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OJ 11/54, [40] Typewritten letter from Hoboken to Schenker, dated July 29, 1932
Hoboken comments on some contemporary music; — he comments adversely on the
new edition by Edouard Ganche of Chopin's works; — he may visit the Schenkers and bring Eva
Boy with him.
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OJ 89/5, [3] Handwritten letter from Schenker to Hoboken, dated July 31, 1932
Schenker welcomes a visit from Hoboken and Miss Boy, and encloses a clipping of
an article.
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OJ 89/5, [5] Typewritten letter (carbon copy) from Hoboken to Schenker, dated September 5,
1932
Hoboken sets out his plans to leave Vienna, pack his furniture and put his
music collection in store, and how he sees the continuation of his lessons with and work
under Schenker.
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OJ 5/18, 13 Handwritten letter from Schenker to Jonas, dated September 7, 1932
Der freie Satz is complete, and Anthony van Hoboken has volunteered
[financial] assistance. Schenker wonders whether van Hoboken might not provide support for
Jonas, too.
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OJ 89/5, [6] Handwritten letter from Schenker to Hoboken, dated September 17, 1932
Schenker announces the completion of Der freie Satz, and discusses the timing of
Hoboken's disbursement to cover its printing costs.
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OJ 89/5, [7] Typewritten letter (carbon copy) from Hoboken to Schenker, dated September 22,
1932
Hoboken is pleased at completion of Der freie Satz and reaffirms his financial
assistance for its printing. — Encloses a letter from Robert Haas and proposes a three-way
meeting. — Refers to the impact of his divorce has on his financial affairs. — May be able
to assist Jonas's publication.
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OJ 89/5, [9] Handwritten letter from Schenker to Hoboken, dated November 7, 1932
Schenker reports that the [Vienna] Akademie wishes to introduce his Harmonielehre
into its curriculum in an abridged version. — The Gesellschaft der Musikfreunde has granted
consent.
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OJ 89/5, [10] Typewritten letter (carbon copy) from Hoboken to Schenker, dated November 11,
1932
Hoboken welcomes the Akademie's acceptance of Schenker's Harmonielehre,
abridged, for teaching purposes; — He has started his cure at the spa.
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OJ 89/5, [11] Handwritten postcard from Schenker to Hoboken, dated November 24, 1932
Schenker asks about Hoboken's health.
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OJ 5/18, 17 Handwritten letter from Schenker to Jonas, incorrectly dated September 1932 [recte:
December 1, 1932]
Schenker discusses likely sales for Jonas's Das Wesen, and will himself help
promote the book; warns Jonas against Hoboken.
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OJ 89/5, [12] Handwritten postcard from Schenker to Hoboken, dated December 7, 1932
Schenker asks again about Hoboken's health.
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OJ 89/5, [13] Handwritten letter from Schenker to Hoboken, dated December 17, 1932
Schenker thanks Hoboken for the lesson fee, and reports that as he worked through
Brahms's file of Oktaven und Quinten, he found a piece of work in his own hand! — He reports
progress on Der freie Satz.
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OJ 89/6, [1] Handwritten letter from Schenker to Hoboken, dated January 20, 1933
Schenker reports (1) discussion with Joseph Marx of a school version of his
Harmonielehre for the Akademie curriculum; (2) proposal from New York for an English
translation of Harmonielehre.
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OJ 89/6, [2] Typewritten letter (carbon copy) from Hoboken to Schenker, dated February 15,
1933
Miss Boy has had an angina attack — they are to be married; — The number of
subscriptions for Jonas's book is disappointing; — Hoboken is weighing up his financial
support for it with that for Schenker's Freier Satz.
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OJ 89/6, [3] Handwritten letter from Schenker to Hoboken, dated February 17, 1933
Congratulating Hoboken on his forthcoming marriage to Frl. Boy, Schenker
reports that Kalmus is playing a devious financial game over Oktaven u. Quinten (which is in
press) and Der freie Satz (which he thinks will take two years to publish) that may yet see
the latter revert to Cotta. — He speaks of Marx's naiveté over the proposed school version
of Harmonielehre. — He reports on the remaining stocks of Das Meisterwerk in der
Musik.
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OJ 89/6, [4] Handwritten letter from Schenker to Hoboken, dated March 22, 1933
Schenker thanks Hoboken for money transferred, for contact with Dlabač, and
for information about Jonas. — Oktaven u. Quinten may be published within three weeks. —
Schenker has warned Kalmus about paper quality and lithographer. — He expresses reservations
about Joseph Marx for inability to understand his work. — Weisse has 90 students enrolled
for his course [at Mannes School]; and Furtwängler deems Schenker the "great music
theorist."
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OJ 89/6, [7] Handwritten picture postcard from Schenker to Hoboken, undated [June 22,
1933]
Schenker rhapsodizes about the Reigersberg Palace, and invites the Hobokens
for a visit.
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OJ 89/6, [8] Typewritten letter (carbon copy), from Hoboken to Schenker, dated July 20,
1933
The Hobokens will not come to Reigersberg; — He re-sends his two songs for
further comment; — He sends a booklet by Gottfried Benn; — They are isolated in
Partenkirchen, and are distressed at events in Germany; — Alfred Cortot has visited the
Photogram Archive and expressed an interest.
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OJ 89/6, [9] Handwritten letter from Schenker to Hoboken, dated July 25, 1933
In writing of Hoboken's prospects as a composer, Schenker is not interested in
creating imitation Bachs and Brahmses. — He delights in Cortot's visit to the Photogram
Archive - but Cortot belongs to the already convinced. — He makes observations on some
inclosed feuilletons, and gives information about Goos.
