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DLA 69.930/15 Handwritten letter from Schenker to Halm, dated July 11, 1927
Thanking Halm for his Beethoven book, he believes that their misunderstandings
could be removed and hopes Der freie Satz will help bring that about; gives order of publication
for Meisterwerk II and Der freie Satz, and compares his "Das Organische der Fuge" with the work
of others on Bach. — Schenker took no part in the Vienna Beethoven festival. — Describes his
correspondence with Hindemith.
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OC 52/842 Typed postcard from Barbara Rothe to Schenker, dated July 6, 1927
The revised edition of Schenker's "Appassonata" Sonata edition has not yet
appeared.
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OJ 52/898 Receipt for bank transaction from the Post Office Savings Bank to Schenker, dated July
14, 1927
Receipt for sum of 221.48 shillings [from UE].
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OC 54/180 Postal receipt for a package to Drei Masken Verlag, dated July 6, 1927
Postal receipt for a package containing corrections to gatherings 7–9 of the
second Meisterwerk volume.
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OC 54/181 Typed letter from Mandruck to Schenker, dated July 8, 1927
Mandruck enclose the remaining page proofs for the second Meisterwerk volume,
along with copies of the relevant music examples. They request guidance on the positioning
of the music examples.
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OC 54/182 Postal receipt for a package to Drei Masken Verlag, dated July 14, 1927
Postal receipt for a package containing gatherings 10–14 of the second
Meisterwerk yearbook, along with sheets I–XV of the appendix, 2 Urlinie graphs and an original
copy of Tonwille.
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OJ 10/3, [65] Typewritten letter from Deutsch to Schenker, dated July 11, 1927
Deutsch tells Schenker that the second edition of Schindler’s Beethoven
biography is available, but not the first. --- He explains at length a misunderstanding over
the reprinting of Beethoven’s Piano Sonata Op. 57, with correction strips, before Universal
Edition reissued Schenker’s edition, revised in the light of the facsimile of the autograph
manuscript. --- He is thoroughly pleased with Hoboken’s text (announcing the Photogram
Archive) and gives an account of his and Hoboken’s movements over the summer.--- He reports
on a project in America to find a completion for Schubert’s “Unfinished” Symphony, and
expresses his regret that Drei Masken Verlag have been slow to prepare the second
Meisterwerk yearbook for publication.
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OJ 11/16, [6] Handwritten letter from Furtwängler to Schenker, dated July 18, 1927
Furtwängler mentions several mutual acquaintances, and hopes to see Schenker in
Vienna.
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OJ 89/1, [1] Handwritten letter from Schenker to van Hoboken, dated July 3, 1927
Schenker gives Hoboken Furtwängler's summer address and urges him to contact the
latter, which could yield advantage, not least for the Photogrammarchiv. — Has seen Schindler's
Beethoven biography with notes on performance. — Notifies Hoboken of the normalizing of his fee
at 50 schillings per lesson.
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Sbb 55 Nachl. 13, [2] Handwritten letter from Schenker to Furtwängler, dated July 3, 1927
Schenker recommends Oppel's Mass, and commends Anthony van Hoboken to
Furtwängler.