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Sonnt. 7.

Sezession: Bilder von Cottet., eigentümlich grauschwarz; besonders gefielen mir die Kirchen zu Segovia, „todtes Kind“, einige Bilder aus der Bretagne, eine originelle Lösung des Tryptychonproblems. — „[?Eveurpel]'s Kinder“ in origineller Weise, sozusagen überreif gesehen u. dargestellt.

© Transcription Ian Bent.

Sun. 7

[At the] Sezession: paintings by Cottet, strangely greyish-black; in particular, the churches in Segovia, "Dead Child," several paintings from Britanny, an original solution to the tryptych problem, pleased me. — "[?Eveurpel]'s Children" in an original manner, so to speak conceived and presented over-ripely.

© Translation Ian Bent.

Sonnt. 7.

Sezession: Bilder von Cottet., eigentümlich grauschwarz; besonders gefielen mir die Kirchen zu Segovia, „todtes Kind“, einige Bilder aus der Bretagne, eine originelle Lösung des Tryptychonproblems. — „[?Eveurpel]'s Kinder“ in origineller Weise, sozusagen überreif gesehen u. dargestellt.

© Transcription Ian Bent.

Sun. 7

[At the] Sezession: paintings by Cottet, strangely greyish-black; in particular, the churches in Segovia, "Dead Child," several paintings from Britanny, an original solution to the tryptych problem, pleased me. — "[?Eveurpel]'s Children" in an original manner, so to speak conceived and presented over-ripely.

© Translation Ian Bent.