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[undated]

Liebe sr Moritz!

Du dürftest meine Karte die freilich noch in die ersten Hochwassertage fiel, doch erhalten haben? Oder fiel sie in’s Hochwasser? 1

Nun theile ich dir mit, dass ich ein Streichquartet fertig gemacht habe. 2 Ob ich dich bald sehe, entscheidet sich morgen, spätestens übermorgen. Vielleicht geht es? Es würde dich wiederzusehen sehr freuen


Deinen
[signed:] H Schenker

© Transcription Ian Bent, 2022


[undated]

Dear Moritz,

You should surely have received my postcard, which admittedly fell on the first of the high water days? Or did it fall into the high water? 1

This is to let you know that I have finished a string quartet. 2 Whether I will see you will be decided tomorrow, or at latest the day after tomorrow. To see you again would greatly please


your
[signed:] H. Schenker

© Translation Ian Bent, 2022


[undated]

Liebe sr Moritz!

Du dürftest meine Karte die freilich noch in die ersten Hochwassertage fiel, doch erhalten haben? Oder fiel sie in’s Hochwasser? 1

Nun theile ich dir mit, dass ich ein Streichquartet fertig gemacht habe. 2 Ob ich dich bald sehe, entscheidet sich morgen, spätestens übermorgen. Vielleicht geht es? Es würde dich wiederzusehen sehr freuen


Deinen
[signed:] H Schenker

© Transcription Ian Bent, 2022


[undated]

Dear Moritz,

You should surely have received my postcard, which admittedly fell on the first of the high water days? Or did it fall into the high water? 1

This is to let you know that I have finished a string quartet. 2 Whether I will see you will be decided tomorrow, or at latest the day after tomorrow. To see you again would greatly please


your
[signed:] H. Schenker

© Translation Ian Bent, 2022

Footnotes

1 Hochwasser: lit. “high water,” i.e. flooding; Vienna frequently experienced severe flooding of the City from the Danube, notably in July 1897 and September 1899: click on "High water." Hence the ambivalent editorial dating.

2 All that are known to survive are sixteen sheets of sketches for four string quartet movements, all undated: OJ 23/25 “Aria,” C major; OJ 23/26 “Scherzo III, Prestissimo e capriccioso,” G minor; OJ 23/27 “Largo,” A minor; and OJ 23/28 [untitled], C minor; all are in Schenker’s hand. They are catalogued as “C45–48” with musical incipits by Benjamin McKay Ayotte, ed., Heinrich Schenker: a Guide to Research (New York: Routledge, 2004), pp. 36–39. — The third movement is annotated “Marburg an der Lahn” (the only known reference to Marburg in the Schenker papers appears in the schedule of Schenker's tour with Johannes Messchaert on January 9, 1899, but that was Marburg in Styria).

Commentary

Format
1p letter: holograph salutation, message, valediction, and signature
Provenance
Schenker, Heinrich (document date-1935)--Schenker, Jeanette (1935-c.1942)--Ratz, Erwin (c.1942-c.1955)--Jonas, Oswald (c.1955-1978)--University of California, Riverside (1978)
Rights Holder
Heirs of Henrich Schenker, deemed to be in the public domain
License
All reasonable steps have been taken to locate the heirs of Heinrich Schenker. Any claim to intellectual rights on this document should be addressed to the Schenker Correspondence Project, Faculty of Music, University of Cambridge, at schenkercorrespondence[at]mus[dot]cam[dot]ac[dot]uk

Digital version created: 2022-09-10
Last updated: 2011-09-23