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BNba 318, [1] Handwritten letter from Schenker to Heinrich Rose, dated December 9, 1913

Schenker places an order for photographs of Beethoven piano sonatas Op. 111, Op. 27, No. 2, and Op. 28.
BNba 318, [2] Handwritten letter from Schenker to F. A. Schmidt, dated December 9, 1913

Schenker states that he is writing a letter placing an order for photographs of Beethoven piano sonatas Op. 111, Op. 27, No. 2, and Op. 28, and hoping that Schmidt will extend his permission to cover the latter two manuscripts.
OC B/203 Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Schenker, dated December 13, 1913

Schmidt thanks Schenker for the copy of his monograph Beethovens neunte Sinfonie, and raises points of detail about the photography of the three requested works.
BNba 304g, [3] Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Ernst Zitelmann, dated December 14, 1913

Schmidt consults Zitelmann as to whether Schenker should be granted permission for photography of Beethoven's sonatas Op. 27, No. 2 and Op. 28; then proceeds to other Beethoven-Haus business.
BNba 304g, [4] Handwritten letter from F. A. Schmidt (Beethoven-Haus) to an unknown colleague, dated December 14, 1913

Schmidt suggests that permission for photography of Beethoven's sonatas Op. 27, No. 2 and Op. 28 should be granted to Schenker; and deals with other Beethoven-Haus business.
OJ 10/3, [7] Handwritten letter from Otto Erich Deutsch Deutsch to Schenker, dated January 16, 1920

Deutsch will write to the Beethoven House in Bonn to seek permission to reproduce the manuscript of the "Moonlight" Sonata. He suggests using the first edition as the source for the missing opening and closing bars, and asks Schenker to refrain from polemics in his commentary. Copies of the manuscripts of Beethoven's piano sonatas Opp. 28, 109, 110 and 111 should not be difficult to obtain, and he has made inquiries regarding the manuscripts of Beethoven's Piano Sonata Op. 106 and Mozart's A minor Rondo K. 511.
OC 52/411 Typed letter from Detoni and Kalmus (UE) to Schenker, dated September 14, 1920

Kalmus is glad Schenker approves of the type samples and gives estimates for the extent per page, has not yet heard from Wellesz re the "Appassionata" Sonata, is contacting Hertzka about the "Waldstein" Sonata photography, will send documentary evidence regarding a 1912 payment, and sends copies of Beethoven sonatas.

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Profiles Person Place Organization Work by Schenker Journal Musical Composition Downloads Print Preview Save Page (PDF) Save Page (EPub) Save Page (All Formats)	Piano Sonata in D major, Op. 28 (“Pastoral”) Documents associated with this entity: Correspondence Diaries Lessonbooks Types composition Names Piano Sonata in D major, Op. 28 (“Pastoral”) mc000066 Relationships Piano Sonata in D major, Op. 28 (“Pastoral”) is composed by Ludwig van Beethoven Download all selected files as or or (check files to select/deselect) Where appropriate save: English and German versions German version only English version only Correspondence BNba 318, [1] Handwritten letter from Schenker to Heinrich Rose, dated December 9, 1913 Schenker places an order for photographs of Beethoven piano sonatas Op. 111, Op. 27, No. 2, and Op. 28. BNba 318, [2] Handwritten letter from Schenker to F. A. Schmidt, dated December 9, 1913 Schenker states that he is writing a letter placing an order for photographs of Beethoven piano sonatas Op. 111, Op. 27, No. 2, and Op. 28, and hoping that Schmidt will extend his permission to cover the latter two manuscripts. OC B/203 Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Schenker, dated December 13, 1913 Schmidt thanks Schenker for the copy of his monograph Beethovens neunte Sinfonie, and raises points of detail about the photography of the three requested works. BNba 304g, [3] Handwritten letter from F. A. Schmidt (Beethoven-Haus) to Ernst Zitelmann, dated December 14, 1913 Schmidt consults Zitelmann as to whether Schenker should be granted permission for photography of Beethoven's sonatas Op. 27, No. 2 and Op. 28; then proceeds to other Beethoven-Haus business. BNba 304g, [4] Handwritten letter from F. A. Schmidt (Beethoven-Haus) to an unknown colleague, dated December 14, 1913 Schmidt suggests that permission for photography of Beethoven's sonatas Op. 27, No. 2 and Op. 28 should be granted to Schenker; and deals with other Beethoven-Haus business. OJ 10/3, [7] Handwritten letter from Otto Erich Deutsch Deutsch to Schenker, dated January 16, 1920 Deutsch will write to the Beethoven House in Bonn to seek permission to reproduce the manuscript of the "Moonlight" Sonata. He suggests using the first edition as the source for the missing opening and closing bars, and asks Schenker to refrain from polemics in his commentary. Copies of the manuscripts of Beethoven's piano sonatas Opp. 28, 109, 110 and 111 should not be difficult to obtain, and he has made inquiries regarding the manuscripts of Beethoven's Piano Sonata Op. 106 and Mozart's A minor Rondo K. 511. OC 52/411 Typed letter from Detoni and Kalmus (UE) to Schenker, dated September 14, 1920 Kalmus is glad Schenker approves of the type samples and gives estimates for the extent per page, has not yet heard from Wellesz re the "Appassionata" Sonata, is contacting Hertzka about the "Waldstein" Sonata photography, will send documentary evidence regarding a 1912 payment, and sends copies of Beethoven sonatas. Diaries Diary entry by Schenker for 15 August 1916 Diary entry by Schenker for 16 October 1916 Lessonbooks OC 3/3: 1916/17 Angi Elias: lessons: October-November [1916]

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