Schenker Documents Online: 1894

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Profiles Person Place Organization Work by Schenker Journal Musical Composition	1894 Documents associated with this date: Correspondence Previous and Next Download all selected files as or or (check files to select/deselect) Where appropriate save: English and German versions German version only English version only Correspondence OJ 11/42, [10] Handwritten postcard from Maximilian Harden to Schenker, dated March 1, 1894 Harden sends greetings to Schenker and [Adolph?] Gelber; he encourages Schenker to add mention of Hans von Bülow to his upcoming article on conductors, and asks Schenker to perform a thorough revision because the draft was not entirely clear. OJ 11/42, [11] Handwritten postcard from Maximilian Harden to Schenker, dated April 13, 1894 Harden wonders whether it is worth publishing an article by Schenker on Verdi's Falstaff now that the production has moved on from Berlin to Paris. OJ 11/42, [12] Handwritten letter from Maximilian Harden to Schenker, undated [probably post-April 13, 1894, certainly pre-May 5, 1894] Harden thanks Schenker for his submissions, especially "Konzertdirigenten," and asks him again to consider writing an article on Verdi's Falstaff. OJ 11/42, [13] Handwritten postcard from Maximilian Harden to Schenker, dated May 1, 1894 "The road is clear." OJ 11/42, [14] Handwritten letter from Maximilian Harden to Schenker, dated May 11, 1894 Harden urges Schenker to ask Brahms to write something for Die Zukunft about the recently deceased Hans von Bülow. OJ 11/42, [15] Handwritten postcard from Maximilian Harden to Schenker, undated; postmarked June 14, 1894 Harden says he will look over an article by Schenker soon; he wonders whether Brahms or Rosenthal will contribute anything on Bülow to Die Zukunft; and he encourages Schenker to send him more articles in the future. OJ 11/42, [16] Handwritten postcard from Maximilian Harden to Schenker, dated July 15, 1894 Harden agrees in principle to Schenker's publishing elsewhere some material on which Harden had some claim; he advises Schenker that he has no following among the audience of Die Neue Review; he has heard nothing from Brahms or Rosenthal about contributing something about Bülow to Die Zukunft. OJ 11/42, [17] Handwritten letter from Maximilian Harden to Schenker, dated September 8, 1894 Harden welcomes an article by Schenker on Eugen d'Albert, and encourages Schenker to get d'Albert to revise an autobiographical sketch that will precede Schenker's article. OJ 11/42, [18] Handwritten postcard from Maximilian Harden to Schenker, dated October 4, 1894 Harden urges Schenker to press Brahms [for material on Bülow]; he thinks that d'Albert will benefit from Schenker's article about him in Die Zukunft; he reports cordial impressions of Humperdinck from Cosima and Siegfried Wagner; and he asks whether an article he wrote was any good. OJ 11/42, [19] Handwritten letter from Maximilian Harden to Schenker, dated October 11, 1894 Harden rebuffs accusations by Schenker that seem to involve a delay in Harden's response to a submission that Schenker hopes to move to another publication, and he accuses Schenker of reneging on a promise to write about [Johann] Strauss's operetta Jabuka. OJ 11/42, [20] Handwritten postcard from Maximilian Harden to Schenker, dated October 13, 1894 Harden denies that he will try prevent Schenker from publishing his material wherever he chooses; and he commiserates with Schenker over a presumed slight by Hermann Bahr of Die Zeit. OJ 11/42, [21] Handwritten letter from Maximilian Harden to Schenker, dated November 24, 1894 Harden encourages Schenker to write articles on the string quartet and on [Johann] Strauß and Humperdinck, but not on Brahms. — He explains why he lost his temper with Schenker in an earlier letter (see OJ 11/42, [19]). — He urges Schenker to procure some corresondence between Rosenthal and Rubenstein for publication in Die Zukunft; and he casts aspersion on Die Zeit. OJ 11/42, [22] Handwritten letter from Maximilian Harden to Schenker, dated December 20, 1894 Harden rejects one of Schenker's submissions; he is resigned to Rosenthal's refusal to