Sonnt. 7.
© Transcription Ian Bent. |
Sun. 7
[At the] Sezession: paintings by Cottet, strangely greyish-black; in particular, the churches in Segovia, "Dead Child," several paintings from Britanny, an original solution to the tryptych problem, pleased me. — "[?Eveurpel]'s Children" in an original manner, so to speak conceived and presented over-ripely. © Translation Ian Bent. |
Sonnt. 7.
© Transcription Ian Bent. |
Sun. 7
[At the] Sezession: paintings by Cottet, strangely greyish-black; in particular, the churches in Segovia, "Dead Child," several paintings from Britanny, an original solution to the tryptych problem, pleased me. — "[?Eveurpel]'s Children" in an original manner, so to speak conceived and presented over-ripely. © Translation Ian Bent. |