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CA 76 Handwritten letter from Schenker to Cotta, dated April 24, 1908
Schenker asks for a copy of his Harmonielehre to be sent to the Gesellschaft
der Musikfreunde; — He seeks advice regarding Theodor Frimmel and the Beethoven-Jahrbuch,
explaining the delay on Kontrapunkt I.
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OC 52/22 Typewritten postcard (book slip) from Hertzka (UE) to Schenker, dated April 6,
1908
Hertzka threatens to re-issue the first edition of Ornamentik if revisions
don't arrive by the next day.
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OC 52/385 Typewritten postcard (book slip) from Hertzka (UE) to Schenker, dated April 1,
1908
UE stresses the urgency of supplying additional material for Beitrag zur
Ornamentik.
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OJ 11/10, [13] Handwritten postcard from Frimmel to Schenker, dated April 25, 1908
Frimmel draws Schenker's attention to an article in the Musikalisches
Wochenblatt.
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OJ 9/31, [18] Stenographically handwritten letter from Cotta to Schenker, dated April 25,
1908
Cotta has sent a copy of Harmonielehre to the Gesellschaft der Musikfreunde,
and thinks that pre-publication excerpting of Kontrapunkt would be
advantageous.
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WSLB 2 Handwritten letter from Schenker to Hertzka (UE), dated April 1, 1908
Schenker asks for more time.
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WSLB 3 Handwritten postcard from Schenker to Hertzka (UE), dated April 9, 1908
Schenker promises more material next day, and extols the work.
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WSLB 4 Handwritten letter from Schenker to Hertzka (UE), dated April 22, 1908
Schenker promises material the next day, and extols the work's
structure.
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WSLB-Hds 95661 Handwritten postcard from Schenker to Seligmann, dated April 27, 1908
Schenker congratulates Seligmann on his latest feuilleton and shares his own
similar views about the relationship between nature and the art of
painting.