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FS 40/1, [1] Handwritten letter from Schenker to Salzer, dated February 8, 1930
The Schenkers accept Salzer's invitation to attend a performance of Weisse's
Octet.
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OC 54/221 Letter from Waldheim-Eberle to Schenker, dated February 13, 1930
Cost estimate of production costs for the third Meisterwerk
yearbook.
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OC 54/222 Delivery note for a package from Waldheim Eberle to Schenker, dated February 13,
1930
Delivery note for the manuscript of the third Meisterwerk volume, returned to
Schenker by Waldheim Eberle, along with an estimate for production costs (OC
54/221).
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OJ 10/3, [116] Handwritten postcard from Hanna Deutsch to Schenker, dated February 1,
1930
The Deutsches invite the Schenkers for dinner on Wednesday, February 5, 1930.
Hoboken will also be there (without his wife).
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OJ 10/3, [117] Handwritten picture postcard from Hanna Deutsch to Schenker, dated February 3,
1930
Hanna Deutsch accepts Schenker’s choice of date for supper (February
6).
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OJ 10/3, [118] Handwritten picture postcard from Deutsch to Schenker, dated February 5,
1930
Deutsch confirms the time of his invitation to the Schenkers for the
evening.
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OJ 10/3, [119] Typewritten letter from Deutsch to Schenker, dated February 26, 1930
In contrast to the uprightness of Schenker’s other pupils, Hans Weisse and
Felix Salzer, Hoboken is described by Deutsch as an unsteady, unfocussed person who may yet
be able to do some good but whose restlessness gives him grounds to fear for the future of
his library, and his own future.
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OJ 89/4, [1] Handwritten letter from Schenker to Hoboken, dated February 22, 1930
Schenker advises that an analysis of the score of Beethoven's Missa solemnis
should be taken at a slow pace.