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FS 40/1, [4] Handwritten letter from Schenker to Salzer, dated November 6, 1931
Salzer has overpaid and Schenker will return the excess.
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OJ 11/16, [9] Handwritten letter from Furtwängler to Schenker, dated November 8, 1931
Furtwängler would hear with Schenker. — He has heard good news of Weisse from
Violin.
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OJ 11/54, [36] Handwritten postcard from Hoboken to Schenker, dated November 26, 1931
Hoboken's next lesson will be December 2: Chopin mazurkas.
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OJ 15/15, [63] Handwritten picture postcard from Hertha Weisse to Jeanette Schenker, dated November
16, 1931
Hertha Weisse accepts an invitation from Jeanette Schenker.
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OJ 15/16, [83] Handwritten letter from Hertha Weisse to the Schenkers, dated November 5,
1931
Hertha Weisse thanks the Schenkers for an invitation to their place, and asks
Jeanette to suggest two possible dates.
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OJ 5/11, [1a] First draft of a handwritten letter from Schenker to Furtwängler, in Jeanette
Schenker’s hand, dated November 11‒16, 1931
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OJ 5/11, [1b] Second draft of a handwritten letter from Schenker to Furtwängler in Jeanette and
Heinrich Schenker’s hand, dated November 11‒16, 1931
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OJ 8/5, [7] Handwritten picture postcard from Schenker to Violin, dated November 27,
1931
Inquiring about Violin’s difficulties at the Schenker Institute in Hamburg,
Schenker observes that there are many fewer conservatory students in Vienna, and also in
Berlin, because music teachers earn so little.
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OeNB Mus.Hs. 36390/1 [2] Handwritten letter from Violin to Schenker, dated November 4, 1931
Violin thanks Schenker for his package. He has been swamped by administrative
business concerning the Schenker Institute, but is sometimes able to argue about musical
matters with Felix-Eberhard von Cube. He thanks Schenker for correcting a mistake on Cube’s
part concerning the analysis of the end of the C major Prelude from the first book of Bach’s
Well-tempered Clavier.