whereas the larger German music publishers might be able to undertake such a work, UE is
still too young to have the investment. -- Proofs of Beethovens neunte Sinfonie will be
available in the Fall, owing to the delay in Schenker's delivery of his manuscript. --
Hertzka expresses delight at the sales of Kontrapunkt 1.
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OC 52/65 Typewritten postcard from UE to Schenker, dated September 14, 1911
Emil Hertka is away on business; Schenker should wait a day or
two.
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OJ 6/5, [3] Handwritten letter from Heinrich Schenker and Jenny Kornfeld to Moriz Violin, dated
September 26, 1911
Seemingly in response to a cry for companionship, Heinrich and Jenny Kornfeld express
their willingness to help, and ask what would be best.
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OJ 8/1, [10] Handwritten postcard from Heinrich Schenker to Moriz Violin, dated September 11,
1911
Schenker complains that Violin has failed to turn up for an agreed meeting at the
right place. He comments favorably on a new composition by Violin. He is going to the Pollaks in
the evening.
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OJ 8/1, [9] Handwritten postcard from Heinrich Schenker and Jenny Kornfeld to Moriz Violin, dated
September 8, 1911
Schenker asks if a letter has arrived at Violin's address, and asks for it to be
forwarded to him if so.
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WSLB 80 Handwritten postcard from Schenker to Hertzka (UE), dated September [2]0,
1911
Schenker gives an ultimatum for Hertzka's decision on the Bach-Beethoven
plan.
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WSLB 81 Handwritten letter from Schenker to Hertzka (UE), dated September 14,
1911
Schenker demands to know whether UE is interested in publishing his planned
edition of the last five Beethoven piano sonatas; -- Inquires how the proofs of Beethovens
neunte Sinfonie stand; And draws attention to the favorable sales of Kontrapunkt
1.
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WSLB 82 Handwritten postcard from Schenker to Hertzka (UE), dated September 20,
1911
Schenker laments the withdrawal of Wilhelm Bopp from the planned
Bach-Beethoven edition project. -- He contests Hertzka's use of the term "Text-Kritik" to
characterize his Beethoven last five sonatas project.