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OJ 89/6, [10] Typewritten letter (carbon copy), from Hoboken to Schenker, dated August 5,
1933
Hoboken is gratified by Schenker's praise of his song compositions; — He will
continue his Chopin projects someday, but is preoccupied with the worsening European
political situation; — He comments on Kleiber, Max Graf, on Goos's estimate of Schenker's
importance, and returns newspaper clippings that Schenker has sent him with
comments.
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OJ 89/9, [1] Handwritten letter from Schenker to Hoboken, undated [August 15, 1933]
In returning it, Schenker comments on book by Gottfried Benn, and reports that
Der freie Satz is nearing completion.
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OJ 89/9, [2] Handwritten letter from Schenker to Hoboken, undated [October 7, 1933]
Schenker acknowledges receipt of money transfer; — alludes to Jonas's forthcoming
book and two other books now in progress about his work; — refers to a review of his Oktaven u.
Quinten that misunderstands the nature of Brahms's collection.
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OJ 5/18, 30 Handwritten postcard from Schenker to Jonas, dated November 6, 1933
Schenker reports van Hoboken's pending arrival in Vienna; — He refers to
Furtwängler and Richard Strauss.
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OJ 8/5, [25] Handwritten postcard from Schenker to Violin, postmarked November 27,
1933
In a message deprecating Hoboken’s character, Schenker believes that Hoboken
(the “wandering Dutchman") is trying to stretch out his tuition by paying social calls with
his wife outside lesson times; he likes Vienna because the cost of living is lower than in
Holland.
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OJ 89/6, [11] Handwritten letter from Schenker to Hoboken, dated December 25, 1933
Schenker speaks of recent articles by O. E. Deutsch and I. Citkowitz, and
reports on former pupils Hupka and Breisach.
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OJ 89/7, [1] Typewritten letter (carbon copy) from Hoboken to Schenker, dated January 5,
1934
Hoboken tells Schenker of his plans to build a house in Grinzing. — He praises
an article by Citkowitz. — He reports on Jonas's book.
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OJ 89/7, [2] Handwritten letter from Schenker to Hoboken, dated January 13, 1934
Schenker encourages Hoboken to continue to live in Vienna, praising its racial
diversity; — Der freie Satz is near completion; — sales of Beethovens Neunte Sinfonie are going
well.
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OJ 89/7, [5] Handwritten letter from Schenker to Hoboken, dated February 25, 1934
Schenker comments on Eva van Hoboken's visit [of February 18]; — Encloses a
collection of articles, praises Hoboken's opposition to Ganche, and comments sardonically about
Schering, Kretzschmar, and Riemann.
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OJ 89/7, [7] Typewritten letter (carbon copy) from Hoboken to Schenker, dated March 15,
1934
Hoboken outlines plans to expand publicity for the Photogram Archive. —
Reports re his work on Chopin's Scherzo Op. 54, which he will bring to his April 3 lesson. —
Refers to the invitation to Schenker to contribute to the journal of the
Reichsmusikkammer.
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OJ 89/7, [9] Handwritten letter from Schenker to Hoboken, dated June 12, 1934
Schenker recounts a visit to Grinzing to view Hoboken's new house, and then to
the Kobenzl; — reports on last-minute work for Der freie Satz and a new edition of the Beethoven
piano sonatas; — comments on political developments in Europe; — Jeanette and he are leaving for
the summer vacation.
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OJ 89/7, [14] Handwritten letter from Schenker to Hoboken, dated August 4, 1934
Schenker asks about Hoboken's address. — An article has appeared belatedly in
the Deutsche Zeitschrift.
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OJ 89/7, [12] Typewritten letter (carbon copy) from Hoboken to Schenker, dated July 31,
1934
Hoboken assures Schenker that he will support him in his work. — He outlines
the restrictions that he has placed on Otto Erich Deutsch, and expresses irritation that
Deutsch has been offered a course at the Vienna Academy. — He is annoyed at the political
views expressed by E. F. Schmid, who has been appointed at the University of
Graz.
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OJ 89/7, [13] Handwritten letter from Schenker to Hoboken, dated August 2, 1934
Schenker, in Böckstein, welcomes the Hobokens' imminent visit.
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OJ 5/18, 50 Handwritten picture postcard from Schenker to Jonas, dated August 7, 1934
Schenker suggests the publisher should send Vrieslander a copy of Jonas's
book; — Hoboken's plans to be in Vienna.
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OJ 5/18, 51 Handwritten letter from Schenker to Jonas, dated August 18, [1934]
Schenker re-sends a postcard that has been returned; mentions a visit by the
Hobokens
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OJ 10/18, [9] Handwritten letter from Elias to Schenker dated August 23, 1934
Miss Elias thanks Schenker for his words of condolence. She has decided to
remain in Vienna to be with her brother.
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OJ 5/18, 59 Handwritten letter from Schenker to Jonas, dated October 16, 1934
Schenker cautions Jonas that he detects "something afoot" with Hoboken and his
wife. — Mentions Hans Wolf's reentry problems and reports on German students coming to him.
—An article on Schenker has been included in Spanish Enciclopedia universale. —Reports on
Zuckerkandl, Breisach, von Cube, and Weisse.
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OJ 11/54, [41]-[42] Handwritten letter, with envelope, from Hoboken to Schenker, dated January 1,
1935
Hoboken wishes Schenker good health, and strength to complete Der freie Satz.
— He discusses the furniture in the new premises of the Photogram Archive, and gives his
travel plans for January.
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OJ 11/54, [45]-[46] Handwritten letter, with envelope, from Eva van Hoboken to Jeanette Schenker, dated
December 15, 1935
Eva van Hoboken sends 200 shillings for a copy of "Brahms
Erinnerungen."