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OC 52/42 Typewritten letter from Hertzka (UE) to Schenker, dated November 5, 1909
Hertzka insists that a face-to-face meeting is necessary.
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OC 52/43 Typewritten letter from Hertzka (UE) to Schenker, dated November 10, 1909
Hertzka attempts to reassure Schenker that the topics he wanted to discuss did
not involve "changes", only technical matters.
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OJ 12/23, [1] Stenographically handwritten letter from Cotta to Schenker, dated November 27,
1909
Adolf Kröner thanks Schenker for his contribution to the Cotta
Album.
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OJ 13/37, 8 Handwritten letter from Ernst Rudorff to Schenker, dated November 14,
1909
Rudorff apologizes for his publisher's treating Schenker as a conductor; —
laments that Germany's conductors ignore his music; — asks for help in a matter concerning
an overture of his.
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OJ 13/37, 9 Handwritten postcard from Ernst Rudorff to Schenker, dated November 15,
1909
Rudorff asks Schenker not to give Jakob Fischer the score of his Herbstlied if
asked.
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OJ 6/4, [47] Handwritten letter from Schenker to Moriz Violin, dated November 7, 1909
Schenker has Mittelmann coming, and hopes to complete proofs of Introduction to
the Instrumentationstabelle today and 9th.
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OJ 6/4, [48] Handwritten letter from Schenker to Moriz Violin, dated November 22, 1909
Schenker proposes program order for forthcoming concert.
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OJ 7/4, [55] Handwritten postcard from Schenker to Moriz Violin, dated November 5, 1909
Schenker on the delusion of progress; epigonism versus
progress-art.
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WSLB 47 Handwritten letter from Schenker to Hertzka (UE), dated November 9, 1909
Schenker resists attending a meeting with Hertzka and von Wöß regarding the
printing of his edition of the Chromatic Fantasy & Fugue; asserts his rights as an
author to control over his own material; and makes claims for the introduction to his
Instrumentations-Tabelle, which was not accepted for inclusion in 1908
reprinting.
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WSLB 48 Handwritten letter from Schenker to Hertzka (UE), November 12, 1909
Schenker thanks Hertzka for the latest information on the Chromatic Fantasy
& Fugue.