publish in Die Zukunft, but tells Schenker that Rosenthal has maligned him; he requests a referral via Gelber to someone, perhaps Viktor Adler, who would write about Austrian social relations for the journal. OJ 11/42, [9] Handwritten postcard from Maximilian Harden to Schenker, dated February 16, 1894 Harden asks for Schenker's permission to put off publishing Schenker's article on prominent conductors until Harden himself writes something personal about Hans von Bülow, who had died four days earlier. OJ 11/42, [A] Handwritten letter from Maximilian Harden to Schenker, undated [probably October or November 1894] Harden casts aspersions on Hermann Bahr. — Advises that he probably won't have room to publish one of Schenker's articles, but requests that Schenker send it for his review. OJ 13/29, [1] Handwritten letter from Rosenthal to Schenker, dated December 14, 1894 Rosenthal has placed an article elsewhere than Die Zukunft. OJ 13/29, [B] Handwritten letter from Rosenthal to Schenker, undated Rosenthal is ready to write an article ‒ evidently about Mozart ‒ but wishes to discuss it first. OJ 13/29, [C] Calling card from Rosenthal with a handwritten note presumably to Schenker, undated Greetings OJ 9/6, [1] Handwritten letter from Eugen d'Albert to Schenker, dated February 19, 1894 Eugen d'Albert has instructed his publishers to send Schenker all his compositions, and asks Schenker to write about them in Die Zukunft. OJ 9/6, [10] Handwritten letter from Eugen d'Albert to Schenker, dated December 10, 1894 Eugen d'Albert regrets having been able to find a time for them to meet while he was in Vienna, and gives his temporary forthcoming address. OJ 9/6, [2] Handwritten letter from Eugen d'Albert to Schenker, dated March 8, 1894 Eugen d'Albert will be in Vienna for two days and seeks a first meeting with Schenker. OJ 9/6, [3] Handwritten letter from Eugen d'Albert to Schenker, dated March 14, 1894 Eugen d'Albert regrets their having been unable to meet, and looks forward to making Schenker's acquaintance soon. OJ 9/6, [4] Handwritten letter from Eugen d'Albert to Schenker, dated April 25, 1894 Eugen d'Albert looks forward to seeing Schenker's most recent article, and agrees to Schenker's postponing until the Fall his feature article on d'Albert. He thanks Schenker for taking an interest in his work. OJ 9/6, [5] Handwritten letter from Eugen d'Albert to Schenker, dated July 2, 1894 Eugen d'Albert thanks Schenker for a recommendation of his work. Things being difficult, he would have had to give up composing had he not also played the piano. He announces completion of his next opera. OJ 9/6, [6] Handwritten letter from Eugen d'Albert to Schenker, dated August 11, 1894 Eugen d'Albert promises his biographical jottings by the end of next week and reports on progress with his new opera. OJ 9/6, [7] Handwritten letter with inclosure from Eugen d'Albert to Schenker, dated September 2, 1894 Eugen d'Albert incloses his autobiographical contribution to Schenker's forthcoming feature article in Die Zukunft. He apologizes for the non-arrival of the MS piano reduction of his new opera, Ghismonda, which he describes as a "psychological character sketch," and thanks Schenker for his interest. OJ 9/6, [8] Handwritten letter from Eugen d'Albert to Schenker, dated September 7, 1894 Eugen d'Albert asks for the piano reduction of his opera Ghismonda back urgently. OJ 9/6, [9] Handwritten letter from Eugen d'Albert to Schenker, dated September 8, 1894 Eugen d'Albert provides further information about his relationship with Franz Liszt. OJ 9/6, [D] Handwritten postcard from Eugen d’Albert to Schenker, undated Eugen d'Albert extends an invitation to Schenker. OJ 9/6, [F] Handwritten calling card from Eugen d’Albert to Schenker, undated Eugen d'Albert invites the Schenkers to the the Opera. OJ 9/6, [G] Handwritten calling card from Eugen d’Albert to Schenker, undated Eugen d'Albert thanks Schenker for his condolences. OJ 9/6, [L] Handwritten letter from Eugen d’Albert to Schenker, undated Eugen d'Albert cancels and suggests an alternative time. OJ 9/6, [N] Handwritten letter from Eugen d’Albert to Schenker, undated Eugen d'Albert will try to free himself up for a meeting tomorrow.