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OC B/147 Printed postcard from Wilhelm Altmann to Schenker, dated April 26, 1922
In a form postcard, Altmann thanks Schenker for his good wishes on his 60th
birthday.
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OJ 10/3, [30] Typewritten letter from Deutsch to Schenker, dated April 8, 1922
Deutsch has learnt from Dr. [Greta] Kraus that Dr. Haas still does not want to allow them to
reproduce facsimiles of Beethoven's "Spring" Sonata Op. 24, because he feels bound to Drei Masken. When
Universal Edition have confirmed this to Deutsch, Deutsch will ask Schenker to propose a different Beethoven
manuscript.
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OJ 10/3, [31] Typewritten letter from Deutsch to Schenker, dated April 18, 1922
Deutsch informs Schenker that Drei Masken is publishing a facsimile of Beethoven's Piano Sonata in
C minor, Op. 111.
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OJ 10/3, [32] Typewritten postcard from Deutsch to Schenker, dated April 20, 1922
Deutsch thanks Schenker for his suggestions [for further facsimile editions] and has passed them
on to Universal Edition.
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OJ 10/3, [33] Typewritten postcard from Deutsch to Schenker, dated April 21, 1922
Deutsch has already written to Universal Edition about [Schenker's proposal for a facsimile
edition of] Beethoven's Piano Sonata Op. 109. Should this plan be realized, he hopes that Schenker will provide
a foreword.
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OJ 10/3, [34] Typewritten letter from Deutsch to Schenker, dated April 26, 1922
Deutsch reports that Universal Edition has agreed to publish facsimile editions of Beethoven's
Piano Sonatas Opp. 109 and 110; he asks what sources Schenker could make available. Deutsch would also like to
know which Beethoven string quartet Schenker would recommend for a further facsimile edition.
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OJ 8/4, [11] Handwritten postcard from Schenker to Moriz Violin, dated April 9, 1922
Schenker apologizes for not having been in touch with Violin, mainly owing to
overwork and a severe diabetic reaction, which required medical attention. He reports on a new
series of Beethoven sonata editions – an "Urlinie-Ausgabe" – he is planning to
undertake.