BNba Frimmel Nachl, [1] Handwritten letter from Schenker to Frimmel, dated March 13, 1905

Schenker sends a copy of his Handel Organ Concertos as a memento of past music-making with Frimmel, and tells him of his work on his Harmonielehre.

BNba Frimmel Nachl, [2] Handwritten letter from Schenker to Frimmel, dated March 18, 1905

Schenker explains the delay in sending Frimmel the C. P. E. Bach concerto, thanks Frimmel for the ticket to his lectures, and gives Violin's address.

CA 1-2 Handwritten letter from Schenker to Cotta, dated November 8, 1905

This is Schenker's initial approach to Cotta: he asks the firm to consider publishing volume I of his Neue Musikalische Theorien und Phantasien, explains his anonymity, points out the book's attacks of certain composers, explains his choice of preferred publisher.

CA 5-6 Handwritten letter from Schenker to Cotta, dated November 22, 1905

Schenker submits the manuscript of Harmonielehre; asks Cotta not to show it to potential rivals.

CA 9 Handwritten letter from Schenker to Cotta, dated December 10, 1905

Schenker returns his contract signed, and promises the Afterword soon.

CA [205] Typewritten extracts from contract between Cotta and Schenker, dated December 5, 1905

Excerpts from the contract between Cotta and Schenker for Harmonielehre

OC 52/16 Typewritten letter from Weinberger (UE) to Schenker, dated March 1, 1905

UE sends five complimentary copies of Handel Organ Concertos and transfers honorarium.

OC 52/17 Typewritten letter from Weinberger (UE) to Schenker, dated March 11, 1905

List of recipients of complimentary copies of the Handel Organ Concertos

OC 52/18 Typewritten letter from UE to Schenker, dated November 20, 1905

UE is besieged with inquiries about Handel Organ Works, volume II.

OC 52/19 Typewritten letter from Weinberger (UE) to Schenker, dated November 30, 1905

Weinberger asks when Handel Organ Concertos volume II will be received.

OC 52/442 Handwritten letter from Weinberger (UE) to Schenker, dated April 13, 1905

UE is unable to accept an item offered for publication.

OC 52/443 Typewritten letter from Weinberger (UE) to Schenker, dated October 21, 1905

UE is prepared to look at Harmonielehre.

OJ 11/10, [10] Handwritten letter from Frimmel to Schenker, dated March 21, 1905

Frimmel has had to postpone his lecture series on Beethoven until the Fall. — He invites Schenker to afternoon tea at a date to be settled.

OJ 11/10, [7] Handwritten postcard from Frimmel to Schenker, dated March 14, 1905

The promised Handel Organ Concertos volume has not yet arrived. — Frimmel asks for the score of the C. P. E. Bach concerto that Schenker played the previous fall. Tickets for his Beethoven lectures will be sent soon.

OJ 11/10, [7a] Handwritten calling card from Frimmel to Schenker, undated [March 17 or 18, 1905]

Frimmel encloses ticket for his Beethoven lectures.

OJ 11/10, [8] Handwritten postcard from Frimmel to Schenker, postmarked March 18, 1905

Frimmel acknowledges receipt of Schenker' Handel Organ Concertos volume and says the latter's C. P. E. Bach keyboard words edition will feature in his forthcoming lecture series.

OJ 11/10, [9] Handwritten postcard from Frimmel to Schenker, postmarked March 20, 1905

Frimmel acknowledges loan [of C. P. E. Bach Klavierwerke]. He offers a discount for his Beethoven lecture course to Schenker's pupils.

OJ 12/7, 7 Handwritten letter from Kalbeck to Schenker, dated November 4, 1905

Kalbeck feels that he cannot help advocate Schenker's book [Harmonielehre] to Simrock, but wishes Schenker well.

OJ 14/37, [1] Handwriten calling card from Paula Szalit to Schenker, undated

Paul Szalit sends Schenker tickets for her forthcoming concert, and apologizes for the poor seats.

OJ 14/37, [2] Handwriten calling card from Paula Szalit to Schenker, undated

Paul Szalit encloses for Schenker a ticket for her forthcoming concert.

OJ 5/19, 12 Handwritten letter from Schenker to Kalbeck, dated November 2, [1905]

Schenker wants his book [Harmonielehre] to be published this winter, alluding to the impact his criticisms of certain composers will make on their reputations.

OJ 9/31, [1] Stenographically handwritten letter from Cotta to Schenker, dated November 9, 1905

Cotta regrets that it is unable to undertake Schenker's book.

OJ 9/31, [2] Stenographically handwritten letter from Cotta to Eugen d’Albert, dated November 14, 1905

Following Eugen d'Albert's intervention on Schenker's behalf, Cotta is asking to see the manuscript of Harmonielehre.

OJ 9/31, [3] Stenographically handwritten letter from Cotta to Schenker, dated November 15, 1905

Cotta will consider Schenker's proposal further, and asks for sight of the manuscript.

OJ 9/31, [4] Stenographically handwritten letter from Cotta to Schenker, dated December 5, 1905

Cotta agrees to publish Harmonielehre. — It estimates the extent of the book, the cost to Schenker, and his likely takings.

OJ 9/31, [5] Stenographically handwritten letter from Cotta to Schenker, dated December 12, 1905

Cotta sends Schenker a copy of the contract with their signature; they estimate publication at c.March 1906.

OJ 9/6, [39] Handwritten postcard from Eugen d'Albert to Schenker, dated May 25, 1905

Eugen d'Albert acknowledges receipt of a package from Schenker and indicates that he will remain in Italy until the Fall.

OJ 9/6, [40] Handwritten letter from Eugen d'Albert to Schenker, dated June 3, 1905

Eugen d'Albert asks to hold on to the "book" that Schenker has sent him until mid-June.

OJ 9/6, [41] Handwritten letter from Eugen d'Albert to Schenker, dated June 15, 1905

Eugen d'Albert gives reasons why he cannot use "Amor und Psyche" as a basis for a composition. He asks whether Schenker will be in Prague for the première of his opera "Flauto Solo."

OJ 9/6, [42] Handwritten letter from Eugen d'Albert to Schenker, dated July 11, 1905

Eugen d'Albert asks about the Vienna Volksoper as a suitable venue for his opera "Flauto Solo," and the ethics of not approaching Gustav Mahler first.

OJ 9/6, [44] Handwritten letter from Eugen d'Albert to Schenker, dated November 8, 1905

In this significant letter, Eugen d'Albert agrees [to help Schenker find a publisher for his Harmonielehre] and has already written to Brockhaus. He seeks to interest Schenker in his new opera "Flauto Solo," the première of which, in Prague, is in four days' time.

OJ 9/6, [45] Stenographic memorandum from Max Brockhaus Musikverlag to Eugen d'Albert, dated November 14, 1905

Brockhaus replies negatively to Eugen d'Albert's inquiry [re: publication of Schenker, Harmonielehre]; memo forwarded to Schenker.

OJ 9/6, [45a] Handwritten letter from Eugen d’Albert to Schenker, undated [c. November 18, 1905]

Having recommended Schenker's Harmonielehre to J. G. Cotta, publisher, Eugen d'Albert hands the matter over to Schenker. He proposes a meeting after his recital on November 23, and thanks Schenker for attending the première of his opera "Flauto solo" in Prague.

Diary entry by Schenker for 1 July 1905