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OJ 6/3, [A] - Handwritten letter from Schenker to Moriz Violin, undated [?1897 or 1899]
Du dürftest meine Karte die freilich noch in die ersten Hochwassertage fiel, doch erhalten haben? Oder fiel sie in’s Hochwasser? 1 Nun theile ich dir mit, dass ich ein Streichquartet fertig gemacht habe. 2 Ob ich dich bald sehe, entscheidet sich morgen, spätestens übermorgen. Vielleicht geht es? Es würde dich wiederzusehen sehr freuen © Transcription Ian Bent, 2022 |
You should surely have received my postcard, which admittedly fell on the first of the high water days? Or did it fall into the high water? 1 This is to let you know that I have finished a string quartet. 2 Whether I will see you will be decided tomorrow, or at latest the day after tomorrow. To see you again would greatly please © Translation Ian Bent, 2022 |
Du dürftest meine Karte die freilich noch in die ersten Hochwassertage fiel, doch erhalten haben? Oder fiel sie in’s Hochwasser? 1 Nun theile ich dir mit, dass ich ein Streichquartet fertig gemacht habe. 2 Ob ich dich bald sehe, entscheidet sich morgen, spätestens übermorgen. Vielleicht geht es? Es würde dich wiederzusehen sehr freuen © Transcription Ian Bent, 2022 |
You should surely have received my postcard, which admittedly fell on the first of the high water days? Or did it fall into the high water? 1 This is to let you know that I have finished a string quartet. 2 Whether I will see you will be decided tomorrow, or at latest the day after tomorrow. To see you again would greatly please © Translation Ian Bent, 2022 |
Footnotes1 Hochwasser: lit. “high water,” i.e. flooding; Vienna frequently experienced severe flooding of the City from the Danube, notably in July 1897 and September 1899: click on "High water." Hence the ambivalent editorial dating. 2 All that are known to survive are sixteen sheets of sketches for four string quartet movements, all undated: OJ 23/25 “Aria,” C major; OJ 23/26 “Scherzo III, Prestissimo e capriccioso,” G minor; OJ 23/27 “Largo,” A minor; and OJ 23/28 [untitled], C minor; all are in Schenker’s hand. They are catalogued as “C45–48” with musical incipits by Benjamin McKay Ayotte, ed., Heinrich Schenker: a Guide to Research (New York: Routledge, 2004), pp. 36–39. — The third movement is annotated “Marburg an der Lahn” (the only known reference to Marburg in the Schenker papers appears in the schedule of Schenker's tour with Johannes Messchaert on January 9, 1899, but that was Marburg in Styria). |
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Digital version created: 2022-09-10 |