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OC 54/79 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 5, 1926
The binding of the first Meisterwerk Yearbook has been transferred to another
firm, mainly because the printing-house of Waldheim-Eberle would not do this work for the
agreed price. Schenker is asked not to press for an early release of the book, before the
bindings have had a chance to dry thoroughly.
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OC 54/80 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 11, 1926
Drei Masken Verlag acknowledge receipt of the manuscript of Das Meisterwerk in
der Musik, vol. 2.
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OC 54/81 Envelope for item 54/80, dated June 11, 1926
Envelope for a letter confirming receipt of the manuscript for Das Meisterwerk in der Musik, volume 2.
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OC 54/82 Typed postcard from Alfred Einstein and August Demblin (DMV) to Schenker, dated June
14, 1926
The Munich office of Drei Masken Verlag acknowledges receipt of the
manuscript for Das Meisterwerk in der Musik, volume 2.
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OC 54/83 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 15, 1926
Drei Masken Verlag are sending Schenker ten hard-bound complimentary copies of
the first Meisterwerk Yearbook, although he may contractually be entitled only to five
hard-bound and five paper-bound copies. They ask him to send the addresses to which review
copies may be sent. (Schenker has made some pencil notes about the receipients of the
complimentary copies.)
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OC 54/84 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 16, 1926
Drei Masken Verlag ask Schenker to exchange five paper-bound copies of the
first Meisterwerk Yearbook for five of the hard-bound copies they had recently sent
him.
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OC 54/85 Telegram from Drei Masken Verlag to Schenker, dated June 16, 1926
Drei Masken Verlag in Munich acknowledge receipt of the manuscript of the
second Meisterwerk Yearbook.
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OC 54/86 Handwritten Note from DMV to Schenker, dated June 17, 1926
Drei Masken Verlag ask Schenker to exchange five paper-bound copies of the
first Meisterwerk Yearbook for five of the hard-bound copies he had recently received from
them.
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OC 54/87 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 19, 1926
Drei Masken Verlag inform Schenker that the distribution of the first
Meisterwerk volume will be delayed until their Munich branch have announced the retail
price.
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OC 54/88 Typed letter from August Demblin (DMV) to Schenker, dated June 21, 1926
Drei Masken Verlag will arrange to have the remainder of the advance for the
first Meisterwerk Yearbook paid in shillings, but they are reducing the royalties because
the corrections he made exceed 10% of the printing costs. They are also reserving judgment
on the publication of the second Yearbook until they see some sales figures for the first.
(Pencil annotations to the letter indicate Schenker’s displeasure at this
news.)
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OC 54/89 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 22, 1926
Drei Masken Verlag in Vienna report having paid the remainder of the advance
for the first Meisterwerk Yearbook into Schenker’s account.
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OC 54/90 Typed letter from Alfred Böhme (DMV) to Schenker, dated June 23, 1926
In response to Schenker’s query regarding advance payments for Das Meisterwerk
in der Musik, the Vienna office of Drei Masken Verlag explain that they have instructions
only to offer the remainder of the advance on the first Yearbook, and that no decision has
yet been made with regard to the second.
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OC 54/91-92 Draft of a letter from Schenker to DMV in Schenker’s hand, dated June 24,
1926
In response to Drei Masken Verlag’s delay in initiating production of the
second Meisterwerk Yearbook, Schenker points out that the publishers are in breach of
paragraph 8 of the contract between them for not informing him the previous summer. He
threatens them with legal action if he has not had a reply within a week, or if they insist
on delaying production.
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OC 54/93 Postal Receipt for a letter from Schenker to Drei Masken Verlag, dated June 24,
1926
Postal receipt for the final version of OC 54/91–92.
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OC 54/94 Typed letter from Hirsch to Schenker, dated June 26, 1926
Treuga Bank confirm that the General Director has read through the contract
and letters regarding payment for the first Meisterwerk volume. He will send a report as
soon as he has discussed the matter with the Consul General.
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OC B/192 Two typewritten letters from Wilhelm Altmann to Schenker, dated June 9,
1926
Letter 1: Altmann replies to Schenker's inquiry about manuscripts of two
Mozart symphonies. Letter 2: Altmann gives his summer travel plans; delay in publishing
article about Schenker in Die Musik; advice for Weisse over choice of
publisher.
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OJ 10/1, [93] Handwritten letter from Walter and Margarete Dahms to Schenker, dated June 17,
1926
Birthday greetings.
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OJ 10/1, [94] Handwritten letter from Dahms to Schenker, dated June 26, 1926
Dahms thanks Schenker for his report [on the viability of the almanach
proposal]. — He plans to devote part of the almanach to Beethoven, and asks whether Schenker
might contribute something new, or grant permission to reprint some of what he has written
in Der Tonwille.
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OJ 14/45, [53] Handwritten letter from Moriz Violin to Schenker, dated June 7, 1926
Violin thanks Schenker for his recent postcard, gives a brief account of his
own illnesses, and gives a somewhat longer account of those of his son Karl, which will
complicate summer travel plans. He has learned from music shops in Hamburg that the
Erläuterungsausgabe of Op. 106 is not yet published, and has also heard that Schenker's
Beethoven sonata edition is no longer available; he asks Schenker if this is
true.
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OJ 9/12, [6] Handwritten letter from Carl Bamberger to Schenker, dated June 15, 1926
Bamberger has introduced pianist Stefan Askenase to Schenker's
Erläuterungsausgabe of Op. 111, to the latter's delight. He would like to visit the
Schenkers in Galtür.